Tag: 1988

April 9, 2025

Olivia Newton-John – The Rumour (US 12″) (1988)

Burning The Ground Exclusive 1988

NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

Original post date May 31, 2017

Released in August 1988, “The Rumour” was the lead single and title track from Olivia Newton-John’s thirteenth studio album. Known for her wholesome image and soft pop hits, Olivia took a more mature and socially conscious turn on this record—addressing themes like tabloid gossip, environmental issues, and global awareness, all wrapped in polished late-’80s pop production.

Co-written by Elton John and Bernie Taupin, “The Rumour” has an energetic bounce, driven by bright synths, a punchy rhythm section, and a hook that sticks. Elton didn’t just write the song—he also played piano and contributed backing vocals, adding an unmistakable touch of his signature flair to the track.

A stylish music video was filmed to promote the single, directed by Brian Grant (known for his work with artists like Whitney Houston and Duran Duran). The video featured slick, upbeat choreography by none other than Kenny Ortega, adding a vibrant visual energy that matched the song’s pop sophistication.

The track was also remixed for clubs by the legendary Shep Pettibone, who amped up the dancefloor appeal with extended instrumental breaks and a slick, late-’80s groove. Thanks to Shep’s remix, “The Rumour” found a second life on the dancefloor—peaking at #17 on the U.S. Billboard Dance Club Songs chart, even if it only reached #62 on the Hot 100.

The 12″ version featured here includes Shep’s extended mix, which stretches out the shimmer and lets the groove breathe—Olivia never quite sounded like this before or since. It’s a sleek, underappreciated gem that showcases her versatility and willingness to evolve her sound.

Despite not being a huge commercial smash, “The Rumour” marks a fascinating era in Olivia’s career—one where she wasn’t afraid to experiment, speak her mind, and team up with pop royalty to craft something unique.

This one’s for the fans who remember when pop stars weren’t afraid to push boundaries—and still made it sound this good.

SIDE A:
The Rumour (12″ Extended Mix) 6:42
The Rumour (7″ Mix) 4:00

SIDE B:
The Rumour (12″ Dub) 4:14
The Rumour (Instrumental) 4:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1988	The Rumour	U.S. Billboard Hot 100	#62
1988	The Rumour	U.S. Billboard Adult Contemporary Tracks	#33
1988	The Rumour	U.S. Billboard Hot Dance Music / Club Play	#17
1988	The Rumour	U.S. Billboard Hot Dance Music / Maxi-Singles Sales	#42

RELEASE INFORMATION:
Label: MCA Records – MCA-23890
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: Aug 13 1988
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

Mixed By – Shep Pettibone, Steve Peck
Photography By – Herb Ritts
Producer – Elton John, James Newton Howard
Remix [Additional Production] – Shep Pettibone
Written-By – Elton John & Bernie Taupin

NOTES:
Original versions appear on the Olivia Newton-John album “The Rumour” (MCA-6245)

Remix And Additional Production By Shep Pettibone For Mastermix Productions

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

April 7, 2025

Prince – Glam Slam (US 12″) (1988)

Burning The Ground Exclusive

Following the spiritual ecstasy of Alphabet St., Prince dove deeper into the sacred-meets-sensual waters with his second single from the Lovesexy album: the lush, layered, and provocatively titled “Glam Slam.” Released in 1988, the track continues Prince’s mission of merging flesh and faith—blending erotic overtones with a spiritual undercurrent in a way only he could pull off.

Musically, “Glam Slam” is a complex piece, sharing its DNA with Parade-era grooves like “Life Can Be So Nice.” Percussive, moody, and sprinkled with orchestral flourishes (courtesy of synth strings), the original album version ends on an almost cinematic note. But on the 12″ remix, Prince hands the controls over to Shep Pettibone and Steve Peck—who transform the track into a full-fledged dance floor jam. Their remix amps up the beats, adds new instrumental layers, and injects just enough sampling magic to give it that late-’80s Shep polish, all without losing the song’s original mystique.

The B-side, “Escape (Free Yo Mind From This Rat Race),” deserves its own spotlight. Though it shares a chorus sample from “Glam Slam,” this is no simple remix. Prince strips the original down and rebuilds it as a funk-laced, anti-violence anthem with an infectious bassline and socially conscious lyrics. “Escape” moves away from the divine sensuality of Lovesexy and lands squarely on the dancefloor—preaching liberation from drugs, gangs, and the toxic cycles of urban life.

True fans will notice that the opening lines of “Escape” are recycled from the unreleased Camille cut “Rebirth of the Flesh.” Those same lines even opened shows on the Lovesexy World Tour, segueing directly into “Erotic City”—a moment of pure Prince genius.

While “Glam Slam” may not have scaled the charts like some of his earlier hits, its layered production, spiritual themes, and remix treatment make it one of the more underrated gems in the Purple One’s vast catalog. And “Escape”? Just another reminder that even Prince’s B-sides were better than most artists’ A-game.

Burning the Ground Recommends:
Don’t sleep on the 12″ remix. It’s a Shep Pettibone masterclass. And “Escape” deserves heavy rotation—especially if you’re into the funkier, rawer side of Paisley Park.

SIDE A:
Glam Slam (Remix) 8:52
Edited By – The Latin Rascals
Producer [Additional Production] – Shep Pettibone
Remix – Shep Pettibone, Steve Peck

SIDE B:
Escape (Free Yo Mind From This Rat Race) 6:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Paisley Park – 0-21005
Format: Vinyl, 12″, 33 ⅓ RPM, Single, SRC Pressing
Country: US
Released: 1988
Genre: Funk / Soul, Pop
Style: Minneapolis Sound

CREDITS:

Written By – Prince

NOTES:
Original version from the Paisley Park Album LOVESEXY

Side A : Additional production for Mastermix Productions.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

March 31, 2025

Duran Duran – All She Wants Is (US 12″ Promo) (1988)

Burning The Ground Exclusive

By 1988, Duran Duran had moved well beyond their early-’80s new wave roots. Their album Big Thing signaled a shift toward a more experimental, club-oriented sound, and All She Wants Is, one of its standout singles, exemplified this transformation.

Released as the second single from Big Thing, All She Wants Is was one of the band’s most unconventional and daring tracks. Stripping away the glossy pop sheen of their earlier hits, the song embraced a darker, industrial-infused groove inspired by the house and dance music trends of the late ’80s. Produced by Duran Duran alongside Jonathan Elias and Daniel Abraham, it featured pulsing beats, distorted vocals, and an eerie, hypnotic atmosphere that set it apart from anything they had done before.

Despite its departure from their signature sound, All She Wants Is proved successful. It reached #9 on the UK Singles Chart and #22 on the Billboard Hot 100 in the U.S., reaffirming the band’s ability to evolve while still making compelling music. On the U.S. Billboard Dance chart, it soared to #1, thanks in part to Shep Pettibone’s remixes, which amplified its club appeal. The song’s hypnotic rhythm and haunting chorus made it a favorite on dance floors, while its surreal music video—directed by Dean Chamberlain—added to its mystique with stop-motion animation and eerie lighting effects.

Beyond its chart performance, All She Wants Is showcased Duran Duran’s willingness to push creative boundaries—a trait that has helped them stay relevant for decades. Even today, the track remains a striking entry in their discography, a bold electronic departure that still captures the essence of what made Duran Duran one of the most exciting bands of their era.

For fans of late-’80s dance music and darker, edgier pop, All She Wants Is remains a fascinating listen—proof that Duran Duran was far more than just their early MTV-era hits. The track was ahead of its time and still sounds fresh today.

Official Remixes

The U.S. 12″ promo featured five remixes by Shep Pettibone, including the exclusive Euro House Dub II, which remains a vinyl-only track. Below is a breakdown of the various official remixes, with mix titles varying slightly by country:

45 Version / 7″ Version – Slight early fades of the album version, varying by release but only a few seconds shorter.
Euro House Mix / Euro Dub Mix – The same vocal house remix.
Euro House Dub I / House Dub – Identical instrumental house remixes.
Euro House Dub II – Exclusive to the U.S. promo 12″.
U.S. Master Mix – An electro/freestyle-inspired vocal remix.
U.S. Master Dub / Latino Dub – Identical instrumental remixes.

*Vinyl-only exclusive

SIDE A:
All She Wants Is (U.S. Master Mix) 7:21
All She Wants Is (U.S. Master Dub) 6:45

SIDE B:
All She Wants Is (Euro House Mix) 7:35
All She Wants Is (Euro House Dub I) 7:09
All She Wants Is (Euro House Dub II)* 5:44

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1988	All She Wants Is	U.S. Billboard Hot 100	#22
1988	All She Wants Is	U.S. Billboard Modern Rock Tracks	#24
1988	All She Wants Is	U.S. Billboard Hot Dance Music / Club Play	#1

RELEASE INFORMATION:
Label: Capitol Records – SPRO-79482, Capitol Records – SPRO-79483
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Gold sleeve
Country: US
Released: 1988
Genre: Electronic, Pop
Style: House, Synth-pop

CREDITS:

Composed By – Taylor*, Rhodes*, Lebon*
Edited By – Chep Nunez*
Engineer [Remix] – Goh Hotoda
Producer – Daniel Abraham, Duran Duran, Jonathan Elias
Remix – Shep Pettibone

NOTES:
Issued in plain white, silver or gold generic die-cut jacket with info sticker.

Mix titles on sticker vary slightly from what is on the labels; the tracklist here is a combination of the two.

Info on sticker:
New Mixes by Shep Pettibone
Promotional use only. Not for sale.

Info on labels:
Remixed by Shep Pettibone for MasterMix Productions.
(Original version appears on the LP “Big Thing” C1-90958)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

March 20, 2025

Stevie B – Spring Love (Come Back to Me) (US 12″) (1988)

Burning The Ground Exclusive

Few songs capture the energy and emotion of late 80s Freestyle quite like “Spring Love (Come Back to Me)” by Stevie B. Released in 1988 as the third single from his debut album, Party Your Body, the track became a defining moment in his career, helping solidify his place as one of the genre’s biggest stars.

“Spring Love” saw greater chart success than Stevie B’s previous singles, almost breaking into the Top 40 of the Billboard Hot 100, peaking at No. 43. More importantly, it became his first major hit on the Dance charts, reaching No. 5—a sign of bigger things to come. The following year, Stevie B would break through with “I Wanna Be the One,” a song that carried the same irresistible blend of Latin Freestyle beats, soaring synths, and heartfelt lyrics.

With its pulsating drum machines, lush keyboard arrangements, and Stevie B’s yearning vocals, “Spring Love” perfectly captures the bittersweet longing for a lost romance. It became a staple in nightclubs, roller rinks, and freestyle dance floors, earning a permanent place in the hearts of fans.

The song’s enduring popularity led to a 2007 remake featuring Pitbull, introducing it to a new generation while keeping the nostalgic vibe alive. To this day, “Spring Love” remains one of Stevie B’s most beloved tracks and a true classic of the Freestyle era.

SIDE A:
Spring Love (Come Back To Me) (Club Mix) 5:57
Spring Love (Come Back To Me) (Radio Mix) 4:57

SIDE B:
Spring Love (Come Back To Me) (Dub) 6:20
Spring Love (Come Back To Me) (Per Capella & Bonus Beats) 3:34

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1988	Spring Love (Come Back To Me)	U.S. Billboard Hot 100	#43
1988	Spring Love (Come Back To Me)	U.S. Billboard Hot Dance / Club Play	#5
1988	Spring Love (Come Back To Me)	U.S. Billboard Hot Dance / Maxi-Singles Sales	#2

RELEASE INFORMATION:
Label: LMR (Lefrak-Moelis Records) – LMR 4002
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle, Latin

CREDITS:

Engineer – John Haag (tracks: B1, B2)
Engineer, Edited By, Mixed By – “Stevie B”* (tracks: A1, A2), Tolga (2) (tracks: A1, A2)
Producer, Arranged By – Tolga Katas
Producer, Arranged By, Programmed By [Computer] – “Stevie B”*
Programmed By [Computer] – Tolga (2)
Remix, Edited By – Whiz Kids*
Written-By – S. Hill*
Written-By, Arranged By, Executive-Producer – Stevie B

NOTES:
Side B: Remixed & Edited for Straight A’s Productions

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.