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The Contours- Do You Love Me? (Special 12″ Version) (US 12″) (1988)

Burning The Ground Exclusive

In the summer of 1988, Motown Records reached back into its vaults and reignited one of its most electrifying classics—“Do You Love Me?” by The Contours—with a brand-new remix aimed squarely at a new generation of dance floor devotees. The occasion? The unstoppable cultural wave that was Dirty Dancing.

From Detroit to the Dance Floor

Originally released in 1962, “Do You Love Me?” was written and produced by Berry Gordy and became one of Motown’s earliest breakout hits. Built around a pounding beat, brassy horns, and the raw, exuberant lead vocal of Billy Gordon, the record shot to No. 3 on the Billboard Hot 100 and No. 1 on the R&B chart.

It was a perfect example of early Motown magic—tight, urgent, and irresistibly danceable. The song’s call-and-response energy and its now-iconic lyrical checklist of dance crazes (“Do you love me now that I can dance? / Watch me now!”) made it a party staple almost instantly.

The Dirty Dancing Revival

Fast-forward 25 years. In 1987, “Do You Love Me?” found a prominent home in Dirty Dancing, the surprise smash starring Patrick Swayze and Jennifer Grey. Featured during one of the film’s most joyful and high-energy ensemble dance scenes, the track helped underscore the movie’s nostalgic 1960s setting while delivering pure, kinetic fun.

The soundtrack became a phenomenon, topping charts around the world and reintroducing a host of classic tracks to younger audiences. Sensing the moment, Motown issued a 1988 remixed version of “Do You Love Me?”—giving the song a contemporary sonic polish tailored for late-’80s radio and club play.

The 1988 Remix: A Classic Recharged

The 1988 remix doesn’t tamper with the heart of the original—it would be sacrilege to smooth out that gritty vocal or those punchy horn stabs—but it does enhance the low end and rhythm track for a fuller, more modern sound. The drums hit a bit harder, the mix feels wider, and there’s a crispness designed to sit comfortably alongside late-’80s pop productions.

It’s a fascinating example of how classic Motown material was repackaged during the remix era. While many ’60s hits were simply reissued, this version embraced the decade’s appetite for updated mixes, extended play, and dancefloor-ready sound. For those of us who grew up in the 12-inch era, it’s always intriguing to hear how vintage soul records were adapted to contemporary tastes without losing their DNA.

Commercially, the revival paid off. Thanks to Dirty Dancing, “Do You Love Me?” re-entered the Billboard Hot 100 in 1988, climbing back into the Top 20—an extraordinary second act for a song already considered a classic.

Why It Still Works

At its core, “Do You Love Me?” is about confidence—earned confidence. The narrator isn’t just asking for affection; he’s proving he deserves it. The transformation from awkward wallflower to dance floor dynamo is universal, and that’s part of why the song resonated so strongly in Dirty Dancing. It mirrors the film’s central theme of personal growth and self-discovery through music and movement.

More than six decades after its original release, the song remains a staple at weddings, parties, and retro nights. Few tracks capture the pure joy of dancing quite like this one.

With this 1988 remix, we get a time capsule within a time capsule: a 1962 Motown stormer reborn in the glossy glow of the late ’80s, powered by the cinematic afterglow of Dirty Dancing. It’s proof that a great groove never really goes out of style—it just finds a new generation to love it.

So… do you love it now that it can dance again?

SIDE A:
Do You Love Me? (Special 12″ Version) 6:36
Engineer [Assistant] – Steve Jamerson
Engineer [Remix] – Russ Terrana
Remix [Additional Overdubs] – Brian Tankersley
Remix, Producer [Additional] – Brian TankersleyIris Gordy

SIDE B:
Do You Love Me? (Edited Version) 2:40
Engineer [Assistant] – Steve Jamerson
Engineer [Remix] – Russ Terrana
Remix [Additional Overdubs] – Brian Tankersley
Remix, Producer [Additional] – Brian TankersleyIris Gordy

Do You Love Me? (Original Version) 2:53

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – The Countours:  Do You Love Me? (1988)
Chart Peak Position Date
US Billboard Hot 100 #11 1988
US Billboard Adult Contemporary 24 1988
UK Singles #76 1988
Canada Top Singles #16 1988
Netherlands (Dutch Top 40) #10 1988

RELEASE INFORMATION:
Label: Motown – 4611MG
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1988
Genre: Funk / Soul
Style: Soul

CREDITS:

NOTES:
From the Vestron Motion Picture “Dirty Dancing”.
Track B2 available on the RCA Soundtrack Album “More Dirty Dancing”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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Important Update

Hi Burning The Ground readers, this is Jeremy.

I am posting to let everyone know that Paul is out of surgery and his doctor said everything went well and according to plan. I was able to talk with him briefly but he is very drowsy. He will be released to go home in 2 days. Thank you everyone for all the care and concern you have been showing for Paul. It really means a lot! Paul will be in touch with everyone soon.

Thanks,

Jeremy

Thompson Twins – Runaway (UK 12″)

Burning The Ground Exclusive 1982

“Runaway” is a 1982 single by British band Thompson Twins taken from their second studio LP “Set” which was released in the USA as “In The Name Of Love”. The single was a commercial failure and did not chart. The record was only released in UK and European markets.

Although not an official member of the band, Thomas Dolby was also on hand to play additional keyboards on the track.

SIDE A:
Runaway (Extended Remix) 5:28
Synthesizer [Additional Synthesiser] –  Tom Dolby
Written-By – T. Bailey

SIDE B:
Bouncing (Extended Remix) 4:56
Written-By –  J. LeewayT. Bailey

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: T Records (2) – TEE 125
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: May 1982
Genre: Pop
Style: New Wave, Synth-pop

CREDITS:
Design, Photography [Photo Illustration] – Thomi Wroblewski
Lacquer Cut By – timtom (tracks: A), TY (tracks: B)
Music By –Thompson Twins
Producer –Steve Lillywhite

NOTES:
Remixed from the album “Set”.

Marketed by Arista
Manufactured and Distributed by Polygram Record Operations Ltd.

Tom Dolby appears courtesy of Venice-In-Peril/EMI Records.

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC only available for seven days

Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

C & C Music Factory – Just A Touch Of Love (US 12″)

Burning The Ground Exclusive 1991

“Just a Touch of Love” is a 1991 single written by Robert Clivillés and performed by C+C Music Factory. It is also known as “Just a Touch of Love (Everyday)”, which featured vocals by Zelma Davis, was the duo’s fourth release from their album, Gonna Make You Sweat. “Just a Touch of Love” was the duo’s fourth number one on the US dance charts. On other US charts, the single went to #50 on the Hot 100 and #83 on the soul singles chart.

“Just a Touch of Love” was featured in the 1992 film Sister Act and in the second season of the 2018 television series Pose.

SIDE A:
Just A Touch Of Love (Everyday) (The Standard House Mix) 6:53
Just A Touch Of Love (Everyday) (The Garage Dub 2 Mix) 5:36

SIDE B:
Just A Touch Of Love (Everyday) (The C&C Garage Mix) 6:02
Just A Touch Of Love (Everyday) (The C&C Garage Dub Mix) 5:51

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1991 Just A Touch Of Love U.S. Billboard Hot 100 #50
1991 Just A Touch Of Love U.S. Billboard Hot Dance Music/Club Play #1
1991 Just A Touch Of Love U.S. Billboard Hot R&B/Hip-Hop Singles #83

RELEASE INFORMATION:
Label: Columbia – 44 74032, Columbia – 44-74032
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1991
Genre: Electronic
Style: House

CREDITS:
Backing Vocals – Audrey WheelerCindy MizelleCraig DerryDeborah CooperKaren BernodMilton G. Barnes
Drums [Arrangements], Percussion [Arrangements], Keyboards [Arrangements], Edited By – Robert Clivillés
Edited By – George Morel
Engineer [Mix] –Rodney Ascue
Engineer [Mix], Recorded By – Bob Rosa
Keyboards – David Cole
Keyboards, Arranged By [Additional Keyboard Arrangements] – Fred McFarlane
Mastered By – Herbie Jr.*
Producer, Arranged By, Mixed By –  Robert Clivillés And David Cole*
Programmed By – Alan Friedman
Recorded By [Engineer] –Tony Maserati
Remix – Bob RosaRobert Clivillés, David Cole
Vocals [Uncredited] – Zelma Davis

NOTES:
Produced, arranged and mixed for Cole/Clivillés Music Enterprises. Programmed for Yipe!

Karen Bernod appears courtesy of SBK Records.

Audrey Wheeler appears courtesy of Ear Candy Records.

Cindy Mizelle appears courtesy of East/West America Records.

Tracks 1 and 4 contain an uncredited sample of “Exodus.

Special versions taken from the Columbia release  “Gonna Make You Sweat

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.