Burning The Ground Exclusive
As Pride Month continues, I wanted to shine a light on a song filled with hope, reflection, and the kind of emotional release that feels right at home on the dance floor. Released in 1990, “Jubilation (This Thing Called Life)” by Anything Box captures the feeling of moving through pain, rising above judgment, and choosing joy anyway.
Anything Box is an electronic/synth-pop group originally from Paterson, New Jersey, and now based in Long Beach, California. Led by Claude S., the group arrived at the start of the 1990s with a sound that carried the spirit of synth-pop into a new decade. Their music paired bright electronic melodies with lyrics that often reached for something more personal.
“Jubilation (This Thing Called Life)” was released as the second single from the band’s debut album Peace. The single became a club favorite, reaching #16 on the U.S. Dance chart.
While the song was not written as an explicitly LGBTQ+ anthem, its message fits beautifully within the spirit of Pride. The lyrics speak to memory, regret, survival, and the difficult process of moving forward. In the opening lines, the narrator closes their eyes and hides behind “blackened lies” that follow them through history. It is a striking image of someone carrying the weight of the past, yet still trying to find a way toward happiness.
That feeling is something many LGBTQ+ listeners can understand. Coming out and living openly often means facing old fears, old wounds, and the judgment of others. It can mean leaving behind parts of life that once felt safe, even when they no longer allowed you to be fully yourself.
One of the most powerful moments in the song comes with the repeated reminder, “When you feel stranded, don’t take for granted this thing called life.” It is simple, but it lands with force. The line feels like a call to hold on, even when the world feels cold or uncertain. For Pride Month, that message feels especially meaningful. Pride is not only about celebration. It is also about survival, self-acceptance, and finding the courage to keep going.
The lyric “Moving on was hard to do, to leave the things that I once knew” also carries a deep emotional pull. It speaks to the loss that can come with growth. Childhood, innocence, and familiar places do not always come back to us. For many, finding your true self means stepping into the unknown and trusting that there is joy waiting on the other side.
Then comes one of the song’s most personal lines: “My name is all I have for an offering.” That lyric feels especially tied to identity. A name can be history, selfhood, and declaration all at once. In the context of Pride, it becomes a reminder that living truthfully is an offering in itself. To stand in your name, your truth, and your life is a beautiful act of defiance.
Musically, “Jubilation (This Thing Called Life)” is pure early 1990s synth-pop bliss. Its bright keyboards, pulsing rhythm, and soaring melody create the kind of uplifting energy that has filled LGBTQ+ clubs for decades. It is danceable, but never empty. Beneath the beat is a song about pain, release, and choosing happiness even after the hard parts.
Over the years, “Jubilation (This Thing Called Life)” has remained a favorite in underground LGBTQ+ clubs, retro dance nights, and synth-pop sets. It brings people together through positivity and shared emotion, reminding us that the dance floor has long been a place of release, connection, and chosen family.
For many fans, Anything Box represents one of those treasured acts whose music found a devoted audience through club play, word of mouth, and emotional connection. “Jubilation” continues to stand as one of their most beloved songs because it speaks to something simple but powerful: life can be hard, but joy is still worth fighting for.
More than three decades later, “Jubilation (This Thing Called Life)” still feels like a celebration of self, community, and the courage to live out loud. That makes it a perfect addition to The Soundtrack Of Pride.
Update: Claude S. of Anything Box kindly shared some additional background about the song’s music video history. Although no official video was ultimately filmed for “Jubilation (This Thing Called Life),” plans had been made to create one. Sadly, the director who had worked with the band on their first video for “Living In Oblivion” passed away from AIDS-related complications around 1990-1991. At the time, the band felt there was no one else they wanted to work with, so the video was never made.
SIDE A:
Jubilation (This Thing Called Life) (K.C.’s Camp Pendleton Mix) 6:33
Remix – Keith “K.C.” Cohen*
Jubilation (This Thing Called Life) (The F Neosubtomic Mix) 5:59
Remix – Keith “K.C.” Cohen*
SIDE B:
Jubilation (This Thing Called Life) (Upstairs At Claudes) 4:38
Producer [Additional] – Michael Eckart
Remix – Jon St. James
Jubilation (This Thing Called Life) (The Face Mix) 5:00
Producer [Additional] – Michael Eckart
Remix – Jon St. James
Jubilation (This Thing Called Life) (Petite Filet Of Percapella) 4:21
Remix – Keith “K.C.” Cohen*
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
| Chart | Peak Position | Date |
|---|---|---|
| US Billboard Dance Club Songs | #16 | 1990 |
RELEASE INFORMATION:
Label: Epic – 49 73357
Format: Vinyl, 12″, Maxi-Single, 33 ⅓ RPM
Country: US
Released: 1990
Genre: Electronic
Style: Synth-pop
CREDITS:
- Edited By [Special] – Steve Beltran (tracks: A1, A2, B3)
- Engineer [Assistant] – Andy Batwinas (tracks: A1, A2, B3)
- Executive Producer – Chris Lawmaster
- Keyboards [Additional] – David Frank (tracks: A1, A2, B3)
- Mastered By – Brian Gardner
- Other [Management] – Formula 1 Music Group
- Other [Personality] – Dania Morales
- Other [Vision] – Paul Rjinders
- Performer [Machinery], Written-By – Claude S., Dania Morales, Paul Rijnders*
- Producer – Jon St. James
- Producer [Additional] – Keith “K.C.” Cohen* (tracks: A1, A2, B3)
- Vocals, Artwork By [Illustration] – Claude S.
NOTES:
Produced for Formula 1 Music Group.
Recorded at Formula 1 Studios, La Habra, California.
Mastered at Bernie Grundman Mastering, Hollywood, California.
Tracks A1, A2 & B3 remixed at Larrabee Sound Studios, West Hollywood, California.
Tracks B1 & B2 remixed for Formula 1 Music Group.
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
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Thanks for this Paul!
My favorite version of this song is:
Jubilation (This Thing Called Life) (Our Favorite Stranded Blend)
Thanks for sharing Paul.
DMoody,
That is a great choice. “Our Favorite Stranded Blend” has such a nice flow to it, and I love how it brings out another side of the song without losing the heart of the original.
That is one of the best things about this single. Every mix seems to offer something a little different, so picking a favorite is half the fun.
Thank you for sharing your favorite, DMoody!
Thank you Paul. I actually went through my entire record collection last night and discovered that I no longer have that 12-inch. So, a huge thank you to you once again. You’ve managed to fill a gap in my collection yet again.The K.C.’s Camp Pendleton Mix is an absolute banger.
Toxicaudio, You are very welcome. I know that feeling all too well, thinking a record is still sitting somewhere in the collection, only to discover it has somehow vanished over the years. I am really happy this post could help fill that gap for you. That is one of the things I love most about sharing these records, giving them a second life for people who remember them, miss them, or are hearing the mixes properly for the first time. And yes, K.C.’s Camp Pendleton Mix is an absolute banger. It takes the song into full dance floor mode while… Read more »
Thank you so much for sharing this in your superb quality! It’s one of my all-time favorite synthpop songs (and that entire first album). Anything Box actually played in our small club when they released this song and I got to hang out with them for a bit. This song is so damn catchy! Had it been released just a couple of years earlier, I have no doubt that it would have been a massive hit!
Axel F80, That must have been amazing seeing Anything Box in a small club during this period, and getting to hang out with them for a bit. What a great memory to have attached to this song. I completely agree with you about Peace. That first album is filled with so many memorable moments, and “Jubilation” is one of those songs that just grabs you right away. So catchy, so uplifting, and still full of emotion. You make a good point, too. Had this come out just a little earlier, before the musical climate started to shift, it might have… Read more »
Hi Paul, I’m Marcelino from Argentina. I’ve been following you for over 10 years and have always admired your work. I wanted to let you know that the singer of Anything Box is named Claudio Strillo and he was born in Rosario, Santa Fe province, Argentina. His latest album is a breath of fresh air, full of nostalgia and resilience. He’s never stopped making music. The album Hope (1993) comforted me during the darkest moments of my adolescence.
Sending you a hug, you’re one of the first things I check online in the morning, keep up the good work!
Marcelino, Thank you so much for your kind words and for following Burning The Ground for over 10 years. That really means a lot to me. I also appreciate the information about Claudio Strillo and his connection to Argentina. That makes this post even more special, knowing how much his music has meant to you personally. I love what you said about Hope comforting you during the darkest moments of your adolescence. That is the real power of music. It finds us when we need it most and stays with us for life. Sending a hug back to you in… Read more »
I remember this song but wow, I have not heard all these mixes! Each one really brings a little something special to the table. I’m going to be revisiting this one quite a bit (gotta figure out a favorite after all, right?! Who am I kidding, how can I possibly decide!). There is always something so fun when you get a record like this that just has so many mixes to explore. This was definitely a surprise I didn’t see coming this week, thank you for such a great selection Paul. If I had to describe all these remixes with… Read more »
JP,
I love that description; ‘artistic’ is exactly right. This is one of those records where the remixers did not just stretch the song out; they each found a different angle and mood within it.
That is what makes a 12″ like this so much fun to revisit. You think you have picked a favorite mix, and then the next one sneaks up and says, “Wait, not so fast.”
I am so glad this one was a nice surprise for you. Anything Box really deserves more love, and this record is a perfect example of why.
Thank you, JP!
Goosebumps, Paul! Goosebumps! This is such a lovely song in every way. I got really excited yesterday when our, Axel F80, mentioned that he’d mix in this song with “Pretty Boys and Pretty Girls” by Book Of Love! Talk about elation, as I could imagine the mix! Synth-pop music like this is a very favorite genre of mine. Along with Depeche Mode, Red Flag, and others, I love the etherealness of the productions. Anything Box hits the sweet spot for me! The melody, the vocals and those keys, pure delight! The message is so hopeful and engaging! This is a… Read more »
Jeff, Goosebumps is exactly the right word for this one. Anything Box really had a way of wrapping emotion inside those shimmering synths and melodies. I can completely hear how this would mix beautifully with Book Of Love’s “Pretty Boys and Pretty Girls.” That combination would be pure synth-pop heaven. I agree with you, this kind of music has such an ethereal quality. Depeche Mode, Red Flag, and Anything Box all created these beautiful electronic worlds that still feel so alive today. “Jubilation” hits that perfect sweet spot of hope, melancholy, and release. I am so happy this one connected… Read more »
Isn’t it amazing how Paul has us all riding on the same wavelength! I can’t imagine that he ripped this record AFTER I mentioned it yesterday. It must have already been in his queue! AMAZING!
Axel F80,
You’re so right! Paul is so uncanny at times with what he picks out. And you, Axel, are pretty amazing yourself!
Have a terrific weekend!
Jeff
DjPaul. Thank you for posting this. A great example of synth-pop and personal affirmation before Nirvana and grunge would change the musical landscape. I have one of the promo CDs of “Jubilation” as well as the 12″ single of “Living in Oblivion.” Anything Box was definitely a band that never quite reached the level of popularity that they deserved.
SynthPapa,
You nailed it. This really was that sweet spot right before the whole musical landscape shifted. There was still room for bright, emotional synth-pop on the dance floor, and Anything Box brought such a sincere, hopeful quality to it.
Very cool that you have the promo CD of “Jubilation” and the 12″ of “Living In Oblivion.” I agree, Anything Box deserved a much bigger audience. They had the songs, the sound, and the feeling. Sometimes, the bands that do not become massive are the ones that stay closest to our hearts.
Thank you for sharing that.
so much…. bounce! and the cover, by Claude S., deserves a special note, as it really captures the essence of the joyful emotion this recording evokes….
Raymond,
Yes! “Bounce” is the perfect word for it. The track has such a bright, uplifting energy that you cannot help but move along with it.
And I agree about the cover art. Claude S. really captured the joyful feeling of the song visually. It has that same sense of optimism and release that comes through in the music.
Thank you for pointing that out!