Tag: Barbie Rewind

Debbie Gibson – Super-Mix Club (Japan Mini-LP)

Burning The Ground Exclusive 1988

BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!

“Super-Mix Club” is a Japan-only Mini-LP released by American female singer, songwriter, producer and actress Debbie Gibson featuring remixes from her debut album “Out Of The Blue”.

A child prodigy, she started writing songs when she was 5 years old and learned record production at the age of 12. She studied classical piano at New York’s Juliard School of Music and has appeared in several Broadway stage productions, most notably, “Les Miserables” and in the London theatre production of “Grease”.

Gibson released her debut album Out of the Blue in 1987, which spawned several international hits, later being certified triple platinum by the Recording Industry Association of America. One of those singles, “Foolish Beat”, made Gibson the youngest female artist to write, produce, and perform a Billboard Hot 100 number-one single.

Gibson is the sole songwriter on all of her singles to reach the top 20 of the Billboard Hot 100. She was recognized by ASCAP as Songwriter of the Year, along with Bruce Springsteen, in 1989.

After years of writing and producing her own material, a demonstration tape of Gibson’s submitted to a radio personality was eventually shared with an executive at Atlantic Records. Based solely on Gibson’s original song, “Only in My Dreams”, she was signed to a development deal and began a promotional tour of club venues throughout the United States.

Gibson spent much of 1986 and the beginning of 1987 building her songwriting catalog, while continuing to play club dates. During her promotional tour, Gibson continued attending classes at Calhoun High School in Merrick, New York, where she later graduated as an honor student. Diane Gibson, Debbie’s mother and manager, accompanied her daughter on many of these track dates. “We played dance clubs, straight clubs, and gay clubs,” Diane has said.

The single “Only in My Dreams” was released in December 1986 and landed in the Billboard Hot 100 chart beginning in May 1987, peaking at number four that September. Atlantic Records and Gibson worked to complete her first album as a result of the good showing by the single.

Following the success of “Only In My Dreams”, “Shake Your Love” was released as the follow-up single and reached the Billboard top five. The “Shake Your Love” video was choreographed by Paula Abdul and was the first time MTV had visited Gibson on a video shoot.

In 1987, while performing at nightclubs throughout the United States, Gibson recorded her debut album, Out of the Blue. Along with producer Fred Zarr, Gibson wrote, recorded, and produced it in four weeks. Four singles from the album reached the top five of the Hot 100 chart: “Only in My Dreams”, “Shake Your Love”, “Out of the Blue”, and the number-one hit “Foolish Beat”, followed by “Staying Together”, which performed more modestly, reaching number 22. “Foolish Beat” set a record, making Gibson at 16 the youngest artist to write, produce, and perform a Billboard number-one single, as cited in the 1988 Guinness Book of World Records. She remains the youngest female artist to have done so. Out of the Blue became a hit album, and she had success in the UK and southeast Asia, filling stadiums with her Out of the Blue tour. By the end of 1988, Out of the Blue had gone triple platinum.

SIDE A:
Shake Your Love (Club Mix) 5:54
Out Of The Blue (Drumapaella) 4:05
Only In My Dreams (Club Mix) 6:32

SIDE B:
Foolish Beat (Extended Mix) 6:44
Out Of The Blue (Club Mix) 5:52
Shake Your Love (Bassa Pella) 3:33

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI Strip: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: Atlantic – P-6269
Format: Vinyl, 12″, 33 ⅓ RPM, Mini-Album
Country: Japan
Released: Jun 25, 1988
Genre: Electronic
Style: Freestyle, Synth-pop

CREDITS:

NOTES:
Includes insert with lyrics in English and Japanese.

Buy the Mini-LP at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Toni Basil – Mickey (US 12″)

Burning The Ground Exclusive 1982

BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!

AN 80s AUDITORY ICON

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted November 15, 2011

“Mickey” (originally titled as “Kitty”) is a song recorded by American singer and choreographer Toni Basil for her debut studio album, Word of Mouth (1981). It was first recorded by the pop group Racey. Mike Chapman and Nicky Chinn wrote the song, while production was helmed by Greg Mathieson and Trevor Veitch. Basil’s version is new wave, featuring guitar, synthesizers and cheerleading chants. It garnered a mixed response from music critics, with some critics praising the radio-friendly nature of the song, while others described some of the lyrics as obscene.

The song was originally performed by British pop group Racey, with the title “Kitty”, and was included on their debut studio album Smash and Grab in 1979. The original Racey song did not include the “Oh Mickey, you’re so fine” chant, which Basil added.

For years, it was rumored that the name was changed to Mickey because Basil developed a crush on the Monkees’ drummer and lead vocalist Micky Dolenz, after meeting him on the set of their movie, Head, for which she was the choreographer. However, that claim has been denied by Basil, who has said that she “didn’t really know Micky at all”. In January 2020, Basil released a re-recording of the song as “Hey Mickey” to digital and streaming platforms.

On August 31, 2017, Basil filed a multi-claim lawsuit against Razor & Tie Direct, Forever 21, Disney, Viacom, VH1, and South Park. Basil alleged that the defendants had commercially used the song “Mickey” without a license and damaged her right of publicity, claiming excess of $25,000 in damages. Basil also filed a lawsuit against AMC on May 12, 2020, for the unauthorized use of “Mickey” in a trailer for Preacher. On August 27, 2020, a California state of appeals court affirmed dismissal of Basil’s case.

The music video was directed, produced and choreographed by Basil herself. The cheerleaders featured in the video were members of a championship squad from Carson High School in Carson, California. The cheerleading uniform Basil wore in the music video was the one she actually wore in high school. According to Basil, “They didn’t put anything in the budget, I did everything myself. And this is the actual cheer sweater from Las Vegas High.”

“Mickey” was Basil’s only U.S. Billboard Top 40 single.

SIDE A:
Mickey (Special Club Mix) 5:57

SIDE B:
Mickey (Spanish Version) 5:13

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Excellent

U.S. CHART HISTORY:

Year Single Chart Position
1982 Mickey U.S. Billboard Hot 100 #1
1982 Mickey U.S. Billboard Hot Dance/Club Play #3

RELEASE INFORMATION:
Label: Chrysalis – CDS-2666
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1982
Genre: Rock
Style: New Wave, Pop Rock

CREDITS:

NOTES:
Special version from the LP “WORD OF MOUTH”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Cyndi Lauper – Girls Just Want To Have Fun (Japan 12″)

Burning The Ground Exclusive 1984

BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!

AN 80S AUDITORY ICON

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted May 20, 2015

“Girls Just Want to Have Fun” is a song made famous by Cyndi Lauper four years after it was written by Robert Hazard. It was the first major single released by Lauper as a solo artist and the lead single from her debut studio album, She’s So Unusual (1983). Lauper’s version gained recognition as a feminist anthem and was promoted by a Grammy-winning music video. It has been covered, either as a studio recording or in a live performance, by over 30 other artists.

The single was Lauper’s breakthrough hit, reaching No. 2 on the US Billboard Hot 100 chart and becoming a worldwide hit throughout late 1983 and early 1984. It is considered one of Lauper’s signature songs and was a widely popular song during the 1980s. The lists “Rolling Stone and MTV: ‘100 Greatest Pop Songs’: 1–50”, “Rolling Stone: The 100 Top Music Videos” and “VH1: 100 Greatest Videos” ranked the song at No. 22, No. 39 and No. 45, respectively. The song received Grammy Award nominations for Record of the Year and Best Female Pop Vocal Performance.

The song was written by Robert Hazard, who recorded a demo of it in 1979. Hazard wrote the song from a male point of view. Lauper’s version appeared on her 1983 debut solo record She’s So Unusual. Lauper changed some of the lyrics at the suggestion of her producer and she also had her own suggestions about how her version should sound. The track is a synthesizer-backed anthem, from a feminist perspective, conveying the point that all women really want is to have the same experiences that men can have.[9] Gillian G. Gaar, author of She’s a Rebel: The History of Women in Rock & Roll (2002), described the single and corresponding video as a “strong feminist statement”, an “anthem of female solidarity” and a “playful romp celebrating female camaraderie.”

Cash Box said that “Robert Hazard’s original male point of view is transformed into a cheerleader-like sing-along for party girls, and the Toni Basil–like beat is augmented by a hooky, ringing guitar.”

The song was released in late 1983 but much of its success on the charts came during the first half of 1984. The single reached the Top 10 in over 25 countries and reached No. 1 in ten of those countries including Australia, Brazil, Canada, Ireland, Japan, New Zealand, and Norway. It also reached No. 2 in both the United Kingdom and the United States.

In the United States, the song entered the Billboard Hot 100 at No. 80 on December 17, 1983. It ultimately peaked at No. 2 on March 10, 1984, where it stayed for two weeks, behind Van Halen’s “Jump”. In the United Kingdom, the song entered the chart at No. 50 on January 14, 1984, and peaked at No. 2 on February 4, 1984, where it stayed for one week. In Ireland, the song entered the chart on January 29, 1984. It peaked at No. 1 for two weeks and was on the chart for a total of seven weeks. In Australia, the song debuted on the Kent Music Report Top 100 on February 27, 1984. It entered the Top 10 in only its third week on the chart and reached No. 1 on March 26, 1984. It topped the chart for two weeks and then remained at No. 2 for four weeks behind Nena’s “99 Luftballons”. It stayed on the chart for 21 weeks and was the 9th biggest-selling single of the year. In Belgium, the song debut at No. 38 on February 18, 1984, and peaked at No. 4 on April 7, 1984. In the Netherlands, the song entered the chart at No. 38 on February 25, 1984, and peaked at No. 4 on March 31, 1984.

In Sweden, the song entered at No. 13 on March 6, 1984, and peaked at No. 5 on April 3, 1984, charting for six weeks. In Switzerland, the song entered the chart at No. 15 on April 1, 1984, and peaked at No. 6 on April 29, 1984. In New Zealand, the song debuted at No. 21 on April 1, 1984, and peaked at No. 1 on May 6, 1984, where it stayed for three weeks. In Austria, the single entered at No. 3 on May 1, 1984, which was its peak position. In Netherland and New Zealand “Girls Just Want To Have Fun” made the year end charts for the Top 100 of 1984. On the ARC (American Radio Chart), “Girls Just Want To Have Fun” reached #1 and made the Top 40 songs of the year for 1984.

SIDE A:
Girls Just Want To Have Fun (Extended Version) 6:05

SIDE B:
Fun With V. Knutsn (Instrumental) 7:09
Xtra Fun 5:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Girls Just Want To Have Fun U.S. Billboard Hot 100 #2
1984 Girls Just Want To Have Fun U.S. Billboard Hot Dance Music/Club Play #1

RELEASE INFORMATION:
Label: Portrait – 12・3P-509
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Special version from the LP “SHE’S SO UNUSUAL”
Manufactured in Japan.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Madonna – Hanky Panky (US 12″)

Burning The Ground Exclusive 1990

BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!

“Hanky Panky” is a song by American singer Madonna from her soundtrack album I’m Breathless. It was released on June 12, 1990, by Sire Records as the album’s second and final single. Written and produced by Madonna and Patrick Leonard, the song was developed from a line in the parent film, Dick Tracy, talking about a woman who enjoys being spanked by her partner. Performed in a playful, “tongue-in-cheek” style, “Hanky Panky” is a jazz and swing song, keeping with the film’s general theme of the 1920s and 1930s, with a changing bassline and minor to major key-shift in the chorus. It caused some controversy in Ireland because of its innuendo and racy lyrics, with women’s groups deeming them as harmful; Madonna later clarified that the lyrics were intended as a joke.

The song garnered positive response from music critics, many of them highlighting its lyrical content. It was a commercial success, becoming a top-ten hit in many countries including Australia, Ireland, Italy, the United Kingdom and the United States while topping the chart in Finland. Madonna has performed the song on two of her concert tours: Blond Ambition (1990) and Re-Invention (2004). The song has been covered by several tribute acts and was also performed on the television series Ally McBeal (1997).

In 1990, Madonna starred in the film Dick Tracy as Breathless Mahoney—a new role introduced for her—with Warren Beatty, her boyfriend at the time, playing the titular character. After the shooting for Dick Tracy was over, Madonna started working on the soundtrack. She had begun recording three songs written by Stephen Sondheim for the film—”Sooner or Later”, “More” and “What Can You Lose”—which would be part of the album, but also had to write and develop new songs comparable in style to her previous releases. She produced the entire album, including the Sondheim songs. “I want people to think of me as a musical comedy actress. That’s what this album is about for me. It’s a stretch. Not just pop music, but songs that have a different feel to them, a theatrical feel”, she said at the time.

Madonna recruited producer Patrick Leonard and engineer Bill Bottrell to help her with the project. She and Leonard toiled to create music that would fit the style and production of the film, set in the days of the Untouchables law enforcement. “Hanky Panky” was written and produced by Madonna and Leonard and was released as the second and final single from I’m Breathless on June 12, 1990. The cassette and the 7-inch versions had “More”, another song from the album as its B-side, while the 12-inch releases had two remixes of the song by Kevin Gilbert. Cover photograph for the single was done by Patrick Demarchelier with Jeri Heiden designing the sleeves.

As a BONUS TRACK, I have included the Razormaid Remix Service …Maid! How Slow Can You Go? #2 Digital Mix of “Now I’m Following You” a song that was also part of the I’m Breathless Soundtrack album. The song was not released as a single but an acetate promo 12″ single does exist.

SIDE A:
Hanky Panky (Bare Bottom 12″ Mix) 6:27

SIDE B:
Hanky Panky (Bare Bones Single Mix) 3:50

More (Album Version) 4:57
Producer – Bill Bottrell, Madonna
Written-By – Stephen Sondheim

BONUS TRACK:
Now I’m Following You (Digital Mix) 6:58
Remix –Joseph Watt

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Hanky Panky U.S. Billboard Hot 100 #10

RELEASE INFORMATION:
Label: Sire – 9 21577-0, Warner Bros. Records – 0-21577
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1990
Genre: Electronic, Jazz, Pop
Style: Swing, Big Band, Jazzdance

CREDITS:

NOTES:
Original versions available on the Sire/Warner Bros. album I’M BREATHLESS.
“More” from the film Dick Tracy

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.