Boystown Gang – Cruisin’ The Streets (US 12″)

Burning The Ground Exclusive 1981

The blockbuster success of the Village People proved one of two things: either middle America was finally willing to embrace post-Stonewall queer culture in all its out-and-proud glory, or else your average Reagan voters wouldn’t recognize a homosexual even if he sold their teenage son’s poppers and stuffed the cash into his assless chaps. Regardless, the Village People phenomenon spawned untold numbers of cash-in records that ratcheted the camp appeal into the danger zone.

The “postdisco” recording industry in San Francisco between 1978 and 1984. For most of America, disco died in 1979. Gay people, however, continued to dance, and in the Castro enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music.

The sound derived its aesthetic from San Francisco’s unique queer configuration of elements, but immediately this music had a reach far beyond the Bay Area, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success with San Francisco artists such as Sylvester, Patrick Cowley, Lisa, and Boys Town Gang creating the world’s first gay-owned, gay-produced music for a dancing audience.

In 1980, DJ Bill Motley saw an opportunity to form a disco group that catered to San Francisco’s large gay clientele. In his search to form a group, he auditioned hundreds of vocalists, both male and female. Local cabaret singer Cynthia Manley captured the lead spot.

The idea was originally for one 12″ single with two tracks of high-energy disco music. Motley, a Diana Ross fan, picked two Ashford & Simpson songs to form a medley for the A-side track. For the B-side track, he wrote a disco drama in four acts. A private record label was founded to release the two songs.

“Remember Me”/”Ain’t No Mountain High Enough” is a Diana Ross medley the song became a huge dance hit in the U.S. peaking at #5 on the Dance/Disco chart. The song was also a top 20 hit in Belgium and the Netherlands.

“Cruisin’ the Streets” The extended version of the song includes a lengthy dialogue taking place at night in what is clearly implied to be Folsom Street in San Francisco. The dialogue consists of gay men cruising each other, discussing their sexual encounters and conversing with a female prostitute. At one point, a police car stops and three policemen step out and confront two men who are engaging in sexual activity as a female prostitute looks on. One of the officers asks the others what should be done, and the third officer states that he knows “just what to do to ’em” and from the subsequent noises it is implied that the officers are having sex with the two men, and the prostitute. “Cruisin’ the Streets” was a snapshot of San Francisco’s South of Market District at the time.

**ABOUT THE VINYL RESTORATION

This record was a challenge maybe due to the length of the tracks and the pressing. On Side AA there is some sibilance baked into the track, especially on the female spoken dialogue parts not really much that can be done about that. Still, I think everything turned out nicely. I hope you enjoy it.

SIDE A:
Remember Me / Ain’t No Mountain High Enough Suite 13:57
Arranged By [Strings] – Denver Smith
Backing Vocals – Darlene KoblenhavenDenver SmithLouie RicoMarie CainMary HylanMike Gymnaites
Piano – Ted Andreads
Saxophone – Jerry Jomonville

Synthesizer [Arp] – Wayne Cook
Trombone – Dennis Brunk
Trumpet – Lee Thornburg
Violin – Ken Yerke
Written-By – Ashford, Simpson

A.1 Overture
A.2 Remember Me
A.3 Ain’t No Mountain High Enough
A.4 Reprise
A.5 Finale

SIDE AA:
Cruisin’ The Streets 13:12
Backing Vocals – Bill MotleyChuck Spero
Mixed By [Mix Consultant] – Trip Ringwald
Piano [Rhodes], Clavinet – Ted Andreads
Remix [Street Scene – Music In Passing Car Courtesy Of] – Disconet
Saxophone – Randy Smith (2)
Synthesizer, Trombone – Denver Smith
Trumpet – Joel Rich
Voice [Street Scene] – Bill MotleyChuck SperoCraig MoreyCynthia ManleyDon WoodScott Anderson (3)Trip Ringwald
Written-By – Bill Motley

AA.1 Cruisin’
AA.2 Rejected
AA.3 The Pick-Up
AA.4 Busted
AA.5 Reprise

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1981 Remember Me”/”Ain’t No Mountain High Enough U.S. Billboard Hot Dance/Disco #5

RELEASE INFORMATION:
Label: Moby Dick Records – BTG-231, Moby Dick Records – LP-BTG-231
Format: Vinyl, LP, Album, Reissue
Country: US
Released: 1981
Genre: Funk / Soul
Style: Disco

CREDITS:

NOTES:
“Caution: May contain material not suitable for children or the prudish”
Recorded at Salty Dog Studios, Van Nuys, CA.
Mastered at the Mastering Room, San Francisco.

The flipside is listed on sleeve, labels and runout groove as “The Other A”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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Randy Metro
Randy Metro
August 19, 2023 2:03 am

Something that has always bothered me in the CD era, is that the original BTG’s Ross remake was replaced by the dance version on albums. It’s easy to spot the original because it ends with a playful twinkly piano outro. You’ve got the original version.

dj xrey
dj xrey
July 6, 2023 8:15 am

Bill Motley gave The Boys Town Gang a mediocre Diana Ross track they arranged so well that propelled this into the stratosphere when it built up to “Ain’t No Mountain…” and the dance floors went nuts! This iconic A-side track was such a staple of the club scene I can’t believe str8 people never heard it by now. I also noticed this hit may never have been released on CD, which might indicate the tapes are lost. IMHO it’s the best track BTG ever did, and it didn’t even appear on their first full-length album. For some reason Discogs has… Read more »

Song and Dance
Song and Dance
July 2, 2023 4:54 am

Fantastic post, Paul. I had never listened to the full-length suites before and I love them. What a grand finale to Pride month. Congratulations. It takes me a half an hour to get to work so I´m really looking forward to listening to this magnificient double A-side on my car´s surround system on Monday morning. 🙂 Thank you so much. Have a lovely weekend, Paul and Jeff and all the music lovers here at our safe haven at BTG. Keep on dancing. 🙂

Marco
Marco
July 1, 2023 11:35 am

I was only aware of Come And Get My Love, which i have on a Dutch 12” white coloured vinyl.

Looking forward to hearing this release.

Thanks Paul 🙂

Martika
Martika
July 1, 2023 11:04 am

“Caution: May contain material not suitable for children or the prudish” … I LOVE IT! Thank you for another amazing and rare release!

Martika
Martika
Reply to  DjPaulT
July 2, 2023 5:03 pm

Not sure I agree with this list but interesting anyways: The 50 most inspirational Pride anthems according to what I presume is a 20-year-old Rolling Stone writer: https://www.rollingstone.com/music/music-lists/best-inspirational-lgbtq-anthems-pride-songs-1234773829/?utm_source=pocket-newtab
Seems to be missing some more obvious choices (Communards, Erasure, Pet Shop Boys, FGTH, Village People, Weather Girls, …)

dj xrey
dj xrey
Reply to  Martika
July 6, 2023 8:06 am

You’re right, Martika. Rolling Stone has changed over the years and under Jann Wenner’s media empire, it has lost its ethics and original focus in order to sell more subscriptions. Currently it’s so politically correct I find it nauseating. I got flagged for some comment I made about the record industry being shifty or scandalous – I forget what I said, but it was true. Clearly this list, written by some clueless millennial who probably never attended or danced at a gay bar, shows us how old we’ve gotten when most of these songs on the list I’ve never heard… Read more »

Jeff
Jeff
July 1, 2023 10:51 am

Dear Paul, you have to forgive me for not responding right away. Karen and I were out all day and I had forgotten my phone. I woke up late today and only found out about the post now. Although I know a little about Boystown Gang, I had no idea of this record. I am thrilled for it and can’t wait to “dive in” with both ears and feet. This seems so intriguing on so many levels. Thank you for this past month’s Pride posts. I’ve learned a lot too from reading your scholarly notes. I just love the genre… Read more »

Last edited 1 year ago by Jeff
Retro Hound
Retro Hound
Reply to  Jeff
July 1, 2023 6:45 pm

Thank you Jeff, enjoy your weekend all!! I whole-heartedly agree with you! And thank you Paul for all your hard work!! Your dedication makes our lives and this world a lot better!!

Martyzilla
Martyzilla
July 1, 2023 8:16 am

Your rip here sounds absolutely stellar! It sounds more like it did in the clubs on the dance floor than any of the CD editions I’ve heard. Thank you so much, it’s a classic favorite!