Tag: 1989

Fine Young Cannibals – She Drives Me Crazy (US 12″ Promo) (1989)

Burning The Ground Exclusive

Today on Burning the Ground, I’m featuring a true promo-only gem from the tail end of the ’80s dance explosion: Fine Young Cannibals’ “She Drives Me Crazy,” the U.S. 12″ promo issued by MCA Records in 1989. This release was aimed squarely at club and radio DJs and includes six exclusive remixes not commercially available elsewhere—crafted by none other than legendary remixer and MCA A&R man Louil Silas Jr.

“She Drives Me Crazy” was the lead single from The Raw & the Cooked, the sophomore (and final) album by the British trio Fine Young Cannibals. Released in early 1989, the track quickly became a global smash, hitting #1 on the Billboard Hot 100, the Canadian RPM chart, and topping charts across Europe. With its instantly recognizable snare snap and Roland Gift’s anguished falsetto, it was as odd as it was infectious—a rare collision of post-punk quirk and commercial pop genius.

But what makes this promo particularly exciting is what isn’t on the retail shelves.

📀 The Remixes
The promo-only U.S. 12″ features exclusive Louil Silas Jr. club and radio edits, reworking the original with added rhythmic punch and a more DJ-friendly structure. Silas, known for his polished R&B and dance remixes, gives the track a tighter, funkier foundation while preserving its tension and distinctive sonic identity. These mixes lean slightly more into the urban/club territory, reflecting the late ’80s U.S. remix culture that often reshaped British imports for American dancefloors.

🎤 Monie Love Rap Version
Also included is a special remix featuring a rap by British MC Monie Love, who was just breaking into the U.S. scene at the time. Her verse adds a dynamic, female perspective that contrasts sharply—but playfully—with the neurotic male energy of the original. It’s laid over a remix that sits closer to the album version than the club mixes but features subtle edits and production tweaks to mesh with Monie’s bars. This version was never commercially released and remains a rare slice of cross-Atlantic collaboration.

🔊 Promo-Only Appeal
As a promo, this 12″ wasn’t intended for retail sale, making it a sought-after collector’s item today—especially for fans of late-’80s remix culture. The exclusive mixes, tighter radio edits, and Monie Love feature encapsulate a time when labels went the extra mile to service dance floors and radio stations with unique content tailored to regional tastes.

Whether you were dancing to this in 1989 or discovering it anew, this promo captures She Drives Me Crazy at its most experimental and remix-forward. It’s a reminder of how major hits could take on a second life in the hands of remixers like Silas and boundary-pushers like Monie Love.

Stay tuned for more promo-only treasures coming soon to Burning the Ground.

SIDE A:
She Drives Me Crazy (Extended Version) 8:25
Featuring – Monie Love

She Drives Me Crazy (Radio Rap Version) 5:44
Featuring – Monie Love

SIDR B:
She Drives Me Crazy (Radio Edit) 5:20
She Drives Me Crazy (Instrumental) 4:53
She Drives Me Crazy (Percussapella) 4:53
She Drives Me Crazy (Bonus Beats) 4:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 She Drives Me Crazy U.S. Billboard Hot 100 #1
1989 She Drives Me Crazy U.S. Billboard 12 Inch Singles Sales #3
1989 She Drives Me Crazy U.S. Billboard Hot Dance Club Play #1
1989 She Drives Me Crazy U.S. Billboard Hot Black Singles #54
1989 She Drives Me Crazy U.S. Billboard Modern Rock Tracks #5

RELEASE INFORMATION:
Label: MCA Records – L33-17832
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1989
Genre: Electronic, Rock
Style: Indie Rock

CREDITS:

NOTES:
From the LP “The Raw & the Cooked”

Promotional Only – Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Joyce “Fenderella” Irby – Mr. D.J. (US 12″) (1989)

Burning The Ground Exclusive

“Mr. D.J.” marked the solo breakout for Klymaxx founding member Joyce “Fenderella” Irby—bass player, songwriter, and all-around groove generator. Coming off her years of success with “I Miss You” and “Meeting in the Ladies Room,” Joyce hit the late ’80s club scene with this funk-driven jam featuring none other than the Original Human Beatbox, Doug E. Fresh.

Released in 1989 as the lead single from her debut solo LP Maximum Thrust, the track kicks off with Doug E.’s unmistakable vocal percussion before sliding into Joyce’s sweet and soulful plea for the DJ to keep her dancing. It’s an early example of R&B merging with hip-hop elements—before it became the mainstream formula.

The track was co-produced by Dallas Austin, who Joyce helped launch into the industry. He’d go on to produce hits for TLC, Boyz II Men, and Madonna—but this is where it all started.

“Mr. D.J.” hit #2 on the Billboard Hot Black Singles chart and cracked the Dance charts too. It’s infectious, smartly produced, and undeniably funky.

This 12″ mix stretches the groove for the dancefloor, extending Doug E.’s beatbox breakdowns and giving the instrumental room to breathe. If you love that New Jack swing/R&B/hip-hop crossover sound of ’88–’90, this one deserves a spot in your rotation.

SIDE A:
Mr. D.J. (Extended Version) 6:32
Featuring – Doug E. Fresh

SIDE B:
Mr. D.J. (Radio Edit) 4:07
Featuring – Doug E. Fresh

Mr. D.J. (Instrumental) 6:10

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Mr. D.J. U.S. Billboard Hot Black Singles #2
1989 Mr. D.J. U.S. Billboard Dance Music / Club Play #23

RELEASE INFORMATION:
Label: Motown – MOT-4634
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1989
Genre: Hip Hop, Funk / Soul
Style: Contemporary R&B

CREDITS:

NOTES:
Produced for Diva I Productions

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Queen – Scandal (UK 12″) (1989)

Burning The Ground Exclusive

Released on October 9, 1989, “Scandal” was the fourth single taken from Queen’s thirteenth studio album, The Miracle. Although not one of their biggest chart hits, it peaked at number 25 in the UK. “Scandal” is a powerful track fueled by frustration, privacy, and defiance. And during Pride Month, it’s raw emotion and context that hit even deeper.

The song was written by Brian May but credited to the whole band, as was Queen’s custom during this era. It was a direct response to the press intrusion into both May’s and Freddie Mercury’s private lives. The tabloids had been circling Mercury for years, speculating about his health and sexuality. “Scandal” was Queen firing back, and the passion in Mercury’s vocal makes it unmistakably personal.

It’s no surprise that “Scandal” resonates within LGBTQ+ circles—not only for its theme of media scrutiny but also for its fierce dignity in the face of judgment. Mercury, a queer icon whether he publicly claimed the title or not, brought intensity and truth to the performance. The song becomes an anthem of endurance, a refusal to be defined by rumors or shame.

Today’s post features the rare and dramatic Extended Version from the 12″ single. Clocking in at over six minutes, this mix allows the song to breathe even more deeply—building tension with added instrumental breaks and extra emotional weight.

The B-side, “My Life Has Been Saved,” offers a more contemplative contrast and would later be reworked for Made in Heaven. But on this 12″, it stands as a poignant pairing to the storm of “Scandal.”

As we celebrate Pride, “Scandal” reminds us that the fight for truth, identity, and dignity has always been part of the queer experience. Freddie Mercury, with all his vulnerability and power, remains one of our most enduring symbols.

SIDE A:
Scandal (12″ Version) 6:34

SIDE B:
Scandal (7″ Version) 4:42
My Life Has Been Saved 3:15

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12 QUEEN 14Parlophone – 12QUEEN 14
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1989
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
“Scandal” Taken from the album “The Miracle”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Donna Summer – This Time I Know It’s For Real (US 12″) (1989)

Burning The Ground Exclusive

The Queen of Disco meets the Kings of Hi-NRG.

To kick off Pride Month with absolute euphoria, I’m posting one of Donna Summer’s finest late-’80s dance anthems—“This Time I Know It’s For Real”. Released in 1989, this track marked a bold comeback and a stunning collaboration with UK production powerhouse Stock Aitken Waterman (SAW). And yes—it still hits.

After years of genre-hopping in the ’80s, Donna returned to her roots on the dancefloor with this glossy, synth-loaded smash. It climbed to #7 on the US Billboard Hot 100 and became a major hit worldwide—her first UK Top 10 in almost a decade.

The 12″ version stretches the joy a little longer, and if you grew up hearing this in the clubs—or maybe roller-skating under mirror balls—it’s pure serotonin. For many of us, Donna Summer wasn’t just a disco icon; she was a spiritual mother of the dancefloor. Her music was freedom, sweat, style, and everything Pride stands for.

This song is also a nod to new beginnings—proof that it’s never too late for a second act, for reinvention, for love that finally feels real.

🌈 Pride Month Note:
There’s no better way to honor Pride than by turning up a Donna Summer track—because whether you were on the floor at Studio 54 or twirling in your bedroom, her voice gave us permission to feel fabulous, free, and fearless.

Happy Pride. Long live the Queen. Turn it UP.

SIDE A:
This Time I Know It’s For Real (Extended Remix) 7:22
Written-By – SummerStock Aitken Waterman

SIDE B:
If It Makes You Feel Good (LP Version) 3:45
Written-By – Stock Aitken Waterman*

This Time I Know It’s For Real (Instrumental) 3:34
Written-By – SummerStock Aitken Waterman

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 This Time I Know It’s For Real U.S. Billboard Hot 100 #7
1989 This Time I Know It’s For Real U.S. Billboard Adult Contemporary #2
1989 This Time I Know It’s For Real U.S. Billboard Hot Dance Club Songs #5
1989 This Time I Know It’s For Real U.S. Billboard Hot Dance Singles Sales #1

RELEASE INFORMATION:
Label: Atlantic – 0-86415
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Recorded at PWL

Printed in U.S.A.

A. Remixed from Atlantic LP 81987 – “Another Place And Time”
B1. From Atlantic LP 81987 – “Another Place And Time”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.