Tag: 1984

Duran Duran – The Wild Boys (Japan 12″) (1984)

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NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

Original post date: December 22, 2016

In late 1984, Duran Duran unleashed “The Wild Boys,” a pounding, futuristic anthem that marked a darker turn for the band and became one of their most iconic singles of the era. The track was conceived as part of a proposed film project based on the William S. Burroughs novel The Wild Boys: A Book of the Dead, with the idea pushed by director Russell Mulcahy (who had helmed many of the band’s most lavish videos). While the film never came to fruition, the song and its accompanying video pushed boundaries—and budgets—at the time.

Produced by the legendary Nile Rodgers, “Wild Boys” was the only studio track on the band’s live album Arena and perfectly fused the band’s pop sensibility with Rodgers’ cutting-edge production and dancefloor sensibilities. The result was a sonic assault of heavy synths, aggressive guitar stabs, tribal drums, and Simon Le Bon’s defiant vocal delivery.

The Extended Mix takes the drama up several notches, building the tension with a long, cinematic intro that recalls the dystopian atmosphere of the video. The breakdowns and effects-laden passages give the song more room to breathe and further highlight Rodgers’ intricate production.

Chart-wise, “Wild Boys” was a smash. It reached #2 in both the US and UK, blocked from the top in the US by Hall & Oates’ “Out of Touch.” It also gave Duran Duran their first #1 in Germany and South Africa, proving the band’s international staying power as they transitioned from New Romantic heartthrobs into global pop powerhouses.

Fun fact: Simon Le Bon nearly drowned during the filming of the video, which featured the band tied to a windmill and submerged in a water tank. It’s a miracle the band made it out intact—both literally and figuratively.

The B-side, “(I’m Looking For) Cracks In The Pavement (Live),” was recorded during the band’s 5 March 1984 show at Maple Leaf Gardens in Toronto. This is the same concert where the video for “The Reflex” was filmed—capturing the band at the height of their early-’80s hysteria with screaming fans and high-voltage energy. The live track offers a grittier, rawer take on the Seven and the Ragged Tiger album cut, giving fans a peek into the band’s powerful live presence during their Sing Blue Silver tour.

“Wild Boys” remains a touchstone of mid-80s maximalism: all attitude, danger, and style. It’s the sound of a band pushing their limits—and taking us along for the ride.

SIDE A:
The Wild Boys (Wilder Than Wild Boys) (Extended Mix) 8:00
Producer – Nile Rodgers

SIDE B:
The Wild Boys (45) 4:18
Producer – Nile Rodgers

(I’m Looking For) Cracks In The Pavement (1984) 4:10
Engineer [Live Recording] – George Tutko
Engineer, Mixed By – Jason Corsaro

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI Strip: Near Mint
Insert: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 The Wild Boys U.S. Billboard Hot 100 #2
1984 The Wild Boys U.S. Billboard Hot Dance Music / Club Play #27

RELEASE INFORMATION:
Label: EMI ‎– S14-102
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Japan
Released: Nov 21, 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
From the LP “ARENA”

Track B2 was recorded live on tour 1984.
Mastered at Masterdisk.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Double Entente – Sleeping Dogs Lie (US 12″) (1984)

Burning The Ground Exclusive

I’m taking a short break from my Shep Pettibone run to fill a few requests. The first is another rare gem to add to my “Closet 80s” series—a track that never got its due but still shines in all the right ways.

“Sleeping Dogs Lie” by the short-lived duo Double Entente. Released in 1984, this atmospheric track was crafted by Chuck Fuller and Elyse Schiller, a synth-pop pairing that only released two singles before fading into obscurity.

The record was produced by none other than Randy “King” Jackson, the Grammy-winning musician and producer—long before his days as a judge on American Idol. Jackson’s touch is evident in the track’s sleek, polished sound: brooding synth layers, a pulsing electronic beat, and a cool, detached vocal performance that creates a haunting sense of emotional distance.

While Double Entente didn’t stay together long enough to release a full album, “Sleeping Dogs Lie” remains a standout—a moody, intelligent slice of early electronic pop that wouldn’t feel out of place alongside the likes of Yazoo, The The, or early Berlin.

SIDE A:
Sleeping Dogs Lie (Long Version) 6:16

SIDE B:
Sleeping Dogs Lie (Short Version) 4:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Sleeping Dogs Lie U.S. Billboard Hot Dance Music / Club Play #4

RELEASE INFORMATION:
Label: Columbia – 44-05113
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo
Country: US
Released: 1984
Genre: Electronic, Funk / Soul
Style: Synth-pop, Electro, Soul

CREDITS:

NOTES:
Recorded at THE AUTOMATT, San Francisco, CA

Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Innocence In Danger – Innocence In Danger (US 12″ Promo)

Burning The Ground Exclusive 1984

The song “Innocence in Danger” by the American new wave group of the same name was released in 1984 as part of their self-titled EP. Fronted by Angela Bond and Steve Parry, the band featured notable contributions from renowned musicians, including guitarist Carlos Alomar. The single also incorporated the work of New York-based Freestyle and House producer Nelson Cruz, alongside acclaimed producer, arranger, composer, and remixer Steve Thompson.

The B-side of the single found its way into a Latin Rascals “Paco Supermix,” circa 1984, which aired on New York City’s dance radio stations such as WKTU or KISS. The track stands out with its hard electro beats, sharp synth stabs, heavily echoed snares, and expertly placed pause breaks. Female vocals in both English and Spanish add a dynamic layer to the production. The influence of Nelson Cruz is unmistakable, as his extensive credits include work with artists ranging from Shannon to the FFWD project, spanning a variety of freestyle and electro classics. This dramatic mix, with its prominent hard drum fills and rhythmic intensity, effortlessly crosses into several genres of 1980s club music.

Unfortunately, this single marked the group’s final release. Despite its brief existence, “Innocence in Danger” stands as a testament to the innovative sounds of the era, combining a distinctive blend of electro, freestyle, and new wave elements. For fans of 80s underground club music, it remains a hidden gem worth revisiting.

SIDE A:
Innocence In Danger (Extended Version Club Mix) 5:11
Innocence In Danger (Short Version) 3:48

SIDE B:
Who Do You Think You Are? (Extended Version) 6:32

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – 49-04985
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1984
Genre: Electronic, Rock
Style: New Wave, Electro

CREDITS:
Mastered By – Tom Coyne
Mixed By – Nelson Cruz, Steve Thompson
Producer – Ivan Ivan, Steve Parry (3)
Written-By – A. Bond*, S. Parry*

NOTES:
Special version from the Epic E.P.: “Innocence In Danger”

Demonstration – Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER * AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Deodato – S.O.S. Fire In The Sky (US 12″)

Burning The Ground Exclusive 1984

“S.O.S., Fire In The Sky” is a vibrant track from Deodato’s 1984 album Motion, released by Warner Bros. The song showcases a collaboration with vocalist Camille, with songwriting credits to Rick Suchow and Alan Palanker. Its energetic rhythm and captivating melody succeeded on the Billboard Dance Chart, where it stayed for 14 weeks, peaking in the Top 20 in 1985. Internationally, the song saw even greater success, entering the Top 10 on the pop charts in France and Holland, and securing the number one spot on the dance chart in Holland.

This track highlights Deodato’s versatility, blending his jazz-fusion style with pop and dance elements to create a memorable and chart-topping hit.

SIDE A:
S.O.S. Fire In The Sky (Special 12″ Disarmamix) 6:40
Edited By – Victor Flores
Written-By – Alan PalankerRick Suchow

SIDE B:
East Side Strut (LP Version) 5:37
Written-By – Eumir DeodatoSergio DiasVan Gibbs

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 S.O.S. Fire In The Sky U.S. Billboard Hot Dance Music / Club Play #6

RELEASE INFORMATION:
Label: Warner Bros. Records – 0-20287Warner Bros. Records – 9 20287-0 A
Format: Vinyl, 12″, Maxi-Single, 45 RPM, Allied Pressing
Country: US
Released: 1984
Genre: Electronic
Style: Disco

CREDITS:

NOTES:
A: Original Version available on the Warner Bros. album “Motion”
B: From the Warner Bros. album “Night Cruiser”

Made in U.S.A.
Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.