Tag: 1988

September 5, 2025

Stacy Lattisaw – Call Me (US 12″) (1988)

Burning The Ground Exclusive

By 1988, Stacy Lattisaw was already a seasoned performer despite her young age. Discovered as a teenager, she had been recording since the late 1970s and built a reputation as one of R&B’s most promising voices. Known for her sweet yet powerful vocal style, Stacy seamlessly navigated ballads and uptempo tracks, earning her a loyal following throughout the ’80s.

“Call Me” was released as the third single from her ninth studio album, Personal Attention, which dropped on January 21, 1988, through Motown Records. The album itself represented an important chapter in Stacy’s career, as she worked to expand her sound with more contemporary late-’80s R&B production while keeping the soulful essence that had carried her through the decade.

The single “Call Me” is a sleek mid-tempo groove that showcases Stacy’s effortless vocal delivery over polished instrumentation. While it didn’t soar to the top of the charts, it managed to carve out its place, peaking at #80 on the Billboard R&B Chart. Even though it wasn’t a major hit, the track reflects the transitional sound of R&B at the time—blending smooth melodies with danceable rhythms that leaned toward the New Jack Swing era just around the corner.

Looking back, “Call Me” captures Stacy at an interesting point in her journey. Just a few years later, she would step back from the recording industry altogether, leaving behind a catalog that has continued to earn appreciation from collectors, DJs, and fans of ’80s soul and R&B.

For those who treasure late-’80s Motown releases, “Call Me” stands as a reminder of Stacy Lattisaw’s unique talent—an artist who began her career as a child prodigy and matured into a singer with undeniable warmth, sincerity, and groove.

SIDE A:
Call Me (12″ Remix) 6:15

SIDE B:
Call Me (7″ Version) 4:09
Call Me (Dubsky Bass) 4:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1988	Call Me	U.S. Billboard Hot R&B / Hip-Hop	#80

RELEASE INFORMATION:
Label: Motown – MOT-4615
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic, Funk / Soul
Style: Funk, Soul

CREDITS:

Executive-Producer – Debbie Sandridge
Remix – Taavi Mote
Written-By – The Blitz (2)
Written-By, Producer – Lou Pace

NOTES:
Original version appears on the Stacey Lattisaw album, “Personal Attention”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

July 10, 2025

The Cover Girls – Inside Outside (US 12″) (1989)

Burning The Ground Exclusive

💔 “You turn me inside out, you leave me outside in…”

Emotion, melody, and beat—freestyle heartbreak at its finest.

Today on Burning the Ground, we’re diving into a stone-cold freestyle gem from The Cover Girls—“Inside Outside.” Released in 1988 as the third single from their debut album Show Me, this track captures everything that made freestyle one of the defining dance genres of the late ’80s: high drama, lush synths, and an infectious rhythm you couldn’t escape on dance floors from NYC to Miami.

By this point, The Cover Girls—originally Angel Clivillés, Caroline Jackson, and Sunshine Wright—were riding high off the success of earlier singles like Show Me and Because of You. Inside Outside continued the streak, reaching #12 on the Billboard Dance Club Songs chart and making its way onto the Hot 100, where it peaked at #55—a testament to freestyle’s growing mainstream appeal in 1988.

Song & Production
Written by Alex Cabrera, Andy Tripoli, and Tony Moran, “Inside Outside” marked a pivotal moment for The Cover Girls. While not as mainstream as their future crossover ballads, it still reached #55 on the Billboard Hot 100 and soared to #12 on the Dance Club Songs chart, earning heavy rotation in clubs and on mixshows across the country.

The 12″ single on Fever Records was a DJ’s dream, featuring a fierce Extended Mix alongside a Drumapella and two Dub versions. The track was mixed by Andy “Panda” Tripoli and The Latin Rascals, whose legendary tape-edit techniques are on full display. Sharp edits, rhythmic dropouts, and echo-laden vocals turn the Extended Mix into a peak-hour freestyle workout.

Legacy
While not as commercially dominant as some of their later crossover hits, Inside Outside has earned its place as a freestyle essential—a track that’s still spun at old-school nights and freestyle festivals to this day. Its mix of heartbreak and high energy is a perfect example of why this era and genre continue to resonate with so many fans decades later.

There was no music video filmed for this single.

SIDE A:
Inside Outside 6:48
Inside Outside (Drumapella) 5:37

SIDE B:
Inside Outside (Dub 1) 6:29
Inside Outside (Dub 2) 5:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1988	Inside Outside	U.S. Billboard Hot 100	#55
1988	Inside Outside	U.S. Billboard Hot Dance Music / Club Songs	#12

RELEASE INFORMATION:
Label: Fever Records – SF 824
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle

CREDITS:

Design [Album Design] – Mendel*
Edited By – Chep Nunez*, Dennis Muyet
Executive-Producer – Sal Abbatiello
Hair [Hair Stylist] – Francel Montane
Lacquer Cut By [Runout Etching ¢] – Tom Coyne
Make-Up – Be-nard Giles
Mixed By, Producer – Andy “Panda” Tripoli, The Latin Rascals
Photography By – Patrick Pacheco
Written-By – A. Cabrera*, A. Tripoli*, T. Moran*

NOTES:
Jacket made in Canada

Edited for SoS Entertainment

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

June 17, 2025

Depeche Mode – Strangelove (US 12″) (1988)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: July 22, 2013

Today’s Pride Month post dives deep into one of Depeche Mode’s most seductive and emotionally tangled singles: “Strangelove.” Originally released in 1987 as the lead single from Music for the Masses, it marked a sonic and thematic shift for the band—moody, magnetic, and rich with contradiction.

“Strangelove” is all about duality—desire vs. guilt, pleasure as pain, salvation wrapped in sin. And for anyone who’s ever loved in secret, or wrestled with their identity in the shadows, lines like “I give in to sin because I like to practice what I preach” hit like a thunderclap. At a time when queer love was often hidden or coded, Depeche Mode gave us a space to feel seen, without ever having to say it outright.

For today’s post, I’m spinning the 1988 U.S. 12″ of “Strangelove”—a stateside-exclusive remix known as the Highjack Remix, remixed by Bomb the Bass. It’s a version that takes the original’s dark sensuality and launches it into overdrive: thumping bass, fractured samples, and a jacked-up energy that’s ready for the club floor and the mirrorball of your mind.

The B-side features a standout too—“Nothing (Zip-Hop Mix)”—remixed by the legendary Justin Strauss. Sleek, rhythmic, and full of low-end bounce, it’s one of those understated Depeche tracks that quietly demands your attention.

This 12″ remains a fan favorite and club essential. It peaked at #50 on the Billboard Hot 100 and #24 on the U.S. Billboard Dance Club Songs chart in 1988, but more importantly—it struck a deep chord. It became an anthem not just for synth lovers, but for anyone navigating the gray zones of desire, shame, and self-discovery.

For Pride Month, “Strangelove” stands as a reminder that identity and emotion are rarely simple—and that’s where their power lies. Depeche Mode has long held a special place in LGBTQ+ hearts, offering music that embraces complexity, intensity, and unflinching honesty.

SIDE A:
Strangelove (Highjack Remix) 6:31
Remix – Bomb The Bass

Strangelove (Remix Edit) 3:50
Remix – Bomb The Bass

SIDE B:
Nothing (Zip-Hop Mix) 7:03
Edited By – Chep Nunez*
Engineer [Remix] – Hugo Dwyer
Programmed By [Additional] – Eric Kupper
Remix, Producer [Additional] – Justin Strauss

Nothing (Dub) 6:38
Edited By – Chep Nunez*
Engineer [Remix] – Hugo Dwyer
Programmed By [Additional] – Eric Kupper
Remix, Producer [Additional] – Justin Strauss

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1988	Strangelove (1988)	U.S. Billboard Hot 100	#50
1988	Strangelove (1988)	U.S. Billboard Hot Dance/Club Play	#24

RELEASE INFORMATION:
Label: Sire – 0-21022, Sire – 9 21022-0, Mute – 0-21022, Mute – 9 21022-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: Aug 23, 1988
Genre: Electronic
Style: Synth-pop

CREDITS:

Design, Photography – T&CP Assoc.*
Producer – David Bascomb*, Depeche Mode
Written-By – M.L. Gore*

NOTES:
Also known as Strangelove ’88.

The mix of track B1 is also known as “Justin Strauss Mix”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

May 29, 2025

Duran Duran – I Don’t Want Your Love (UK 12″ Promo) (1988)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: June 17, 2014, February 21, 2018

Rhythm Is The Power

In 1988, Duran Duran returned to the dancefloor with a bold and funky new single that marked a sharp evolution in their sound: “I Don’t Want Your Love.” Released as the lead single from their Big Thing album, the track showed the band embracing a tougher, more club-oriented edge, blending their signature synth-pop sensibilities with house and funk elements that fit right into the late-’80s musical landscape.

Produced by Jonathan Elias and Duran Duran, and mixed by Shep Pettibone, this post features the UK 12″ promo, which includes the extended “Big Mix” and the rare “Dub Mix,” the latter of which remained exclusive to this promo for over a decade until it finally saw CD release on 1999’s Strange Behaviour remix compilation. The Big Mix, handled by the legendary Shep Pettibone, stretches out the track’s groove with bold synth layers, tight guitar riffs, and an elastic bassline that’s pure club gold. Meanwhile, the Dub Mix strips things down, zeroing in on rhythm and texture—essential for DJs and remix heads alike.

Lyrically, “I Don’t Want Your Love” was a defiant departure from the romanticism of earlier hits like “Save A Prayer.” Here, Simon Le Bon delivers a pointed, almost confrontational message, distancing himself from a manipulative relationship. The attitude was matched by a sleek, high-concept video directed by Steve Lowe, with courtroom drama imagery underscoring the song’s themes of judgment and rejection.

Despite—or perhaps because of—its shift in tone and style, “I Don’t Want Your Love” became a commercial success. It peaked at #4 on the US Billboard Hot 100 and #14 in the UK, giving the band one of their last major Top 10 hits in the States. For longtime fans, it signaled that Duran Duran wasn’t content to rest on their New Romantic laurels—they were ready to evolve with the times and challenge expectations.

This marks the third time I’ve transferred this 12″ for Burning the Ground—but with the benefit of time, experience, and cutting-edge tech, I truly believe the third time’s the charm. This brand-new 2025 transfer was done using my latest high-end setup, including the phenomenal Ortofon Concorde Music Black cartridge, delivering every nuance with stunning clarity and depth.

SIDE A:
I Don’t Want Your Love (Big Mix) 7:34
Engineer [Mix] – Bob Rosa
Producer [Additional], Mixed By – Shep Pettibone
Programmed By [Uncredited] – Alan Friedman

SIDE B:
I Don’t Want Your Love (Dub Mix) 7:36
Engineer [Mix] – Bob Rosa
Producer [Additional], Mixed By – Shep Pettibone
Programmed By [Uncredited] – Alan Friedman

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1988	I Don’t Want Your Love	U.S. Billboard Hot 100	#4
1988	I Don’t Want Your Love	U.S. Billboard Modern Rock Tracks	#13
1988	I Don’t Want Your Love	U.S. Billboard Hot Dance Music/Club Play	#1

RELEASE INFORMATION:
Label: EMI ‎– 12 YOUR DJ 1
Format: Vinyl, 12″, Promo, 45 RPM
Country: UK
Released: 1988
Genre: Electronic, Pop
Style: House, Synth-pop

CREDITS:

Producer – Daniel Abraham, Duran Duran, Jonathan Elias
Recorded By, Mixed By – Daniel Abraham
Written-By – Taylor*, Rhodes*, Le Bon*

NOTES:
Recorded and mixed for White Falcon Productions.
Additionally produced and mixed for Mastermix Productions.
Mastered at Sterling.

From the Duranduran album “BIG THING”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.