Tag: 1984

Wham! – Everything She Wants (Japan 7″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

“Everything She Wants” is a song by British pop duo Wham!, released in 1984 on Epic Records. In the UK and Europe the song was released on a double A-side with “Last Christmas”. It was written and produced by George Michael, one half of the duo.

Upon release, “Last Christmas” took the majority of the attention and airplay as it was appropriate in early December as Christmas approached. However, the presence of an equally-billed flip side meant that radio stations had something else to play once “Last Christmas” had lost its topicality.

The presence of the Band Aid project meant that the double A-side peaked at number two in the UK Singles Chart, although in the process it became the biggest selling record not to get to number one. However, in the USA, the song did reach the summit of the Billboard Hot 100, and became the third number-one song in a row from 1984’s Make It Big album.

Wham! would go on to have two more number-one hits in the UK before splitting at their height in 1986.

This Japanese 7″ pressing contains a special message from Wham! thanking their Japanese fans for their support. In Japan Wham! were wildly popular. This track is exlusive to this release.

SIDE A:
Everything She Wants (7″ Remix) 5:31

SIDE B:
Like A Baby 4:11
Message From Wham! 0:50

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Everything She Wants U.S. Billboard Hot 100 #1
1984 Everything She Wants U.S. Billboard Hot Adult Contemporary Tracks #4
1984 Everything She Wants U.S. Billboard Hot R&B/Hip-Hop Singles #12
1984 Everything She Wants U.S. Billboard Hot Dance Club Play #7

 

RELEASE INFORMATION:
Label: Epic ‎– 07•5P-336
Format: Vinyl, 7″, 45 RPM, Single
Country: Japan
Released: 1984
Genre: Electronic
Style: Synth-pop
Credits: Design – Peter Saville (2)
Photography – Martyn Goddard
Recorded By – Chris Porter
Written-By, Arranged By, Producer – George Michael

NOTES:
Special versions from the Epic LP:
“MAKE IT BIG”

Find The 7″ On DISCOGS

B. Insert

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Bus Boys – Cleanin’ Up The Town (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1984

Side One

The BusBoys are a musical group known for playing rock ‘n’ roll with a flavoring of soul, funk, and R&B. The group is best known for their appearance in the 1982 film 48 Hrs., in which they performed their songs “New Shoes” and “The Boys Are Back in Town”.

In 1984 the group wrote “Cleanin’ Up the Town,” for the soundtrack to the film Ghostbusters, the song was a minor hit for the group, reaching #68 on Billboard’s Hot 100 Singles chart in the United States.

SIDE A:
Cleanin’ Up The Town (Long Version) 4:58

SIDE B:
Cleanin’ Up The Town (Short Version) 2:57

VINYL GRADE:
Vinyl: near Mint
Sleeve: Near Mint (company)

CHART HISTORY:

Year Single Chart Position
1984 Cleanin’ Up The Town U.S. Billboard Hot 100 #68

 

RELEASE INFORMATION:
Label: Arista ‎– ADP-9230
Format: Vinyl, 12″, Single, 33 ⅓ RPM, Promo
Country: US
Released: 1984
Genre: Funk / Soul, Pop, Rock, Stage & Screen
Style: Soundtrack, Rock & Roll
Credits: Producer – Brian O’NealJohn HugKevin O’Neal

NOTES:
From the soundtrack to the film “GHOSTBUSTERS”.

Find The 12″ On DISCOGS

Side Two

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Rockwell – Obscene Phone Caller (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1984

Side One

“Obscene Phone Caller” was the Follow-up single to Rockwell’s hit “Somebody’s Watching Me” howver the single underperformed and became Rockwell’s only other Top 40 single peaking at #35 on the Billboard Hot 100. In the UK the single reached the #79 position.

SIDE A:
Obscene Phone Caller (12″ Voc.) 4:28

SIDE B:
Obscene Phone Caller (Instrumental) 5:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1984 Obscene Phone Caller U.S. Billboard Hot 100 #35

 

RELEASE INFORMATION:
Label: Motown ‎– PR-143
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: Synth-pop
Credits: Executive Producer – Ray Singleton
Producer, Arranged By – Curtis Anthony NolenRockwell
Written-By – Rockwell

NOTES:
Original version appears on the Motown LP:
“SOMEBODY’S WATCHING ME”

Find The 12″ On DISCOGS

Side Two

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Rolling Stones – Too Much Blood (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

“Too Much Blood” is a single released only in the United States by The Rolling Stones taken from their 1983 album Undercover.

Credited to Mick Jagger and Keith Richards, “Too Much Blood” is largely a Jagger composition. The song is a reflection of the many influences the Stones would have during their career in the mid-1980s. Jagger said at the time of its release, “I had made out a very honest burden of mind before everyone had arrived one night. It was just Charlie [Watts] and Bill [Wyman]. And one of our roadies called Jim Barber, he was playing guitar on it too. And I just started playing this riff I had, with this middle part, I didn’t have any words to it and then I just suddenly started rapping out these words which are the ones you hear.” (“Mick asked me if I could do an ‘Andy Summers’ on the track” – Jim Barber).

The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, “Well there was this scandalous, murderous story in France – it was a true story – about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. The Russians wanted to make a movie out of it. So that was the first bit and then I started becoming more light-hearted about it, movies and all. …it came out as a sort of anti-gratuitous cinema of violence. And it’s a kind of anti-violent thing.”

“Did you ever see “The Texas Chain Saw Massacre”? Horrible, wasn’t it. You know, people ask me “is it really true where you live in Texas, is that really true what they do around there, people?” I say, “yea, every time I drive through the crossroads I get scared, there’s a bloke running round with a fucking chain saw. Oh! Oh! oh No, he’s gonna cut off, Oh no. Don’t saw off me leg, don’t saw off me arm.”

Jagger uses a half-hearted rap delivery for some lines, saying at the time, “I’m not a great rapper… It’s just made up on the spot as well. It’s completely extemporized, as well, most of it. A couple words I cleaned up. I don’t mean clean up, just made better sounds. That was just rap off the top of my head. I didn’t write it down, even.”

Recording took place at Paris’ Pathé Marconi Studios and New York City’s Hit Factory between October and November 1982. With Jagger on lead vocals, he also performs electric guitars with Barber and Richards. Horns are provided by Chops and percussion by Sly Dunbar.

A dance version of “Too Much Blood,” remixed by Arthur Baker, was released as a twelve-inch single in December 1984. A music video, directed by Julien Temple, was produced in support showing the band performing the song as well as Richards and guitarist Ron Wood chasing Jagger with chainsaws. The trio also appear, without chainsaws but still in character, on the record sleeve for the single. The video opens with an excerpt from the first movement of the String Quartet Number 3 by Béla Bartók. “Too Much Blood” has never been performed live by the Stones and appears on no compilation albums.

In the US the singles peaked at #44 on the Billboard Dance Chart and #38 on the Mainstream Rock Chart.

SIDE A:
Too Much Blood (Dance Version) 12:46
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

SIDE B:
Too Much Blood (Dub Version) 8:00
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

Too Much Blood (Album Version) 6:13
Mixed By – Chris Kimsey
Producer – Chris KimseyGlimmer Twins, The

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1983 Too Much Blood U.S. Billboard Hot Mainstream Rock Tracks #38
1984 Too Much Blood U.S. Billboard Hot Dance Music/Club Play #44

 

RELEASE INFORMATION:
Label: Rolling Stones Records ‎– 0-96902
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Rock
Style: Dub
Credits: Art Direction – Bob Defrin
Mastered By – Greg Calbi
Recorded By – Chris Kimsey
Written-By – Jagger-Richards

NOTES:
From the album “UNDERCOVER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi