Tag: 1988

Pet Shop Boys – Domino Dancing (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Domino Dancing” is a song recorded by the British synthpop duo Pet Shop Boys, released as the lead single from their 1988 album, Introspective. It reached number 7 on the UK Singles Chart.

Written by Chris Lowe and Neil Tennant, influenced by Latin pop and apparently also by the song “Elle est comme les étoiles” by Desireless, the song was produced by Lewis A. Martinée, the Miami-based producer behind 1980s freestyle groups like Exposé. The song was also recorded at Martinée’s studio in Miami, resulting in a considerably large number of studio musicians for a Pet Shop Boys song being featured on it.

The duo had achieved three number ones in 1987–1988 and Domino Dancing was expected to continue this success. But the public reception to the duo’s new Latin sound proved disappointing. Tennant remembers: “…it entered the charts at number nine and I thought, ‘that’s that, then – it’s all over’. I knew then that our imperial phase of number one hits was over.”

The single missed the top ten on the Billboard Hot 100, peaking at #18, and was the duo’s sixth and, to date, last Top 20 pop hit in the USA. (In fact, they have not made the top 60 since Domino Dancing.) The song did reach #5 on the Billboard Hot Dance Club Play chart, where the duo have seen more consistent success.

SIDE A:
Domino Dancing (Disco Mix) 7:41
Domino Dancing (7″ Version) 4:17

SIDE B:
Don Juan (Disco Mix) 7:33
Engineer – David Jacob
Producer – Pet Shop Boys
Programmed By [Fairlight, Assistant] – Chris Newman (4)

Domino Dancing (Alternative Mix) 4:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Domino Dancing U.S. Billboard Hot 100 #18
1988 Domino Dancing U.S. Billboard Mainstream Rock Tracks #22
1988 Domino Dancing U.S. Billboard Hot Dance Music/Club Play #5

 

RELEASE INFORMATION:
Label: EMI-Manhattan Records ‎– V-56116
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: Sep 1988
Genre: Electronic
Style: Latin, Freestyle, Synth-pop

CREDITS:
Backing Vocals – The Voice In Fashion (tracks: A1, A2, B2)
Brass –   Dana Tebor* (tracks: A1, A2, B2), Ed Calle (tracks: A1, A2, B2), Kenneth William Faulk* (tracks: A1, A2, B2), Tony Conception* (tracks: A1, A2, B2)
Composed By – Tennant and Lowe*
Engineer [Assistant] – Ceaser Sogbe* (tracks: A1, A2, B2)
Engineer, Mixed By – Mike Couzzi (tracks: A1, A2, B2)
Guitar – Nestor Gomez (tracks: A1, A2, B2)
Keyboards [Additional] – Fro Sossa (tracks: A1, A2, B2)
Keyboards [Additional], Score [Brass] – Mike Bakst (tracks: A1, A2, B2)
Mixed By – Rick “Billy Bob” Alonso* (tracks: A1, A2, B2)
Producer, Engineer, Mixed By, Arranged By [Brass] – Lewis A. Martinee* (tracks: A1, A2, B2)
Soloist, Trumpet – Tony Conception* (tracks: A1, A2, B2)

NOTES:
Tracks A1, A2 & B2 Produced for Pantera Productions. Recorded and mixed at International Sound, Miami, Florida, USA. The Voice In Fashion courtesy of EMI Manhattan Records.

Track B1 Recorded and mixed at Advision Studios, London, UK.
Printed in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

New Order – Blue Monday 1988 (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Blue Monday 1988” is British rock band New Order’s 16th single, released in March 1988. Produced by Quincy Jones with the actual remix done by John Potoker. After New Order signed to Qwest in the US, Quincy Jones saw an opportunity for their groundbreaking track to have a legitimate single release and a shot at radio airplay.

“Blue Monday 1988” reached number 3 in the British charts, number 4 in the Australian charts, and topped the dance charts in the United States.

In North America, “Touched By The Hand Of God” was featured as B-side.

SIDE A:
Blue Monday 1988 (12″ Mix) 7:08
Engineer [Mix] – Tokes*
Producer [Additional Production], Remix – John Potoker
Supervised By [Production Supervisor On Remix] – Quincy Jones

Blue Monday 1988 (Dub) 7:18
Engineer [Mix] – Tokes*
Producer [Additional Production], Remix – John Potoker
Supervised By [Production Supervisor On Remix] – Quincy Jones

SIDE B:
Touched By The Hand Of God (Remix) 7:02
Mixed By – Arthur Baker

Touched By The Hand Of God (Dub) 5:31
Mixed By – Arthur Baker

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Blue Monday 1988 U.S. Billboard Hot 100 #68
1988 Blue Monday 1988 U.S. Billboard Hot Dance Music/Club Play #1
1988 Blue Monday 1988 U.S. Billboard Hot Dance Music/Club Play Maxi-Singles Sales #9

 

RELEASE INFORMATION:
Label: Qwest Records ‎– 0-20869, Qwest Records ‎– 9 20869-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, SRC Pressing
Country: US
Released: Mar 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Design – Peter Saville Associates
Lacquer Cut By [Runout Etching ❀] – Brian Gardner
Photography By – Trevor Key
Producer, Written-By – New Order

NOTES:
Original version of “Blue Monday” from the album Substance on Qwest Records. Available on LP, Cassette and Compact Disc.

A1 & A2: Additional Production and Remix for Direct Eject Inc.

Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Information Society – Walking Away (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Walking Away” is a 1988 song by American synth-pop group Information Society. Released as a single in late 1988, the song peaked at No. 9 in the United States in February 1989 and No. 5 in the Hot Dance Club Play chart. “Walking Away” is the second single from the band’s eponymous album. “Walking Away” reached No. 9 on the Billboard Hot 100 and No. 15 on the Modern Rock Tracks chart. The music video was directed by Mark Pellington.

The song contains samples of William Shatner as James T. Kirk saying “It is useless to resist us” from the Star Trek episode, “Mirror, Mirror”, and James Doohan as Scotty saying “Let’s Go See!” from the Star Trek episode, “Wolf in the Fold”.

** The clicks and pops on “Make It Funkier (Boot It Up Vocal)” are intentinal and are supposed to be there.

SIDE A:
Walking Away (Space Age Mix) 6:38
Edited By – Gail “Sky” King
Engineer [Remix Engineer] – Bob Rosa
Producer [Additional Production], Remix – Shep Pettibone

Walking Away (Dub) 8:00
Edited By – Gail “Sky” King
Engineer [Remix Engineer] – Bob Rosa
Producer [Additional Production], Remix – Shep Pettibone

Make It Funkier (Boot It Up Vocal) 2:56
Engineer [Remix Engineer] – Bob Huott
Producer [Additional Production], Remix – INSOC*

SIDE B:
Walking Away (S.M.D. Mix) 7:10
Edited By – Gail “Sky” King
Engineer [Remix Engineer] – Bob Rosa
Producer [Additional Production], Remix – Shep Pettibone

Walking Away (House Dub) 6:09
Edited By – Gail “Sky” King
Engineer [Remix Engineer] – Bob Rosa
Producer [Additional Production], Remix – Shep Pettibone

Walking Away (Radio Version) 4:00
Edited By – Gail “Sky” King
Engineer [Remix Engineer] – Bob Rosa
Producer [Additional Production], Remix – Shep Pettibone

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988-89 Walking Away U.S. Billboard Hot 100 #9
1988-89 Walking Away U.S. Billboard Hot Dance Music/Club Play #5
1988-89 Walking Away U.S. Billboard Hot Dance Music/Club Play Maxi-Singles Sales #1
1988-89 Walking Away U.S. Billboard Hot Black Singles #64
1988-89 Walking Away U.S. Billboard Hot Modern Rock Tracks #15

 

RELEASE INFORMATION:
Label: Tommy Boy – TB 919
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle, Electro, Synth-pop

CREDITS:
Arranged By, Producer, Programmed By – Fred Maher
Arranged By, Programmed By – Paul Robb
Art Direction – The Grey Organsation*
Design – Maura P. McLaughlin
Executive-Producer – Kevin Laffey
Layout – Steven Miglio
Photography By [Silhouette Photography] – Isabel Snyder
Written-By – P. Robb*

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Information Society – What’s On Your Mind (Pure Energy) (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“What’s on Your Mind (Pure Energy)” is a song by American synth-pop band Information Society that was released as a single in 1988. The “Pure Energy” subtitle derives from a sample of Leonard Nimoy’s voice from the Star Trek episode “Errand of Mercy”. There is also a sample of DeForest Kelley’s voice from the episode “I, Mudd”. John Leland of Spin magazine called it a “pretty potent dance record”.

In 2009, VH1 ran a countdown of the 100 Greatest One Hit Wonders of the ’80s. Information Society’s “What’s on Your Mind (Pure Energy)” placed at number 74 on the countdown despite the fact that the group had two other top 40 hits: “Walking Away” (number 9) and “Think” (number 28).

The song was a big hit in the US, spending 25 weeks on the Billboard Hot 100, peaking at number three in October 1988.

The song was featured in Loverboy and American Psycho. A remixed version was included in American Psycho’s soundtrack.

In 1989, Pittsburgh radio station WYDD-FM executed an early viral marketing plan by playing this song non-stop in a loop for 25.5 hours — focusing on a repeat of the “Pure Energy” sample from Leonard Nimoy as Star Trek’s Mr. Spock. The marketing stunt caused listeners to call emergency services, concerned that some calamity had befallen the DJs and other station employees. Bob Hank, general manager at the time, told reporters he was only trying to draw attention to the station’s switch in format and new call letters WNRJ (W-N-R-J = “energy”). “We were just trying to draw a little bit of attention,” Hank said. “We never dreamed it would go this far”. The song also samples Star Trek in the intro, with the character Dr. McCoy saying “it’s worked so far, but we’re not out yet.”

SIDE A:
What’s On Your Mind (Pure Energy) (Club Mix) 8:00
What’s On Your Mind (Pure Energy) (The 54 Mix) 5:12
What’s On Your Mind (Pure Energy) (Percappella) 4:11

SIDE B:
What’s On Your Mind (Pure Energy) (Pure Energy Mix) 4:35
Engineer [Mix] – Roey Shamir
Mixed By – Fred Maher, Roey Shamir

What’s On Your Mind (Pure Energy) (What’s On Your Dub Mix) 6:26
Edited By – Chep Nunez*
Engineer [Mix] – Roey Shamir
Mixed By – Fred Maher, Roey Shamir

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Hot 100 #3
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Mainstream Rock Tracks #10
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Hot Dance Music/Club Play #1
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Hot Dance Music/Club Play Maxi-Singles Sales #2

 

RELEASE INFORMATION:
Label: Tommy Boy ‎– TB 911
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle, Electro, Synth-pop

CREDITS:
Arranged By, Programmed By – Fred Maher, Paul Robb
Art Direction – The Grey Organisation*
Edited By – The Latin Rascals (tracks: A1 to A3)
Engineer [Mix] – Hugo Dwyer (tracks: A1 to A3)
Executive-Producer – Kevin Laffey
Keyboards [Overdubs] – Andy Marvel (tracks: A1 to A3)
Layout – Steven Miglio
Management – Bang Communications, Scott Mehno
Mastered By – Herb Powers Jr.
Mixed By – “Little” Louie Vega* (tracks: A1 to A3), Roman Ricardo (tracks: A1 to A3)
Photography By – Isabel Snyder
Producer – Fred Maher
Written-By – K. Valaquen*, P. Robb*

NOTES:
Recorded at Platinum Island, NYC.
Mastered at Frankford-Wayne, NYC.

Tracks A1 to A3:
Mixed for Small Wonder Productions Inc. and AM-PM Productions.
Edited for Latin Rascal Productions Inc.
Mixed at Soundtrack Studios, NYC.

Track B2:
Edited for S.O.S. Productions.
Mixed at Unique Recording, NYC.

Management at Bang Communications

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi