Tag: 1981

February 11, 2026

Heaven 17 – Penthouse And Pavement (UK 12″) (1981)

Burning The Ground Exclusive

On October 16, 1981, Heaven 17 released their fifth single, “Penthouse And Pavement,” the title track from their striking debut album of the same name. Though the single entered the UK Singles Chart on November 14, 1981 and reached a modest peak of #57, its transatlantic impact was far more significant in the clubs. In the United States, the track climbed to #19 on the Billboard Dance Chart, proving that Heaven 17’s sleek, politically charged funk resonated deeply on American dance floors.

Heaven 17 emerged from the ashes of The Human League when founding members Martyn Ware and Ian Craig Marsh split from the group in 1980. Determined to pursue a more musically ambitious and politically aware direction, they recruited vocalist Glenn Gregory, whose soulful delivery would become the perfect counterbalance to Ware and Marsh’s icy electronic architecture. The result was a sound that fused cutting-edge synth technology with the groove and sophistication of American R&B.

“Penthouse And Pavement” is perhaps the clearest early blueprint of that vision. Driven by a taut funk bassline and crisp electronic rhythms, the track pulses with confidence and style. The influence of American soul and funk is unmistakable, particularly in the call-and-response chorus featuring powerhouse backing vocalist Josie James — a formula the band would elevate to perfection two years later on their biggest hit, “Temptation.” Rhythm guitarist John Wilson adds a sharp, organic edge, helping bridge the gap between machine precision and human groove.

On the surface, “Penthouse And Pavement” feels like a sophisticated party anthem — all gloss, swagger, and late-night decadence. But beneath the polished exterior lies sharp social commentary. The lyrics explore class division and moral compromise, contrasting corporate luxury (“penthouse”) with street-level struggle (“pavement”). The song’s narrator wrestles with ambition and complicity, subtly critiquing the seductive pull of capitalism and the cost of climbing its ladder. This tension between desire and disillusionment would become a recurring theme in Heaven 17’s work, explored even more explicitly in 1983’s biting industrial critique, “Crushed By The Wheels Of Industry.”

What makes “Penthouse And Pavement” endure is that duality. It grooves hard enough to fill a dance floor, yet it demands you think while you move. It’s stylish but subversive. Slick but socially aware. In many ways, it encapsulates what made the Sheffield scene so vital in the early ’80s — electronic music with intelligence, purpose, and undeniable rhythm.

While it may not have been a massive UK chart success at the time, “Penthouse And Pavement” remains a cornerstone of the band’s catalog and a defining moment in early ’80s synth-funk — a track where politics met the dance floor and both walked away sharper for it.

SIDE A:
Penthouse And Pavement 6:58

SIDE B:
Penthouse And Pavement (Instrumental) 7:01

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Heaven 17: *Penthouse And Pavement* (1981)
Chart	Peak Position	Date
US Billboard Dance Club Songs	#19	1981
UK Singles Chart	#59	1981

RELEASE INFORMATION:
Label: Virgin – VS455-12
Format: Vinyl, 12″, 45 RPM, Single, Stereo, Bilbo
Country: UK
Released: 1981
Genre: Electronic
Style: New Wave, Electro, Synth-pop

CREDITS:

Band [Heaven 17 Are], Synthesizer [Synthesisers], Piano – Martyn Ware
Band [Heaven 17 Are], Synthesizer [Synthsisers] – Ian Craig Marsh
Band [Heaven 17 Are], Vocals – Glenn Gregory
Composed By – Gregory*, Marsh*, Ware*
Engineer, Co-producer [Assistant To The Producers] – Peter Walsh
Guest [Guest Artiste], Bass Guitar, Synthesizer [Guitar Synthesisers] – John Wilson (2)
Guest [Guest Artiste], Vocals – Josie James
Lacquer Cut By – BilBo (3)
Producer [Produced By] – British Electric Foundation

NOTES:
B.E.F.
The Company that thinks for itself.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

November 5, 2025

Tears For Fears – Suffer The Children (UK 12″) (1981)

Burning The Ground Exclusive

“Suffer the Children” is the debut single by British band Tears for Fears. Written and sung by Roland Orzabal, it was released in October 1981 and marked the duo’s first official release following the breakup of Graduate, Orzabal and Curt Smith’s previous band.

The single was produced by David Lord and recorded at his own Crescent Studios in Bath, England. Along with “Pale Shelter,” it was one of two demo songs that landed Tears for Fears their first record deal with Phonogram in 1981.

“Suffer the Children was the first song we did together when we left Graduate. It was our very first experimentation with sequencers and drum machines, with a guy called David Lord, who worked with Peter Gabriel and different people down in Bath. So that was actually the first song we did as Tears For Fears.”
— Curt Smith

According to Orzabal:

“We were really big on this at the time – we really thought children were born innocent and good and holy… When you’ve got kids of your own, you realize how bloody difficult it is. But it’s that kind of thing – saying look at what you’re doing with your child.”
— Roland Orzabal

The 12″ version features a Remix and an Instrumental, both distinct from the 7″ version. The remix, handled by David Lord, has a slightly punchier electronic arrangement that highlights the early use of sequencers and drum machines that would later define the band’s sound. The haunting female vocal heard on the track comes from Carol Kenyon, while Orzabal’s wife Caroline provides the childlike voice heard during the bridge.

The B-side, “Wino,” is an unusual Tears for Fears recording — stripped of synthesizers and studio polish, featuring only a simple acoustic performance.

Despite support from influential BBC Radio 1 DJs John Peel and Peter Powell, the single failed to chart upon its original release. In 1985, following the success of Songs from the Big Chair, Phonogram reissued “Suffer the Children” in the UK with a new picture sleeve, using the same audio and track listing as the 1981 release. This reissue narrowly missed the UK Top 50.

The song was later re-recorded for the band’s debut LP The Hurting (1983), produced by Chris Hughes and Ross Cullum. That album version removes an opening lyric sung by Curt Smith and slightly alters the arrangement but maintains the song’s emotional intensity.

No music video was ever produced for the song.

SIDE A:
Suffer The Children (Remix) 4:23

SIDE B:
Suffer The Children (Instrumental) 4:30
Wino 2:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – idea 12
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1981
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:

Producer – David Lord
Written-By – C. Smith*, R. Orzabal*

NOTES:
Their 1st single. “Suffer The Children” later re-recorded for their debut album “The Hurting”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

March 21, 2025

Madleen Kane – You Can (US 12″) (1981)

Burning The Ground Exclusive

A Disco Classic with Moroder’s Magic

Some songs capture the spirit of an era so perfectly that they remain timeless. You Can, the 1981 single by Madleen Kane, is one of those tracks—an irresistible blend of disco and early ’80s dance energy, fueled by the legendary production of Giorgio Moroder.

Kane, a Swedish-born model-turned-singer, had already made a name for herself in the disco scene, but You Can became one of her biggest hits. Co-written by Yolanda Yvette Adams, Donald Ray Atkins, and Marcus Ecby, the song soared to the top of the dance charts, spending three weeks at number one. It was a defining moment for Kane, as it became her only Billboard Hot 100 entry, peaking at #77.

The track pulsates with Moroder’s signature electronic rhythms and hypnotic synth lines, creating an infectious groove that made it a dancefloor staple. The B-side, Fire in My Heart, was also a fan favorite, further cementing Kane’s status in the club scene.

While You Can may not have reached mainstream pop stardom, its impact on dance music is undeniable. It’s a song that still shines on retro club playlists and remains a cherished piece of the early ’80s dance movement.

Crank up the volume and let Madleen Kane remind you why the disco beat never truly fades.

SIDE A:
You Can (Special 12 Inch Version) 5:35
Remix – Brian Reeves, Jean-Claude Friederich
Written-By – G. Moroder, P. Bellotte

SIDE B:
Fire In My Heart (Special 12 Inch Version) 6:46
Remix – Sylvester Levay, Will Crocker
Written-By – G. Moroder, S. Levay

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1981	You Can	U.S. Billboard Hot 100	#77
1981	You Can	U.S. Billboard Hot Dance / Disco	#1

RELEASE INFORMATION:
Label: Chalet Records – CH802
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1981
Genre: Electronic
Style: Synth-pop, Disco

CREDITS:
Producer – Giorgio Moroder

NOTES:
Produced for Friederich Prod. S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

December 20, 2024

Material With Nona Hendryx / Cristina – It’s A Holiday / Things Fall Apart (UK 12″ Promo)

Burning The Ground Exclusive 1981

A Festive Throwback: Two Gems from the Original ZE Records Christmas Compilation.

This rare U.K. 12″ promo spotlights two standout tracks from the original 1981 release of A Christmas Record, the now-iconic holiday compilation by ZE Records. A unique blend of experimental and festive, the album became a cult classic, and these two tracks exemplify its groundbreaking style.

The first track, “It’s a Holiday” by Material featuring the soulful vocals of Nona Hendryx, was recorded during the same sessions that produced the band’s single “Bustin’ Out.” Nona, fresh off her years with Labelle and on the cusp of her 1980s solo career, became a favorite vocalist for Material’s mastermind, Bill Laswell. Her commanding presence on this track bridges the gap between funk, soul, and the avant-garde.

The second offering, “Things Fall Apart,” is a No Wave masterpiece by Cristina, an enigmatic artist known for her fusion of punk’s edge with disco’s infectious grooves. This track marked Cristina’s first collaboration with the innovative production duo Was (Not Was). Her trailblazing approach paved the way for artists like Madonna and Cyndi Lauper, blending camp, self-awareness, and undeniable danceability in a way that was ahead of its time.

Both songs are presented here in their unaltered, original 1981 versions. Later reissues of A Christmas Record featured edited or altered takes, but this special promo preserves the brilliance of the original recordings in their purest form.

For fans of experimental holiday music, these tracks are must-listens—a perfect reminder of how ZE Records turned the Christmas album concept on its head, offering something truly bold and unforgettable.

SIDE A:
Material With Nona Hendryx – It’s A Holiday 7:12
Producer – Material

SIDE B:
Cristina – Things Fall Apart 4:34
Producer – The Was Bros*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Min

RELEASE INFORMATION:
Label: ZE Records – IPR 2052, Island Records – IPR 2052
Format: Vinyl, 12″, Promo, 45 RPM
Country: UK
Released: 1981
Genre: Electronic
Style: New Wave, Disco

NOTES:
Pre-Release Limited Edition

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.