New Order – Run 2 (UK 12″)

BURNING THE GROUND EXCLUSIVE 1989

A. Front

“Run 2” was New Order’s third and final single from their 1989 album Technique. The album version was listed as simply “Run”.

“Run 2” was remixed by Scott Litt from the version on Technique, hence the appendage of “2” to the title. The main difference is that the song has been made more radio-friendly by editing down most of the long instrumental run-out and appending it with a final repeat of the chorus. Litt’s mix strips back much of the echo and layers of synthesizers, and in place centres the mix on Sumner’s vocal and the bass guitar of Peter Hook. Despite the effort taken to produce a radio single, only 20,000 of the Factory 12″ release were ever pressed. 500 7-inch records were also pressed, for promotional use. The single was only released in the UK.

John Denver’s publishing company filed a lawsuit, alleging that the guitar break in “Run” too closely resembled Denver’s “Leaving on a Jet Plane”. The case was settled out of court. The song has since been credited to New Order and John Denver.

“Run 2” is backed with the B-side titled “MTO”. This song recycles the line “You’ve got love technique” from the group’s previous hit single “Fine Time” (this is the only lyric in the track). It is speculated that “MTO” is an acronym for “Mid Tempo One” or “Much Too Old”, though it is also quite possible that the initial-ism’s usual meaning, “Made to Order”, is implied as a self-deprecating joke by the group. An extended mix of “Run 2” with additional beats by Afrika Islam and an alternate ‘minus’ mix of “MTO” by Mike ‘Hitman’ Wilson appear as B-sides on the 12″ version of the single.

Peter Saville, the single’s cover designer, claimed to have been inspired by the design of laundry powder packaging. The tiny print on the back of the sleeve says, “Cover by Peter Saville Associates after Bold.”

SIDE A:
Run 2 3:37
Remix – Scott Litt

Run 2 (Extended Version) 5:22
Drum Programming [Additional Beats] – Afrika Islam
Remix – Scott Litt

SIDE B:
MTO 3:43
Engineer – Chris Andrews
Remix, Producer [Additional Production] – Mike ‘Hitman’ Wilson*

MTO (Minus Mix) 5:24
Engineer – Chris Andrews
Remix, Producer [Additional Production] – Mike ‘Hitman’ Wilson*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Factory ‎– Fac273
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: UK
Released: Aug 1989
Genre: Electronic, Rock
Style: Leftfield, Acid House, Indie Rock
Credits: Cover [After Bold] – Peter Saville Associates
Mastered By – MAX*
Recorded By – Michael Johnson
Written-By, Producer – New Order

NOTES:
Limited edition of 20,000 copies.
MTO Additional Production and Remix for Real House Productions.

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Various – Hot Tracks Series 1 Issue 11 (US 12″)

BURNING THE GROUND EXCLUSIVE 1982

Side A

While no longer in busines Hot Tracks was the LONGEST-RUNNING DJ Remix Service in the World! Based here in my home town Tulsa, Oklahoma.

Hot Tracks for years and years was carried in THOUSANDS of DJ’s Crates, as the goto service for remix edits and creative ideas on the dancefloors. For a while HOT TRACKS was known for being one of the most creative, and interesting remix services available to DJ’s. Hot Tracks was an invaluable service and an important piece of HISTORY!

This issue was released for the Christmas Season 1982 hence the inclusion of “Have Yourself A Merry Little Christmas” by Steve Algozino who gives the traditiona carol contemporary space age madness. Probably the most sought after remix in this set is “Nasty Girl” retitled “Nasty Nasty Girl” by Vanity 6. This song inclines towards the highly suggestive and downright dirty lyrics. Hot Tracks didn’t help matters any by creating “Nasty Nasty Girls”, by rearranging the entire song to enhance the already enthusiastic synthesized strings, bass line and lyrics. The new mix runs almost 8 minutes and moves quickly with a 7 inch introduction.

This set also includes “It’s A Shame” by The Spinners a Motown classic taken from The Best Of The Spinners LP released in 1973. The track has been lenghtened with new percussion tracks and equalization so that it can be mixed easily with today’s down tempo material.

Hope that you enjoy this great set of remixes from Hot Tracks.

SIDE A:
Double Discovery  – Can He Find Another One? 8:19
Written-By – B. Midney*, J. Burgess*, K. Meyer*
130 BPM

Private Lives – Memory Of Your Name 7:49
Remix – Rob Kimbel
Written By –  Lane, Leiderman
Written-By – Adams*
136 BPM

SIDE B:
Vanity 6 – Nasty, Nasty Girls 7:51
Written-By – Vanity
121 BPM

Steve Algozino – Have Yourself A Merry Little Christmas 5:37
Written-By – H. Martin*, R. Blane*
124 BPM

Spinners, The* – It’s A Shame 4:25
Written-By – L. Garrett*, S. Wonder*, S. Wright*
106 BPM

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Hot Tracks ‎– SA 1-11
Format: Vinyl, 12″, Limited Edition, Promo, 33 ⅓ RPM, Compilation
Country: US
Released: 1982
Genre: Electronic, Funk / Soul, Pop
Style: Disco, Synth-pop, Soul

NOTES:
Released fro Christmas 1982
For DJ Use Only

Find The 12″ On DISCOGS

Side B

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Olivia Newton-John – Physical (France 12″)

BURNING THE GROUND EXCLUSIVE 1981

A. Front

Happy Birthday Olivia!

Re-Rip Newly Remastered + Bonus Track!

Originally I posted this one on May 4, 2010. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

 

 physical“Physical” is a song by Australian recording artist Olivia Newton-John for her twelfth studio album Physical. It was released in September 1981, by MCA Records as the lead single from the project. The song was written by Steve Kipner and Terry Shaddick, who originally intended to offer it to British singer-songwriter Rod Stewart, while production was handled by John Farrar.

The song was an immediate success, shipping 2 million copies in the United States, being certified Platinum, and spending 10 weeks at number one on the Billboard Hot 100, ultimately becoming Newton-John’s biggest American hit. The song reached number 7 on the UK chart in November. The song was nominated for the Grammy Award for Best Female Pop Vocal Performance and won the Billboard Award for Top Pop Single. “Physical” went on to become the biggest-selling single of the entire decade in the US.

Recorded in early 1981, it first rose to number one on the Billboard Hot 100 in America in November 1981 and stayed there for 10 weeks, until near the end of January 1982. In terms of chart placement, it was the most popular single of her career in the U.S., as well as her final number-one (to date). Billboard ranked it as the number one pop single of 1982 (since the chart year for 1982 actually began in November 1981), and it was also the most successful song on the Hot 100 during the entire decade of the 1980s. The famous guitar solo is performed by Toto’s guitarist Steve Lukather.

“Physical” was both preceded and followed in the #1 chart position by recordings of the duo Hall & Oates. “Private Eyes” yielded its top spot to “Physical” in November 1981, and “Physical” yielded to “I Can’t Go for That (No Can Do)” the following January. “Physical” held “Waiting for a Girl Like You” by Foreigner at #2, off the top of the Hot 100 for nine weeks, and “I Can’t Go For That” held Foreigner’s hit at #2 for the tenth and final week.

The single, slightly edgier than she had been known for in the past (such as her songs from Grease and her country-pop ballad “I Honestly Love You”), proved to be immensely popular both in America and in the United Kingdom, despite the fact that the song was censored and even banned by some radio stations; due to its sexual content, for example the line: “There’s nothing left to talk about unless it’s horizontally”, in spite of Newton-John’s status as the reigning queen of soft-rock music at the time, “Physical” peaked at only number twenty-nine on the AC chart (its follow-up, the slightly softer-edged “Make a Move on Me,” found more acceptance at AC radio and went to number six AC as well as number five pop.) The song was a big dance hit, crossed over to the Billboard R&B chart peaking at #28 there, and spawned a music video.

The music video was directed by Brian Grant.

The video featured a lusty Olivia, dressed in a tight leotard, as a gym teacher trying to make several overweight men healthy. She repeatedly tries to make the men lose weight, but her plans fail and she leaves the room to take a shower. Suddenly, the men work out on their own, and they transform into muscular attractive men. In one part, one muscular man glances at his overweight self. Olivia is shocked when she sees this, and starts to flirt with them. At the end, two of the men secretly go out, holding hands, implying they are gay. Olivia is surprised to see this, and so she and one of the overweight men play tennis. The gym setting may have been partly an attempt to divert attention from the overt sexual connotations of the term “physical”. This was further emphasized by the twist comedy ending of the video, when the transformed men who are now oblivious to Newton-John’s advances are ultimately revealed to be gay (this was also a source of controversy; MTV frequently cut the ending when it aired the video, and the sometimes sensuous nature of the video also led to it being banned outright by some broadcasters in Canada and the United Kingdom).

The Olivia Physical video (where “Physical” music video was included) won a Grammy Award for Video of the Year in 1983. The video was featured on Pop-Up Video on VH1 and was the first video to air on Beavis and Butt-Head, on which they changed the channel to “I Wanna Be Sedated” by The Ramones.

A Newton-John duet with Jane Lynch aired on the “Bad Reputation” episode of the television series Glee on May 4th, 2010 on the FOX television network in the US. Newton-John and Lynch recreated the songs music video for the episode. This version charted at #89 in 2010.

ABOUT THE 12″:
Released only in France and Mexico this 12″ contains the only official “Long Version” of “Physical”. As a bonus I included the “Extended Live Version” of “Physical” which was released as the b-side of the “I Honestly Love You” UK 12″ re-issued in 1983 to promote the album “Olivia’s Greatest Hits Vol. 2”. “Physical” was recorded live during Olivia’s 1982 Let’s Get Physical World Tour.

SIDE A:
Physical (Special Disco Mix) 7:04
Written By – Steve Kipner , Terry Shaddick

SIDE B:
The Promise (The Dolphin Song) 4:30
Written By- Olivia Newton-John

Physical (Extended Live Version) (Bonus Track) 7:33
Written By- Steve Kipner , Terry Shaddick
Recorded Live In Concert 1982

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

CHART HISTORY:

Year Single Chart Position
1981 Physical U.S. Billboard Hot 100 #1 (10 Weeks)
1981 Physical U.S. Billboard Hot Black Singles #28
1981 Physical U.S. Billboard Adult Contemporary #29
1981 Physical U.S. Billboard Hot Dance Club Play #22
Year Single Chart Position
1982 Physical U.S. Billboard Hot 100 Year End #1
1980-89 Physical U.S. Billboard Hot 100 End Of decade #1

 

RELEASE INFORMATION:
Label:Pathé Marconi EMI, EMI – 2C 052 52904 Z
Format: Vinyl, 12″, 45 RPM
Country: France
Released: 1981
Genre: Electronic
Style: Pop Rock, Synthpop
Credits: Producer – John Farrar
Mixed By – David J. Holman
Photography – Herb Ritts

NOTES:
Original version appears on the MCA album:
“PHYSICAL”

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Marcia Hines – Your Love Still Brings Me To My Knees (Netherlands 12″)

BURNING THE GROUND EXCLUSIVE 1981

A. Front

DISCO FRIDAY!

Marcia Elaine Hines, AM (Order of Australia) (born 20 July 1953 in Boston, Massachusetts, USA) is an Australian vocalist, actress and TV personality. Hines made her debut, at the age of sixteen, in the Australian production of the stage musical Hair and followed with the role of Mary Magdalene in Jesus Christ Superstar. She achieved her greatest commercial successes as a recording artist during the late 1970s with 6 Australian top 10 hits.

In 1981 Hines recorded her last hit single “Your Love Still Brings Me To My Knees” which peaked at #10 on the Australian singles chart in July 1981. The single was taken from the album “Take It From The Boys” on Midnight records.

Marcia Hines stated ” As a black woman, the disco beat speaks to me. It takes me back to a tribal place. Disco reminds me of a happy and fun period”.Marcia Hines was inducted into the ARIA Hall of Fame on 18 July 2007.

SIDE A:
Your Love Still Brings Me To My Knees 5:40
Written-By – B. Wood*, R. Cook*

SIDE B:
All The Things We Do When We’re Lonely 3:50
Written-By – D. Pitchford*, T. Snow*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Friends Records ‎– FR 12009
Format: Vinyl, 12″, Single, 45 RPM
Country: Netherlands
Released: 1981
Genre: Funk / Soul
Style: Disco
Credits: Producer – David Mackay

NOTES:
12″ Disco Single
Made In Holland

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi