Tag: 1991

June 18, 2025

Army Of Lovers – Crucified (UK 12″) (1991)

Burning The Ground Exclusive

Today’s Pride Month feature turns the volume all the way up with one of the most flamboyant, theatrical, and gloriously over-the-top dance anthems of the early ’90s—”Crucified” by Army of Lovers. Released in 1991, this iconic track is pure high-camp Eurodance bliss, complete with operatic vocals, pulsing beats, religious imagery, and tongue-in-cheek decadence. It’s not just a song—it’s a spectacle.

Led by the charismatic Alexander Bard, Army of Lovers brought androgyny, queer expression, and maximalist fashion to the pop stage at a time when very few acts dared to. “Crucified” became their breakthrough single, topping charts across Europe and becoming a beloved club staple in the U.S., particularly within LGBTQ+ circles. The track hit #6 on the U.S. Billboard Dance chart and has since become a cult classic.

With lyrics like “I’m crucified, crucified like my savior / Saintlike behavior, a lifetime I prayed,” the song blends religious melodrama with self-aware sensuality. It’s part satire, part celebration—winking at the sacred and profane with the same fierce energy. Its mix of Eurodisco, house, and choral elements creates something that feels both nostalgic and ahead of its time.

“Crucified” is Pride in sonic form: bold, unapologetic, theatrical, and impossible to ignore. It’s a song that demands you live out loud and without shame, even when the world tries to put you in a box.

💃 Whether you’re twirling in a club, voguing in your living room, or just need a reminder of how fabulous self-expression can be, this one is for you.

🎧 From Sweden with love, glitter, and subversion—Army of Lovers gave us an anthem that still feels like a revelation.

Happy Pride! 🏳️‍🌈

SIDE A:
Crucified (The Nuzak Remix) 8:04
Remix, Producer [Additional] – Nuzak

SIDE B:
Crucified (Yherushalaim Dub) 7:42
Remix, Producer [Additional] – Nuzak

Crucified (Radio Edit) 3:32

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1991	Crucified	U.S. Billboard Hot Dance Music / Club Play	#6

RELEASE INFORMATION:
Label: Ton Son Ton – SONL-17, Ton Son Ton – SONL 17
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1991
Genre: Electronic
Style: Euro House, Synth-pop

CREDITS:

Backing Vocals – Erika Essen-Möller, Jean-Paul Wall, Katarina Wilczewski, Malin Bäckström, Rickard Evenlind*
Bass – La Camilla
Co-producer, Engineer – Per Adebratt
Computer – Alexander Bard
Executive-Producer – Ole Hakansson*
Film Director [Video Clip Directed By] – Fredrik Boklund, Martin Persson
Hair, Make-Up – Jean-Pierre Barda
Keyboards, Programmed By – Anders Wollbeck
Lead Vocals, Drums – Jean-Pierre Barda
Photography By – Carl-Johan Paulin
Producer – Alexander Bard, Anders Wollbeck
Promotion [Promotion Supervisor] – Jonas Holst
Sleeve, Design – Marie S-Wollbeck*
Stylist – Camilla Thulin
Vocals – Alexander Bard, Jean-Pierre Barda, La Camilla

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

August 8, 2024

Pet Shop Boys – Jealousy (UK 12″)

Burning The Ground Exclusive 1991

Thank you Josh for your generous donation, and REQUEST.

“Jealousy” is a song originally written in 1982 by English synth-pop duo Pet Shop Boys, recorded for their fourth studio album, Behaviour (1990). It was released on 27 May 1991 as the album’s fourth and final single. The song reached #12 on the UK singles chart.

Neil Tennant states that “Jealousy” is the first proper song ever composed by the duo. Chris Lowe composed the melody at the piano in his parents’ home and, as he felt it should be a ballad, asked Tennant to write an intense-sounding lyric. Tennant complied by writing a lyric about the simplest form of jealousy: infidelity suspicions aroused by someone’s indifferent or disrespectful attitudes towards another person’s feelings (such as making his/her partner wait all night for a phone call that never comes). The song was then left off three albums because the duo were waiting for legendary film composer Ennio Morricone to agree to score the orchestral arrangement for the song. Morricone’s answer never came, and Harold Faltermeyer ended up doing the arrangement for the song’s release on Behaviour.

The album version, coming at the end of Behaviour, closed off the album with a sampler-based orchestral outro. The single version is slightly remixed and uses a real orchestra instead during the outro. The extended version of the single version lengthens the outro while adding an orchestral intro as well; in addition, Neil Tennant recites a quote from William Shakespeare’s Othello (Act III, Scene III) over both sequences:

Not poppy, nor mandragora,
Nor all the drowsy syrups of the world,
Shall ever medicine thee to that sweet sleep
Which thou owedst yesterday.

The B-side “Losing My Mind”, taken from the Stephen Sondheim musical Follies, was based on a demo originally recorded as a proposal for the Liza Minnelli album Results. Its release here follows the releases of Minnelli’s version on both Results and as the lead single from the album. As with the A-side, “Losing My Mind” was released in an extended mix (the “Disco mix”) on the 12-inch single which was recorded in 1988-89.

SIDE A:
Jealousy (Extended Mix) 7:56
Arranged By [Orchestral Arrangement] – Harold Faltermeyer
Engineer – Brian Reeves
Producer – Harold Faltermeyer, Pet Shop Boys
Recorded By [Orchestra] – Mike Jarret
Written-By – Tennant/Lowe

SIDE B:
Losing My Mind (Disco Mix) 6:08
Engineer – Roy Spong
Producer – Pet Shop Boys
Programmed By [Additional Programming] – Newman
Written-By – Sondheim

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12r6283, Parlophone – 20 4224 6
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: May 28, 1991
Genre: Electronic, Pop
Style: Synth-pop, Ballad

CREDITS:

Design – Mark Farrow, Pet Shop Boys, 3a*
Mixed By – David Jacob
Photography By – Eric Watson (3)

NOTES:
Orchestra recorded at Abbey Road Studios.
Manufactured in the UK

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

August 7, 2024

OMD – Pandora’s Box (It’s A Long, Long Way) (US 12″)

Burning The Ground Exclusive 1991

“Pandora’s Box” (subtitled “It’s a Long, Long Way” for the US release) is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora’s Box in which she starred.

The single was a top-10 hit in the United Kingdom and throughout Europe. In the United States, the song was a top-twenty dance hit reaching #11 on the Billboard Dance Chart.

Andy McCluskey wrote “Pandora’s Box” about the silent film actress Louise Brooks. He told the Edinburgh Evening News in 1991, “I’ve been fascinated by her for eight or nine years now. The more I learned the more fascinated I became. [She’s] absolutely the sort of woman you’d fall in love with on first sight and absolutely the sort of person that you desperately shouldn’t go anywhere near.

The music video for “Pandora’s Box” is in black and white and features Louise Brooks and singer Andy McCluskey. According to the video intro, all of the scenes of Brooks in the video are from the original 1929 film.

SIDE A:
A1 – Pandora’s Box (It’s A Long, Long Way) (Diesel Fingers Mix) 6:10
Edited By [Editing By] – Eric “Moe” Rosenberg
Engineer [Engineered By] – Kennan Keating
Keyboards [Additional Keyboards By] – Joey Moskowitz
Producer [Additional Production By], Remix [Remix By] – Carl Segal

A2 – Pandora’s Box (It’s A Long, Long Way) (Abstract Mix) 6:35
Arranged By [Brass Arranged By] – Snake Davis
Guitar [Guitar By] – John Themis
Mixed By – Paul Wright, Steve Anderson
Remix [Remix By], Producer [Post Production By], Keyboards [Keyboards By] – Steve Anderson
Saxophone [Sax By] – Snake Davis
Trumpet [Trumpet By] – John Thirkell

SIDE B:
B1 – Pandora’s Box (It’s A Long, Long Way) (Constant Pressure 12″) 4:39
Mixed By – Dani Griffiths, Guy Forrester

B2 – Pandora’s Box (It’s A Long, Long Way) (Prize Of Beauty Mix) 5:35
Arranged By [Brass Arranged By] – Snake Davis
Guitar [Guitar By] – John Themis
Mixed By – Paul Wright, Steve Anderson
Remix [Remix By], Producer [Post Production By], Keyboards [Keyboards By] – Steve Anderson
Saxophone [Sax By] – Snake Davis
Trumpet [Trumpet By] – John Thirkell

B3 – Sugar Tax 4:05
Mixed By – Guy Forrester

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1991	Pandora’s Box (It’s A Long, Long Way)	U.S. Billboard Hot Dance Music / Club Play	#11
1991	Pandora’s Box (It’s A Long, Long Way)	U.S. Billboard Hot Dance Music / Maxi-Singles Sales	#25
1991	Pandora’s Box (It’s A Long, Long Way)	U.S. Billboard Modern Rock Tracks	#19

RELEASE INFORMATION:
Label: Virgin Records America, Inc. – 0-96338, Virgin – 0-96338
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1991
Genre: Electronic
Style: House, Euro House, Synth-pop

CREDITS:

Mastered By – Eddy Schreyer
Producer – OMD*
Written-By – OMD*

NOTES:
From the album “SUGAR TAX”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

May 10, 2024

Pet Shop Boys – Where The Streets Have No Name (I Can’t Take My Eyes Off You) / How Can You Expect To Be Taken Seriously? (UK 7″)

Burning The Ground Exclusive 1991

“Where the Streets Have No Name (I Can’t Take My Eyes Off You)” is a song by English synth-pop duo Pet Shop Boys. The song is a medley of U2’s “Where the Streets Have No Name” and “Can’t Take My Eyes Off You”, a 1967 song by Frankie Valli, though in an arrangement informed by the 1982 disco version of the song by the Boys Town Gang rather than the original. The song accompanied “How Can You Expect to Be Taken Seriously?”, the third single from their fourth studio album, Behaviour (1990), as a double A-side in the United Kingdom (both singles were released separately in the United States). Released in March 1991 by Parlophone, the song became the duo’s 15th consecutive top-20 entry in the UK, peaking at number four on the UK Singles Chart.

The single’s other A-side, “How Can You Expect to Be Taken Seriously?”, criticizes the insincere humanitarian messages of a number of pop stars during the 1980s and the institutionalization of rock and roll. The band noted that “one song is about rock stars so to have a U2 song with it serves as a further comment.”

Also of note the version of “How Can You Expect to Be Taken Seriously?” is the “7” Perfect Attitude Mix” but not the same version that appeared on the U.S. CD Single this version is also used for the music video containing the “Gotta Have Fun” samples this mix only appears on the UK 7″ single, and the video. The mix title does not appear on the sleeve or record label.

SIDE A:
Where The Streets Have No Name (I Can’t Take My Eyes Off You) (7″ Edit) 4:32
Engineer – Ren Swan
Engineer [Assistant Engineer] – Steve Fitzmaurice
Guitar – J.J. Belle
Producer – Julian Mendelsohn, Pet Shop Boys
Sequenced By – Dominic Clarke
Vocals [Additional Vocals] – Tessa Niles
Written-By [I Can’t Take My Eyes Off You] – Bob Gaudio/Bob Crewe
Written-By [Where The Streets Have No Name] – Clayton, Evan, Mullen, Hewson*

SIDE AA:
How Can You Expect To Be Taken Seriously? 4:09
Mixed By – Brothers In Rhythm, Paul Wright
Mixed By [Assisted By] – Richard Edwards
Producer – Harold Faltermeyer, Pet Shop Boys
Remix, Producer [Post-production] – Brothers In Rhythm
Written-By – Tennant/Lowe*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1991	Where The Streets Have No Name (I Can’t Take My Eyes Off You)	U.S. Billboard Hot 100	#72
1991	Where The Streets Have No Name (I Can’t Take My Eyes Off You)	U.S. Billboard Hot Dance Music Club Play	#4

RELEASE INFORMATION:
Label: Parlophone – R 6285, Parlophone – R6285, Parlophone – 2042547
Format: Vinyl, 7″, 45 RPM, Single, Stereo
Country: UK
Released: Mar 11, 1991
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

Design – Mark Farrow, PSB*, 3a*
Photography By – Lawrence Watson

NOTES:
A: listed as “7” Edit” only on the record label.

MANUFACTURED IN THE UK BY EMI RECORDS LIMITED.

Buy the 7″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.