Burning The Ground Exclusive
By 1988, British pop group Eighth Wonder, fronted by actress and singer Patsy Kensit, was finally enjoying the commercial success that had eluded them during their earlier years.
The group’s big breakthrough came with “I’m Not Scared,” written and produced by the Pet Shop Boys. The single reached number 7 on the UK Singles Chart and became a major hit across Europe. With their profile on the rise, Eighth Wonder followed it with another infectious slice of dance-pop, “Cross My Heart.”
Released in June 1988, “Cross My Heart” was the second single from the band’s album Fearless. Written by American songwriter Michael Jay and produced by Pete Hammond, the song combined bright synthesizers, an irresistible chorus, and Kensit’s distinctive vocals. It was exactly the kind of polished pop record that seemed made for the summer of 1988.
Interestingly, Eighth Wonder wasn’t the first act to record the song. Tracie Spencer had already included “Cross My Heart” on her self-titled debut album earlier that year. Martika also recorded a version for her 1988 debut album. Three different female pop artists recorded the same song in one year. Apparently, Michael Jay had a pretty good feeling about this one!
Eighth Wonder’s version became a hit across Europe, reaching number 13 in the UK, number 6 in Switzerland and Norway, and number 2 in Spain. In the United States, the single peaked at number 56 on the Billboard Hot 100, making it the group’s only Top 75 hit on that chart. However, the song found an even more receptive audience in American dance clubs, reaching number 10 on Billboard’s Hot Dance Club Play chart.
CHART PERFORMANCE (1988–1989)
| Chart | Peak Position |
|---|---|
| Australia (ARIA) | 116 |
| Finland (Finnish Singles Chart) | 3 |
| France (SNEP) | 13 |
| Ireland (IRMA) | 16 |
| Italy (Musica e dischi) | 10 |
| Italy Airplay (Music & Media) | 16 |
| Norway (VG-lista) | 6 |
| Spain (AFYVE) | 2 |
| Switzerland (Swiss Singles Chart) | 6 |
| UK Singles Chart (OCC) | 13 |
| US Billboard Hot 100 | 56 |
| US Billboard Hot Dance Club Play | 10 |
| US Billboard Hot Dance Music/Maxi-Singles Sales | 15 |
| West Germany (GfK) | 17 |
And that brings us to today’s record.
For the American market, WTG Records enlisted New York DJ and producer “Little” Louie Vega to give “Cross My Heart” a serious dance-floor makeover.
Long before becoming one half of the legendary house production duo Masters At Work, Vega was already developing his sound on the New York club scene. His remixes of “Cross My Heart” take the polished British pop production and give it a distinctly American club flavor, with a stronger rhythmic foundation and a healthy dose of late-1980s house music.
The remix sessions took place at Right Track Recording in New York City, with Hugo Dwyer handling remix engineering, Jeff Abikzer assisting, additional keyboards by Mac Quayle, and edits by the late Chep Nuñez.
The commercial US 12-inch, released on WTG Records (41 07894), features three versions of the song. The 6:50 Club Mix takes up the entire A-side, while the flip contains the 7:29 House Mix and a 6:00 Dub Mix.
Unlike the European 12-inch, which featured the original Dance Mix and the B-side “Let Me In,” the American pressing concentrates entirely on Vega’s club treatments. A separate US promotional 12-inch also included an edited version and a Bonus Beats track, making that pressing another interesting variation for collectors.
What I especially enjoy about records like this is hearing the meeting of two different dance music worlds. The original recording has that unmistakable late-1980s British pop sound, while the American remixes reflect the growing influence of New York house music. It is a combination that worked particularly well during this period.
Eighth Wonder’s time in the spotlight was relatively short. The group disbanded in 1989, and Patsy Kensit returned her attention to acting. Still, songs like “I’m Not Scared” and “Cross My Heart” remain wonderful reminders of a time when European synth-pop and American club music were finding plenty of common ground.
For today’s post, we’re spinning the original US commercial 12-inch, complete with all three of Louie Vega’s mixes.
Patsy Kensit, a catchy pop chorus, and a little New York house magic.
What’s not to love?
SIDE A:
A. Cross My Heart (Club Mix) 6:54
SIDE B:
B1. Cross My Heart (House Mix) 7:34
B2. Cross My Heart (Dub Mix) 6:04
RELEASE INFORMATION:
Label: WTG Records – 41 07894
Format: Vinyl, 12″, 33 1/3 RPM
Country: US
Released: 1988
Genre: Electronic, Pop
Style: House, Synth-pop
CREDITS:
- Edited By – Chep Nunez*
- Engineer [Assistant] – Jeff Abikzer
- Engineer [Remix] – Hugo Dwyer
- Keyboards [Additional] – Mac Quayle
- Producer, Mixed By – Pete Hammond
- Remix – “Little” Louie Vega*
- Written-By – M. Jay*
NOTES:
Remixed at Right Track Recording, New York City.
Additional production and remix for Small Wonders Productions, Inc.
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
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Thank you, Paul.
“Eight Wonder” is a song I remember well—it was played and danced to everywhere, nearly 40 years ago, back in my school days.
“I’m Not Scared” is one of my all-time favorite songs and one of the greatest songs PSB has ever written! I’m glad they chose to give it to Patsy. Her voice perfectly matches the melody and vibe of the song. I prefer it over PSB’s own version. I think everyone expected more songs along the line of “I’m Not Scared”, while “Cross My Heart” sounded more like a Stock/Aitken/Waterman production. I remember being slightly disappointed, but I love it now and can’t wait to listen to the Vega remixes you shared. Thank you so much!
Wow! The House Mix is way better than the original!!! Thank you again!!!
Axel, I’m so glad you enjoyed it! Especially after your earlier comment about being a little disappointed with “Cross My Heart” when it first came out. It’s amazing what a good remix can do for a song, isn’t it? Louie Vega really worked his magic on the House Mix and gave it a whole new personality. Sometimes the remix outshines the original, and I think this is one of those cases. Thanks for coming back and letting me know what you thought!
The House Mix been done by Pete Hammond, not Louie Vega. It’s similar to the House Mix from the UK Remix 12″ but with less vocals.
Interesting! I had to look that up. Apparently, it’s actually a remix of a remix.The house mix (track B1) is based on the UK house mix by Pete Hammond.
Unlike Hammond’s version, it doesn’t have the full vocals. But it’s very similar with overdubs. It’s a remix of a remix which is rather unusual.
The dub mix is based on the club mix.
Axel, I couldn’t agree more about “I’m Not Scared.” It’s one of the Pet Shop Boys’ finest compositions, and Patsy’s voice was such a perfect fit. I can certainly understand why “Cross My Heart” felt like a letdown at first, especially coming after something as brilliant as “I’m Not Scared.” It really was a different direction, and you’re right about that Stock/Aitken/Waterman sound. Funny how some songs grow on us over the years, isn’t it? I think you’ll really enjoy what Louie Vega did with the remixes. He gave the song a whole different personality. Let me know what you… Read more »
Thank you, Paul.This week, you reached deep into the treasure chest and unearthed some unexpected gems. I remember this track well; thanks to its electro beat, it was always easy to mix with songs by Information Society. I’m not sure if Louie Vega created the club mix-if he did, he did a good job, though the remix doesn’t sound like a Louie Vega production at all.I am very curious to see how this week ends.
Toxicaudio, I love that you used to mix this with Information Society! I can definitely hear how those two sounds would work together on the dance floor. Louie Vega is indeed credited with the remixes on the US 12″, although I agree that the Club Mix doesn’t sound quite like what we usually associate with him. Of course, this was still early in his career, before Masters At Work. I’m glad you’ve been enjoying this week’s selections. I always have fun pulling out some of these forgotten gems, especially when they bring back memories for everyone. Hopefully, I can keep… Read more »
Thank you Paul for another unexpected surprise! This charted pretty well around the world and on the dance charts. It’s a worthy follow up to I’m Not Scared… and the close-ups of Patsy Kensit in the video don’t hurt either, LOL. I’m with David G. below – she was great in Lethal Weapon 2 but sadly she seemed to disappear in the US. Thank you Paul!
I agree with you: Patsy Kensit is stunning! She was infamous in Italy for a while after a wardrobe malfunction at the San Remo Festival briefly exposed her breast on live TV.
Retro Hound, you’re very welcome! “Cross My Heart” really did quite well internationally, and it’s a shame Eighth Wonder never found greater success here in the States. I agree that it was a worthy follow-up to “I’m Not Scared,” even if it was a completely different sound. And LOL, Patsy certainly knew how to work the camera! She was absolutely stunning in that video. I also loved her in “Lethal Weapon 2.” It’s funny how she seemed to disappear from American screens, but she continued to have a pretty successful acting career in the UK. Thanks so much for stopping… Read more »
No way! I didn’t think Eighth Wonder would appear this month. Patsy Kensit was pretty adorable, her acting career is way more prolific than her stint as a musician… but I must say I enjoy the music more. Great single here, it is right up there with Baby Baby (which is probably my favorite). Some really great mixes on this record, they all get a thumbs up from me but the House Mix really has that ‘something special’ – and that is exactly what you were writing about crossing a British production with the evolving US club scene. Thanks so… Read more »
JP, LOL! You did it! I was wondering how we were going to work Eighth Wonder into Spooky Season Spins, but “Cross my heart, hope to die” is just dark enough to qualify! I’ll give you this round! I’m glad you enjoyed this one. “Baby Baby” is another favorite of mine, and I agree that the House Mix really is something special. It’s a great example of how American remixers could take a British pop record and give it a completely different feel. Patsy certainly had a much longer acting career, but I wish Eighth Wonder had stuck around a… Read more »
Thank you Paul, much appreciated. Played this trak quite a bit back when I was in the clubs.
Nicki, you’re very welcome! I love hearing that you actually played this one in the clubs back in the day. Those late ’80s club nights were something special, weren’t they? The music, the lights, the packed dance floors, and that feeling when the right 12″ mix came on and everybody responded. There’s nothing quite like it! I bet hearing these mixes again brings back some wonderful memories. I’m curious, do you remember which mix you played the most? Thanks for sharing a little piece of your clubbing days with us!
Wow, this is a real throwback for me! I loved this song when it came out. Bought the 12″ single, bought the album, and played them both over and over. I really hoped they were going to hit it big here and have a long, successful career. I loved Patsy Kensit in Lethal Weapon 2 and hoped the same for her acting success. Sadly, I never saw or heard much more from her, although she did continue quite successfully in the UK. Thanks for posting this one; it really takes me back to the days when my BFF and I… Read more »
David, you’re very welcome! I love hearing stories like yours because that’s what makes revisiting these old records so special. It’s amazing how one song can instantly take us back to a particular time in our lives and remind us of the people we shared those moments with. I can just imagine you and your best friend playing that 12″ over and over during your college days! I really thought Eighth Wonder deserved a longer run too. They had some terrific songs, and Patsy certainly had the looks and charisma to become a much bigger star here in the States.… Read more »
can you post baby baby tony moran and louie vega remix it has dub mix on it please?
I will see what I can do. I know I have a US 12, but I will have to give it a spin before committing to posting it. 🙂
Wow the details on this one are so interesting… Hammond, Vega, Quayle…
The other females who also recorded this record!
Thanks for this post, I had all but forgotten about Eighth Wonder!
You’re welcome, ING. I also found the details amazing. My favorite version of the song is Martika’s. Sadly, it was not released as a single; she just recorded it for her debut LP.
I will have to see if I have that or Tracie’s. Or stream them … love to compare! 😎
Great post Paul, I have the 3 different 12″ editions of this song:
1 – original 12″ mix
2 – House Mix with vocals + instrumental
3 – Vega’s mixes + House Mix without vocals (this US 12″)
Sadly the Vega’s dub is in very bad quality in this 12″ 🙁
Thanks for your comment, EuropDude. I don’t hear anything wrong with the dub mix.
Paul, it’s not a problem with your transfer. Your transfer is amazing as always. Actually somehow the dub mix sounds better in your transfer then listening to it from a real 12″ of the same edition. It’s a problem with the original mastering of this US release.
No worries, EuropDude. I completely understand what you mean. I am glad you enjoyed my transfer.