Tag: 1982

Olivia Newton-John – Landslide (US 7″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

Very excited I am going to see Olivia tonight right here in Tulsa, she will be performing at The Joint at the Hard Rock. Olivia is currently promoting her new album “LIV ON” which is available now.

“Landslide” is a song by Australian singer Olivia Newton-John from her twelfth studio album Physical. It was released in several countries as the third and last single from the album in April 1982. In United Kingdom, however, it was released in January 1982 as the second single (“Make a Move on Me” was the third and last single). The single didn’t achieve the success of its predecessors from the album, but peaked at the top 20 on the UK Singles Charts. The song also wasn’t performed during the Physical Tour, but had some performances in television programs during the international promotion.

In the United States “Landslide” peaked at #52 on the Billboard Hot 100debuted on the Billboard Hot 100 on June 12, 1982 peaking at #52.

Of note the 7″ version is slightly different from the 4:23 LP version.

SIDE A:
Landslide (7″ Version) 3:58
Written-By – John Farrar

SIDE B:
Recovery 4:18
Written-By – John Farrar, Tom Snow

VINYL GRADE:
Sleeve: Near Mint
Vinyl: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Landslide U.S. Billboard Hot 100 #52

 

RELEASE INFORMATION:
Label:MCA Records ‎– MCA-52069
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1982
Genre: Electronic
Style: Pop/Rock, Synth-pop

CREDITS:
Photography [Photos] – Herb Ritts
Producer – John Farrar

NOTES:
℗1981 Original sound recording made by Olivia Newton-John
Taken from the album “PHYSICAL”

Find the 7″ on DISCOGS

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EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Dead Or Alive – It’s Been Hours Now (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

This record has my tears on it but I do believe that Pete would want us to celebrate his life and music. Rest in peace Pete.

“It’s Been Hours Now” is the first 12″ EP released by Dead Or Alive on Ian Broudies Black Eyes label in 1982. The tracks on this EP were recorded well before the band signed with a major label. According to front man Pete Burns they recorded the tracks to help finance the purchase of a sequencer so that he could turn his songs into disco records. In 1984 they would release their debut album “Sophisticated Boom Boom” on Epic Records.

SIDE A:
It’s Been Hours Now 4:17

SIDE B:
Whirlpool 4:20
Nowhere To Nowhere 2:39
It’s Been Hours Now *² 4:20

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Black Eyes Records ‎– BE
Format: Vinyl, 12″, EP, 45 RPM
Country: UK
Released: 1982
Genre: Rock
Style: New Wave, Goth Rock, Indie Rock

CREDITS:
Artwork – Steve Hardstaff
Bass – Mike Percy
Drums – Joe Musker
Guitar – Wayne Hussey
Keyboards – Martin Healy
Mastered By – Porky (5)
Performer [Dead Or Alive Are:] – Joe Musker, Martin Healy, Mike Percy, Pete Burns, Wayne Hussey
Photography By [Photos] – Francesco Mellina
Vocals – Pete BurnsPete Burns
Written-By, Producer – Dead Or Alive

NOTES:
Thanks to John Brierly

Contact:
F. Mellina
11 Lancaster Avenue
Liverpool 11.
051.734.4581

Manufactured and Distributed
By Rough Trade,
137, Blenheim Crescent, London W11.
01.221.1100

Find the 12″ on DISCOGS

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EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

ABC – The Look Of Love (USA Remix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1982

side-a

“The Look of Love” is a song recorded by ABC in 1981, included on their debut album, The Lexicon of Love.

Released as a single and as a 12″ remix, it went to number one on the Billboard Dance/Disco chart as well as the Canadian pop singles chart. It was their biggest hit in the UK Singles Chart, peaking at number 4, and was a Top 20 hit on the Billboard Hot 100 in the U.S., peaking at number 18.

The single consists of four parts, referred to as “Parts One, Two, Three and Four”. A different remix version by producer Trevor Horn appeared on the 1982 U.S. 12″.

The ’82 U.S. Extended Remix was not widely available after its initial release, but the track remained much in demand by club DJs and fans alike, and copies of the original 12″ version fetched high prices. When Neutron (the band’s UK label) discovered this, they issued a limited edition re-pressing of the Horn remix in 1985 (though they did not officially re-release the song).

SIDE A:
The Look Of Love (USA Remix – Dub Version) 7:37

SIDE B:
The Look Of Love (Part 3 – Dance Version) 4:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 The Look Of Love U.S. Billboard Hot 100 #18
1982 The Look Of Love U.S. Billboard Hot dance Club Play #1
1982 The Look Of Love U.S. Billboard Hot Mainstream Rock Tracks #32

 

RELEASE INFORMATION:
Label: Mercury ‎– MDS-4023, Mercury ‎– Intl. #6400 751
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1982
Genre: Electronic, Pop
Style: Synth-pop, New Wave

CREDITS:
Producer – Trevor Horn
Written-By – ABC

NOTES:
From the album “THE LEXICON OF LOVE”

Find the 12″ on DISCOGS

side-b

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Culture Club – Do You Really Want To Hurt Me (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

“Do You Really Want to Hurt Me” is a song written and recorded by the British new wave band Culture Club. Released as a single in September 1982 from the group’s platinum-selling debut album Kissing to Be Clever, it was the band’s first UK #1 hit. In the United States, the single was released in November 1982 and also became a huge hit, reaching #2 for three weeks.

“Do You Really Want to Hurt Me” was the third single released in Europe by Culture Club and their debut release in the United States and Canada. The song was picked up by BBC Radio 2 and became a UK #1 single for three weeks in October 1982. The song entered the American Pop chart the week ending December 4, 1982. It hit #1 in Cash Box magazine and held at #2 for three weeks on the Billboard Hot 100 chart in March and April 1983 (kept from the #1 spot by Michael Jackson’s “Billie Jean”). The single achieved sales of 900,000 US copies and also hit #1 in Canada. It was also number one in Australia.

This was Culture Club’s first success, after their first two releases, “White Boy” and “I’m Afraid of Me” charted in the UK at #114 and #100 respectively. According to Boy George, it was their last chance to get an album deal.

The song rose rapidly in the UK charts after the group’s first appearance on Top of the Pops, which resulted in George’s androgynous style of dress and sexual ambiguity making newspaper headlines. The group were only asked to appear on Top of the Pops the night before the show, after Shakin’ Stevens pulled out.

In a retrospective review, Allmusic journalist Jose F. Promis described “Do You Really Want to Hurt Me” as “a simple masterpiece, resonating with an ache that harked back to the classic torch songs of yesteryear.”

In 2007, Boy George said that the song was “not just about Culture Club’s drummer Jon Moss, my boyfriend at the time. It was about all the guys I dated at that time in my life.”

The B-side was a dub version featuring Pappa Weasel in many countries and “You Know I’m Not Crazy” on the US release. On the 12″ version of the record, the track “Love Is Cold (You Were Never No Good)” was also included.

SIDE A:
Do You Really Want To Hurt Me 4:22
Do You Really Want To Hurt Me (Dub Version) 3:39

SIDE B:
Love Is Cold (You Were Never No Good) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Do You Really Want To Hurt Me U.S. Billboard Hot 100 #2
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Black Singles #39
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Adult Contemporary #8
1983 Do You Really Want To Hurt Me U.S. Billboard Mainstream Rock Tracks #21

 

RELEASE INFORMATION:
Label: Virgin ‎– VS 518-12
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Sep 1982
Genre: Reggae, Pop
Style: Reggae-Pop, Dub

CREDITS:
Bass – Michael Craig
Design [Cover] – Jik Graham
Drums, Percussion –Jon Moss
Engineer [Assistant Engineer] – Gordon Milne (tracks: A1, A2), Richard Lengyel (tracks: B1)
Featuring, Vocals [Additional Vocals] – Papa Weasel* (tracks: A2)
Guitar, Keyboards, Piano – Roy Hay
Mastered By – JA*
Mixed By – Jon Moss (tracks: A1, A2)
Photography By – Mark LeBon
Producer, Engineer, Mixed By – Steve Levine
Vocals – Boy George
Vocals [Additional Vocals] – Helen Terry
Written-By, Performer – Culture Club

NOTES:
The debut album “KISSING TO BE CLEVER”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi