Author: DjPaulT

June 25, 2025

Malcolm McLaren And The House Of McLaren – Deep In Vogue (UK 12″) (1990)

Burning The Ground Exclusive

Today’s Pride Month post dives into one of the boldest pre-mainstream celebrations of ballroom culture: Deep in Vogue by Malcolm McLaren and the House of McLaren. Released in 1989—before Madonna brought voguing to the masses—this track was a cultural time capsule and a tribute to the underground scene that shaped a generation of queer identity, dance, and fashion.

Malcolm McLaren, best known as the former manager of the Sex Pistols, was no stranger to subculture. With Deep in Vogue, he turned his fascination to New York’s ballroom scene—specifically the voguing houses that thrived in Black and Latinx LGBTQ+ communities. Collaborating with Mark Moore (of S’Express) and William Orbit, McLaren sampled raw audio from Paris Is Burning (prior to its theatrical release), as well as original beats, house grooves, and runway-ready attitude.

This wasn’t just music—it was documentation.

The single features the fierce chant: “Strike a pose! Strike a pose!” long before those words became iconic. It features contributions from members of the House of McLaren, and it’s steeped in the language, style, and pageantry of ballroom culture. Unlike the glossy pop of Madonna’s “Vogue” the following year, this record feels gritty, real, and reverent—a beat-driven love letter to the creativity and resilience of LGBTQ+ communities who carved out safe spaces in a hostile world.

This 12″ helped usher voguing into the mainstream without stripping away its defiance. It’s a celebration from the underground rather than about it. A song that not only embraces Pride, but helps define it through self-expression, movement, and the refusal to apologize.

For anyone passionate about queer history, dancefloor evolution, or the intersections of activism and art, Deep in Vogue remains essential listening. It’s more than a house track—it’s a mirrorball manifesto.

The song’s music video features none other than Willie Ninja, the legendary godfather of voguing, whose style, grace, and competitive fire helped define an era. His presence in this video is not just fierce—it’s foundational. Willie helped bring ballroom to the world stage, and his legacy continues to inspire dancers, artists, and activists today.

Tragically, like so many icons from this period, Willie Ninja was lost to AIDS-related complications in 2006. His story, and that of countless other queer talents of color, is a heartbreaking reminder of how the HIV/AIDS epidemic devastated an entire generation of artists, thinkers, and performers. Deep in Vogue doesn’t just celebrate a culture—it preserves it, and the people who made it unforgettable.

💿✨ Celebrate Pride. Celebrate expression. Celebrate the ballroom.

SIDE A:
Deep In Vogue (Banjie Realness) 9:04
Producer – David Lebolt, Malcolm McLaren, Phil Ramone
Producer [Additional Production], Remix – Mark Moore, William Orbit

SIDE B:
All Night Long 4:55
Producer – Malcolm McLaren

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – WALTZ T6
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1990
Genre: Electronic
Style: House, Synth-pop

CREDITS:

Producer – Malcolm McLaren (tracks: A)
Remix – Mark Moore (tracks: A), William Orbit (tracks: A)

NOTES:
Made in the U.K.
From the LP “WALTZ DARLING”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

June 23, 2025

Quarterflash – Walking On Ice (Remix) (US 12″ Promo) (1985)

Burning The Ground Exclusive

🌈 Pride Month – Off the Beaten Path 🌈

Every June, I like to mix things up a bit — blending the obvious Pride floor-fillers with songs that carry an emotional weight, or simply capture the spirit of resilience, intensity, and passion that defines so much of the LGBTQ+ experience. Today’s post is one of those unconventional choices.

This is the 1985 single remix of Quarterflash’s “Walking on Ice,” taken from their third studio album, Back Into Blue.

Released on Geffen Records, this version was featured on both the 7″ single and a rare US 12″ promo sent to radio stations. The remix is subtle yet effective, smoothing out the original album version and giving it a more polished, radio-friendly edge without losing the moody tension that makes the song so compelling.

Quarterflash, fronted by the incredible Rindy Ross, were known for their fusion of rock, pop, and that unmistakable saxophone. While they’re most associated with early hits like “Harden My Heart,” it’s songs like “Walking on Ice” that reveal their darker, more emotionally complex side.

“I walk on ice, I play with fire / For loving you, baby, I’d dance on wire…”

The lyrics paint a picture of love as risk, as danger — a balancing act that many LGBTQ+ listeners, especially those who came of age in the ’80s, will recognize all too well—loving boldly, despite fear. Risking it all to be true to yourself. These are Pride themes, even if they come wrapped in a rock ballad rather than a club banger.

🎧 This remix may not be flashy or well-known, but it has a place in the Pride Month soundtrack — a moment to reflect, to feel, and to remember that Pride isn’t just about celebration. It’s also about survival, truth, and heart.

SIDE A:
Walking On Ice (Remix) 3:46

SIDE B:
Walking On Ice (Remix) 3:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Geffen Records – PRO-A-2400
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Rock
Style: Pop Rock

CREDITS:

Producer – Steve Levine
Remix – Mike Shipley
Written-By – Marv Ross

NOTES:
Promotion Copy – Not For Sale

From the Quarterflash album “Back Into Blue”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

June 20, 2025

Dolly Parton – Heartbreaker (UK 12″) (1978)

Burning The Ground Exclusive

Today’s Pride Month post features an unexpected but absolutely iconic disco delight—none other than Dolly Parton, serving rhinestone-studded realness on this UK-exclusive 4-track 12″ EP. Long before Beyoncé took country pop crossover to the masses, Dolly was out here doing it in glitter heels, big hair, and bigger heart.

This 12″ release includes four of her most beloved late-’70s pop crossovers:

💔 Heartbreaker – The title track is all drama, heartbreak, and soaring vocals. Pure pop perfection wrapped in a countrypolitan bow.

🔥 Baby I’m Burnin’ (Disco Mix) – This is where things get camp and dancefloor-ready. Originally a double A-side with “I Really Got the Feeling,” this track got the extended disco treatment that transformed it into a club favorite. Funky, fast-paced, and utterly fabulous—it’s Dolly going full Studio 54, and it’s everything.

🎹 Here You Come Again – Dolly’s 1977 crossover smash. With its soft pop sheen and tender lyrics, this was a game-changer—bringing her into the mainstream while keeping her unmistakable spirit intact.

🚪 Two Doors Down – Upbeat, cheeky, and catchy as hell. A song about missing the party next door, until deciding to crash it after all? Now that’s a Pride mood.

💖 Why This Matters for Pride
Dolly Parton has long been considered a beloved LGBTQ+ ally—an icon of self-love, self-expression, and resilience. She once said, “It’s not up to me to judge. I just love everybody.” And we’ve loved her right back for decades.

From her flamboyant fashion to her fearless independence, Dolly has always embodied the spirit of being true to yourself, no matter what anyone else thinks. And while this 12″ isn’t typically seen on Pride playlists, it should be—because it’s joyful, bold, and utterly unapologetic.

And let’s face it: “Baby I’m Burnin’” is a drag performance waiting to happen. 💃

It’s Disco Friday So turn it up, sing along, and let Dolly be your disco queen for the day!

Stay sparkly.

SIDE A:
Heartbreaker 3:31
Baby I’m Burnin’ (Disco Mix) 4:30

SIDE B:
Here You Come Again 2:56
Two Doors Down 3:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: RCA – PC 9401
Format: Vinyl, 12″, 45 RPM, EP
Country: UK
Released: 1978
Genre: Country, Pop
Style: Disco

CREDITS:
Executive-Producer – Charles Koppelman
Producer – Gary Klein

NOTES:
Super Value 4-track E.P.

Track number 2, “Baby I’m Burnin'” is the Disco Mix.

Printed in England

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

June 19, 2025

Dead Or Alive – I’ll Save You All My Kisses (Japan 12″) (1987)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Originally posted the US 12″ on July 20, 2012

🔥This post features a brand-new, meticulously restored 2025 transfer, giving this sparkling gem the clarity, punch, and presence it deserves. Audiophiles and fans alike—get ready to hear this one like never before.

💋 “My kisses are exclusive—no one can afford them.” 💋

Today’s Pride Month selection whirls us back to 1987, into the glitter-drenched world of one of the boldest, most flamboyant acts of the era—Dead or Alive. I’m thrilled to feature their underappreciated but wildly addictive single, “I’ll Save You All My Kisses,” the fourth release from their Mad, Bad and Dangerous to Know album.

While it didn’t dominate the charts like “You Spin Me Round,” this track has long been a fan favorite—a Hi-NRG love letter draped in sequins and synths. Produced by the unstoppable Stock Aitken Waterman, it’s packed with hard-edged drum machines, shimmering layers of synth, and Pete Burns’ signature theatrical delivery.

💿 This 12″ single (Japan release) is all about the drama:

The Long Wet Sloppy Kiss Mix — stretched to 7:10 of pulsing, dancefloor perfection.

The Sonia Mezumbda Memorial Mix — a tighter, high-energy edit clocking in at 5:19 (edited by Mark McGuire).

A quick word on that mysterious mix name:
According to fan lore from the now-defunct Right Stuff forum, Sonia Mezumbda—likely real name Sonya Mazunda—was said to have done backing vocals for Frankie Goes To Hollywood in 1982. Whether she passed away or the title was simply a tribute, it’s unclear—but it adds a bittersweet edge to this already emotionally charged track.

And of course, there’s Pete. 💄
More than a frontman, he was an icon of queer defiance. Gender-blurring, razor-sharp, and impossible to ignore, Pete Burns brought a fierce confidence to everything he did. He didn’t ask for permission—he demanded attention. “I’ll Save You All My Kisses” isn’t just a club-ready track—it’s a statement. It says: I know my worth, and you better be special if you’re going to get close.

For many in the LGBTQ+ community, Pete’s unapologetic self-expression was a beacon. And during Pride Month, this kind of synth-drenched empowerment hits especially hard. This track is about passion, power, and the pleasure of owning your narrative.

🎧 So cue up the strobes, turn it all the way up, and strut like you’re wearing six-inch platforms and a crown made of mirror shards. Because these kisses are couture, darling—and not everyone’s on the guest list.

SIDE A:
I’ll Save You All My Kisses (The Long Wet Sloppy Kiss Mix) 7:10

SIDE B:
I’ll Save You All My Kisses (The Sonia Mezumbda Memorial Mix) 5:19
Edited By – Mark McGuire

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint

RELEASE INFORMATION:
Label: Epic – 12・3P-834
Format: Vinyl, 12″, 45 RPM, Stereo
Country: Japan
Released: Aug 26, 1987
Genre: Electronic
Style: Synth-pop

CREDITS:

Design [Assisted By] – Andrew Biscomb
Design [Sleeve Design] – Peter Barrett (3)
Photography By – Paul Cox (5)
Photography By [Additional Floral Photography] – Simon Marsh (2)
Producer – Stock, Aitken & Waterman
Remix – Dead Or Alive, Phil Harding
Written-By – Dead Or Alive

NOTES:
From the LP “Mad, Bad and Dangerous to Know”

Includes OBI, and insert

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.