Burning The Ground Exclusive
Released in 1989, “Back To Life (However Do You Want Me)” became one of the defining records of the closing months of the 1980s. Built around Caron Wheeler’s unforgettable vocal, the record combined soul, R&B, hip-hop rhythms, strings, and the laid-back club sound that made Soul II Soul stand apart from almost everything else on the radio at the time.
Led by Jazzie B, Soul II Soul had already scored a major hit earlier in the year with “Keep On Movin’,” also featuring Wheeler. “Back To Life,” however, took the group to another level.
One of the most interesting things about the song is that the version everyone knows was not originally included on the group’s debut LP, Club Classics Vol. One, in that familiar form. The album contained a mostly a cappella version of “Back To Life,” with the rhythm entering near the end as the track moved into “Jazzie’s Groove.” Jazzie B and producer Nellee Hooper later returned to the song and rebuilt it for single release, adding the shuffling beat, piano, strings, and other elements that turned it into the classic we know today.
The result was massive.
“Back To Life” reached No. 1 on the UK Singles Chart in June 1989 and remained there for four weeks. In the United States, the single reached No. 4 on the Billboard Hot 100 and No. 1 on the R&B chart.
| Chart (1989) | Peak Position |
|---|---|
| UK Singles Chart | 1 |
| US Billboard Hot 100 | 4 |
| US Billboard Hot R&B Singles | 1 |
| US Billboard Dance Club Play | 1 |
| Eurochart Hot 100 | 1 |
| Canada RPM Top Singles | 11 |
| Canada RPM Dance/Urban | 1 |
| Netherlands | 1 |
| New Zealand | 4 |
| West Germany | 4 |
| Ireland | 6 |
| Sweden | 3 |
| Switzerland | 2 |
| Belgium | 4 |
| Austria | 13 |
| Finland | 14 |
The song also earned Soul II Soul featuring Caron Wheeler the 1990 Grammy Award for Best R&B Performance By A Duo or Group with Vocal. Soul II Soul also picked up a second Grammy that year for the instrumental “African Dance.”
For today’s post, I am featuring the US 12″ single released by Virgin Records, catalog number 0-96537.
This pressing is particularly nice because Virgin packed five different versions onto the record.
The centerpiece is the 7:37 “12″ Mix.” This full-length club treatment gives that familiar rhythm and bass groove plenty of room to breathe. Instead of simply stretching the radio version, the mix lets the arrangement unfold slowly, making Caron Wheeler’s vocal sound even more powerful when it enters.
The 3:29 “A Cappella Intro Version” is also included, an interesting link between the song’s a cappella beginnings and the finished single.
The 3:50 “LP Version” takes us back toward the original album presentation, making the contrast between the original concept and the hit single especially interesting when all of the versions are heard together.
Flip the record over and things get even more DJ-friendly.
“Jam & The Groove,” running 5:08, takes the familiar elements of the record and rearranges them into a more groove-centered workout, while the 4:38 “Bonus Beats” puts the rhythm section front and center. In 1989, mixes like these were made with DJs in mind, giving them extra material for mixing and extending a track on the dance floor.
SIDE A:
A1. Back To Life (12″ Mix) 7:37
A2. Back To Life (A Cappella Intro Version) 3:29
A3. Back To Life (LP Version) 3:50
SIDE B:
B1. Back To Life (Jam & The Groove) 5:08
B2. Back To Life (Bonus Beats) 4:38
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
The five-track configuration and running times are specific to this 1989 US Virgin 12″ pressing.
More than three decades later, “Back To Life” still sounds remarkably fresh. That deep rolling beat, the sweeping strings, the sparse arrangement, and Wheeler’s voice gave the record a sound that was unmistakably Soul II Soul.
And then there is that opening.
The moment you hear “Back to life, back to reality,” you know exactly what record is coming.
For those of us who love the 12″ format, Virgin 0-96537 is also a great example of why these singles are worth preserving. You are not getting one extended mix with a throwaway B-side. You get several different ways of hearing one of 1989’s most important records, including mixes that show how the track developed from its unusual a cappella beginnings into an international hit.
Enjoy!
RELEASE INFORMATION:
Label: Virgin – 0-96537, Virgin – 96537-0
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1989
Genre: Funk / Soul
Style: Contemporary R&B, Downtempo
CREDITS:
- Design – Ranch Associates Limited
- Photography By [Dancer] – Jamie Morgan*
- Photography By [Jazzie B And Caron Wheeler] – Enrique Badulescu
- Producer, Mixed By – Jazzie B, Nellee Hooper
- Vocals – Caron Wheeler
- Written-By – Romeo*
NOTES:
From the album ‘Keep On Movin” available on Virgin Records, Cassettes, and CD’s
Buy the 12 at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
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So wonderful to see the Funky Dreds on here. Back To Life was certainly one of the defining tunes of the Second Summer of Love of 89. (You can add Black Box’s Ride On Time and Starlight’s Numero Uno for commercial swayers too!) The great hot summer in the UK just made it taste all the more sweeter. The earlier single Keep On Movin’ I marginally prefer but this is still great. Check out several references to this song in 1990; The Intelligent Hoodlum – Back To Reality, George Michael’s Freedom 90 (Back To Reality Mix), and also bizarrely The… Read more »
Great stuff, thanks so much! I have to admit, I wasn’t a huge fan of this one when it first dropped, but it definitely grew on me. Really enjoyed the writeup here since it delved into a bit more of the story behind the track and how the album version was so different than the single version (if anyone bought the Oaktown’s 3-5-7 “Wild & Loose” album for the single version of “Juicy Gotcha Krazy” you ended up sorely disappointed, I still don’t know the story behind that one). “Back To Life” really has that cool laid back summer vibe… Read more »
JP, I can totally understand that. “Back To Life” is one of those songs that can sneak up on you over time, especially once you hear the 12″ Mix. That version really does give the groove more room to breathe, and I agree, it’s probably the definitive version for me too. I’m glad you enjoyed the background on the album and single versions. That kind of thing is always fascinating, especially when someone bought the album expecting the hit version and got something completely different. Your Oaktown’s 3-5-7 example sounds like another one of those mysteries worth digging into! And… Read more »
Thank you Paul for the music education! This hit instantly takes me back to the summer of ’89. The producer Jazzie B said this came out at a special time, just before digital took over. It really is a defining record of it’s time, and my guess is deeply influential to the incoming eurodance acts to follow in the charts. Thank you for these rare mixes Paul!!
Retro Hound, you’re very welcome! Summer ’89 really was a special moment for music like this. Soul II Soul had such a distinctive sound, and “Back To Life” feels like one of those records that helped point toward where dance music was going in the early ’90s. I also love Jazzie B’s observation about it arriving just before digital really took over. There is something about the production and the original 12″ mastering that belongs very specifically to that period. And I think you’re right about the influence. That combination of soul vocals, programmed rhythms, strong bass, and club production… Read more »
10+ Paul! This transfer reminds me that when I hear digital versions and re-releases of music that I previously played exclusively in clubs on vinyl 12″s – I’m not nuts thinking something is “off”. I don’t know how many times I’ve sought out a “clean, remastered digital version” that I know by heart only to find out it’s not the version the crowds loved and helped break the record into pop radio in the day. I absolutely love your commitment to authenticity. Yes, the pool of people who would notice and recognize these differences is getting smaller as we all… Read more »
Larry, thank you so much for this. You explained exactly why I still believe these original 12″ pressings matter. There are times when I hear a later CD or digital version of a record I know well and immediately think, “That’s not how I remember it.” Sometimes it is a different mix, sometimes a tape source has been changed, and sometimes the mastering has taken away the very thing that made the original 12″ hit so hard in a club. That physical punch you are talking about is a huge part of the experience. These records were mastered to move… Read more »
Thank You Paul, Very much appreciated.!!
You’re very welcome, Nicki. I’m glad you enjoyed it, and thank you for stopping by. I really appreciate it.
Thanks for the rip, Paul! This was such a massive hit back in the day! At 101 BPM it was just the right tempo, intros, and light instrumentation to be mixed into so many other 98-104 BPM songs. Thanks for this classic!
Thank you! You’re right, that tempo made it incredibly flexible for DJs. It could slide into so many other records without killing the flow, and the sparse arrangement gave you plenty of room to work with. One of those tracks that was not only a big hit, but also a very useful club record.
Love it! I have all of their albums!! This was such an interesting time for music like this, as so much was sneaking across the pond from imports, exchange students and traveling friends and their friends around this time! It was an exiting time for dance music. The Soul II Soul experience was so much about that discovery, that cool stuff you were discovering and turning others onto! There was a lot at this time as American labels delayed releases or only released things once it was obvious they’d sell. Or at least, that’s how it seemed! The album version… Read more »
ING, I know exactly what you mean. That was such a fun period because there was always the feeling that something exciting was happening somewhere else first, and you had to hunt it down through imports, friends, record shops, or word of mouth. Soul II Soul really did feel different from a lot of dance acts at the time. The album version of “Back To Life” showed that they were thinking beyond just making a club single, while the remix turned the song into something completely different and just as brilliant. That is also one of the reasons I wanted… Read more »
Love me some Soul II Soul. I know they have been offering up some new remixes on Bandcamp, and a live album… by Jazzie B should do something new!
Thanks for this amazing post!!!
Wow, love this issue Paul, such wonderful music and even greater memories!, Thank you so much dear friend.
Marcelo, thank you so much, my friend! This one really does bring back some great memories. “Back To Life” still sounds just as good today as it did in 1989. I’m very happy you enjoyed the post and the transfer!
Terrific choice, Paul! I love it! So smooth and sensual. Despite its low tempo, I just loved dancing to the groove on this one. It’s been a long time since I’ve heard it and I’m really looking forward to hearing (and dancing!) to it again. And, Paul, please remind me of something. Didn’t this record inspire George Michael’s club mix of his “Freedom 90”? I think so, but I don’t know at the moment. It’s a fantastic record!!
Jeff
There was a mix based on it, wasn’t there???
Hi ING,
Yes, I do believe.
Jeff
Yes, there was “Freedom (Back To Reality Mix)”, and Soul II Soul are credited for that version because they actually used samples from that song.
Thanks so much, Axel F80!!
Jeff
The Back To Reality Mixes are included on “Listen Without Prejudice / MTV Unplugged (Deluxe)” … but I think we would all prefer a DjPaulT transfer **Hint** 🙂
Jeff, you remembered correctly! George Michael’s “Freedom! ’90 (Back To Reality Mix)” definitely borrowed from “Back To Life.” George even sings part of the “Back To Life” vocal himself in the mix. I had almost forgotten about that connection until you mentioned it! And I agree about the groove on this record. It may sit around 101 BPM, but it never feels slow. That bass, the shuffle, Caron Wheeler’s vocal, and all that space in the arrangement make it incredibly easy to move to. I think you are going to have a great time hearing this 12″ again. Just make… Read more »
There is just something about this song, so smooth, so catchy, love it. I can’t wait to hear all these different versions. Thanks Paul!
Mikey-D, I agree, there really is something special about this one. It has such an easy, smooth groove, but it still grabs you right away.
I think you’ll really enjoy hearing the different mixes together too. Each one brings out something a little different in the track.
Thanks so much, Mikey-D. Hope you enjoy the transfer!
Loved them! Wonderful experience listening to all the versions on headphones. Thanks again!