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Burning the Ground is a labor of love dedicated to preserving and sharing the rare 12″ remixes, extended versions, and hard-to-find vinyl gems of the ’80s, ’90s, and beyond. Whether you visit to relive a favorite dancefloor memory or discover something new, I’m so grateful to have you as part of this passionate community.
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Released in 1994 as the final single from her fourth album, Intimacy (1993), Jody Watley’s When a Man Loves a Woman stands out as one of the most intriguing singles of her career. Co-written with Larry Campbell, the song paired Watley’s poetic, philosophical spoken-word style with a sultry midtempo R&B/hip-hop groove, offering something bold and different from her previous chart-toppers.
Charts
The single became a success on both sides of the Atlantic. In the U.S., it climbed to #11 on the Billboard R&B Singles Chart, while in the UK, it reached #33 on the Singles Chart, becoming Watley’s first Top 40 hit there since “Friends” in 1989. In clubs, it fared even better, soaring to the top of the UK Club Chart, thanks in part to strong remixes.
Critical Reception
Critics praised the single’s originality and risk-taking:
Billboard (Larry Flick): Called it a “clever and unusual single,” noting Watley “waxes poetic and philosophical about relationships, chatting over an insinuating, midtempo hip-hop groove,” enhanced by “imaginative, format-stretching remixes.”
Gavin Report (Bill Speed & John Martinucci): Described it as “a monologue observing key elements of an unconditional relationship between a man and a woman.”
Music Week (Andy Beevers): Awarded four out of five stars and Pick of the Week in Dance, praising the BBG remixes that “have taken the track to the top of the RM Club Chart.”
Music & Media: Highlighted the socially conscious lyrics, noting the subtle message about AIDS and fidelity.
Record Mirror (James Hamilton): Called it a “mumbling slinky swayer (not the Percy Sledge classic),” remarking on its “sultrily muttered instructions about the right ways to treat the one you love without giving them AIDS.
Music Video
The music video for When a Man Loves a Woman marked Jody Watley’s directorial debut, giving her the chance to craft her own visual vision to accompany the single.
US Promo Release
In the U.S., at least three promo 12″ singles were issued, all featuring exclusive remixes never released commercially. Most of these versions have not appeared digitally or on CD, making them rare and highly collectible among Watley fans.
Legacy
Though not as universally recognized as her chart-topping hits Looking for a New Love or Real Love, When a Man Loves a Woman reflects Jody Watley’s artistry at its most daring—merging spoken-word poetry, house and R&B grooves, social commentary, and creative independence. It remains an essential piece of her catalog, a track that connected powerfully with audiences in clubs and on the charts while showcasing her growth as both an artist and visionary.
By the fall of 1988, Taylor Dayne was on a roll. Her powerhouse debut album Tell It to My Heart had already produced three U.S. Top 10 singles, including the title track, and she was quickly becoming one of the defining vocalists of the late ‘80s. Riding that momentum, Arista Records issued “Don’t Rush Me” as the fourth single from the album, and it turned out to be one of Dayne’s biggest hits.
Written by Alexandra Forbes and Jeff Franzel and produced by Ric Wake, the song stands out for its lyrical theme. Unlike the bold passion of “Tell It to My Heart” or the dance-floor fire of “Prove Your Love,” “Don’t Rush Me” carries a message about taking things slow—essentially, a plea for abstinence. Delivered with Dayne’s unmistakable vocal strength, it struck a balance between vulnerability and determination.
Chart Success
“Don’t Rush Me” first saw release in the UK in September 1988 before arriving in the U.S. on October 24. The single quickly climbed the charts, peaking at No. 2 on the Billboard Hot 100 in January 1989, only held back from the top by Phil Collins’ “Two Hearts.” It became Dayne’s highest-charting single in the States at the time and spent an impressive 20 weeks on the Hot 100.
On other U.S. charts, it reached No. 3 on Adult Contemporary, No. 6 on the Dance Club Songs chart, and even topped Cashbox for a week in late January. Internationally, however, “Don’t Rush Me” didn’t achieve the same level of success, charting modestly in Europe, with Germany being one of the few countries where it cracked the Top 40.
The Music Video
The single’s visuals have a curious backstory. The first video, directed by Alek Keshishian (who would later work with Madonna), was shot in Los Angeles and featured Dayne alongside a “real sexy guy” in various scenes. For reasons never fully explained, that version was scrapped and replaced with a second video directed by David Hogan. The final cut, filmed in New York at the Capitol Theatre, was more of a straightforward performance piece showcasing Dayne’s presence on stage. This version debuted on VH-1 on December 10, 1988, before rolling out to MTV, BET, and Night Tracks later that month.
Legacy
“Don’t Rush Me” proved that Taylor Dayne was more than just a one-hit wonder riding the wave of late-’80s dance-pop. It showed her versatility as both a pop and adult contemporary artist, paving the way for her ballads like “Love Will Lead You Back,” which would eventually take her all the way to No. 1.
Even though its chart performance outside the U.S. was limited, the single remains one of Taylor Dayne’s signature hits—a track that captured her vocal power while delivering a message that was somewhat unusual for its time.
SIDE A: Don’t Rush Me (Extended Version) 7:16
Remix – Richie Jones
Don’t Rush Me (Bonus Beats) 3:39
Remix – Richie Jones
SIDE B: Don’t Rush Me (Single Version) 3:48
Don’t Rush Me (Dub Version) 6:08
Remix – Richie Jones
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Chart Performance – Taylor Dayne: Don’t Rush Me (1988)
Released as the fourth single from Taylor Dayne’s multi-platinum debut album Tell It to My Heart (1988), “Don’t Rush Me” was written by Alexandra Forbes and Jeff Franzel. The song continued Dayne’s hot streak, becoming her third consecutive U.S. Top 10 hit. It peaked at #2 on the Billboard Hot 100 in October 1988 and also climbed the Adult Contemporary and Dance charts, solidifying her as one of the standout voices of the late ’80s.
The 12” I’m posting today is the U.S. promo-only release, which stands apart from the standard single. This pressing contains exclusive House Mixes that were originally only issued in the United States and France. These remixes gave “Don’t Rush Me” a club-friendly update, layering in deeper grooves and house beats while keeping Dayne’s dynamic vocal front and center.
Another gem from the golden era of the 12-inch single, this promo captures Taylor Dayne at the peak of her chart power while also giving DJs something fresh to spin.
SIDE A: Don’t Rush Me (Continental Clubhouse Mix) 8:39
SIDE B: Don’t Rush Me (Continental Dubhouse Mix) 5:37 Don’t Rush Me (Rushapella) 3:39
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Chart Performance – Taylor Dayne: Don’t Rush Me (1988)
