Tag: UK

August 7, 2025

Jody Watley – Girls Night Out (UK 12″) (1985)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: May 4, 2018

Before Jody Watley became a chart-topping solo sensation in the late 1980s, she was already redefining herself beyond her Shalamar roots. In 1985, she took her first bold steps into solo artistry with a sleek, dance-forward single “Girls Night Out”—a track that quietly laid the groundwork for what was to come.

Only released in Europe on Mercury Records, “Girls Night Out” marked Jody’s second solo single after her departure from Shalamar, following 1984’s “Where the Boys Are.” While it didn’t make a commercial splash at the time, the record showcases a confident, club-ready Watley stepping into the spotlight with style and poise.

The single was co-produced by Gary Langan, a founding member of the Art of Noise, bringing a distinctly British edge and studio sophistication to the production. Langan’s signature blend of synth-heavy textures and abstract funk grooves pairs perfectly with Jody’s smooth vocal delivery, creating a track that’s both polished and underground. You can hear echoes of Art of Noise’s experimental rhythms layered beneath a crisp pop sheen—blurring the lines between electro, post-disco, and early house.

Released as Mercury MERX 196, the 12″ features an Extended Dance Version that gives the song plenty of room to breathe on the floor. Thumping basslines, stabbing synths, and a no-nonsense vocal performance make this a criminally underrated gem from her pre-solo-album years. It’s pure mid-’80s club magic.

This rare vinyl release is a true collector’s piece and a fascinating glimpse at an artist on the verge of superstardom. Just two years later, Watley would explode onto the U.S. charts with her debut album and the hit single “Looking for a New Love.” But with “Girls Night Out,” she was already signaling that the future of pop and dance belonged to her.

So grab your heels, call your crew, and turn it up—tonight’s for the girls.

🎶💃

BTG EXCLUSIVE BONUS

As a special treat, I’ve also included the rare 7″ Version of “Girls Night Out,” which does not appear on the 12″ single and is being featured here on Burning the Ground for the very first time. This shorter edit brings a tighter, radio-friendly structure to the track without losing any of its bold attitude or groove.

This is a must-hear for completists and a great introduction for anyone unfamiliar with this early, essential chapter in Jody’s solo career.

SIDE A:
Girls Night Out (Dance Mix) 5:53
ngineer – Gary Langan
Producer – Bruce Woolley , Gary Langan
Written-By – B. Woolley* , J. Watley*

SIDE B:
My House (4-free) 4:52
Engineer – Simon Sullivan
Producer – Bruce Woolley
Written-By – B. Woolley* , J. Watley*

BONUS TRACK:
Girls Night Out (7″ Version) 3:36
ngineer – Gary Langan
Producer – Bruce Woolley , Gary Langan
Written-By – B. Woolley* , J. Watley*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – Merx 196
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

Design – Laurence Stevens
Photography By – Brian Aris

Buy The 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

August 6, 2025

Jody Watley – Where The Boys Are (UK 12″) (1984)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: September 10, 2013

Before she became an international Grammy-winning pop icon, Jody Watley briefly took a detour into the UK club scene with a short-lived—but fascinating—solo launch. “Where The Boys Are” was her first solo single following her departure from Shalamar in the early 1980s, and it’s a gem that has flown under the radar for far too long.

Released exclusively in Europe and Australia on Mercury Records in 1984, “Where The Boys Are” marked a bold attempt at rebranding Watley as a club-ready solo act. Issued under just her first name—Jody—the track was part of an early effort to craft a full-length solo album while she was living in the UK. Unfortunately, neither this single nor the follow-up “Girls Night Out” generated significant traction, and the proposed album was ultimately shelved.

But that doesn’t mean the music lacked fire. On the contrary, “Where The Boys Are” pulses with classic mid-80s dancefloor energy—full of bouncing synths, moody grooves, and Jody’s unmistakable charisma. It’s sleek, stylish, and sassy—laying the early groundwork for the confident pop/fashion hybrid image she would perfect by the end of the decade.

The B-side of both singles was “My House (4-Free),” a track that would find unexpected life years later. In 1990, it was reworked into a club hit for Paul Lekakis, best known for his Hi-NRG anthem “Boom Boom (Let’s Go Back To My Room).”

None of the versions on this rare 12″ have ever been released on CD or digital platforms, making this a prized find for vinyl collectors and Watley completists.

Of course, the story doesn’t end here—Jody returned stronger than ever in 1987 with her U.S. debut self-titled album, which spun off multiple hits and earned her a Grammy for Best New Artist. But this 1984 single is where it all began—an early taste of her future solo stardom, waiting to be rediscovered.

SIDE A:
Where The Boys Are (The Long Way Home Mix!) 6:10
Producer, Engineer – Gary Langan

SIDE B:
Where The Boys Are (7″ Version) 3:16
Producer, Engineer – Gary Langan

My House (4-Free) 4:52
Engineer – Simon Sullivan

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury ‎– JODY 112
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:

Design – Neville Brody
Other [Assistant] – Ben Murphy
Photography By – Tim O’Sullivan
Producer – Bruce Woolley
Written-By – Bruce Woolley, Jody Watley

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

June 25, 2025

Malcolm McLaren And The House Of McLaren – Deep In Vogue (UK 12″) (1990)

Burning The Ground Exclusive

Today’s Pride Month post dives into one of the boldest pre-mainstream celebrations of ballroom culture: Deep in Vogue by Malcolm McLaren and the House of McLaren. Released in 1989—before Madonna brought voguing to the masses—this track was a cultural time capsule and a tribute to the underground scene that shaped a generation of queer identity, dance, and fashion.

Malcolm McLaren, best known as the former manager of the Sex Pistols, was no stranger to subculture. With Deep in Vogue, he turned his fascination to New York’s ballroom scene—specifically the voguing houses that thrived in Black and Latinx LGBTQ+ communities. Collaborating with Mark Moore (of S’Express) and William Orbit, McLaren sampled raw audio from Paris Is Burning (prior to its theatrical release), as well as original beats, house grooves, and runway-ready attitude.

This wasn’t just music—it was documentation.

The single features the fierce chant: “Strike a pose! Strike a pose!” long before those words became iconic. It features contributions from members of the House of McLaren, and it’s steeped in the language, style, and pageantry of ballroom culture. Unlike the glossy pop of Madonna’s “Vogue” the following year, this record feels gritty, real, and reverent—a beat-driven love letter to the creativity and resilience of LGBTQ+ communities who carved out safe spaces in a hostile world.

This 12″ helped usher voguing into the mainstream without stripping away its defiance. It’s a celebration from the underground rather than about it. A song that not only embraces Pride, but helps define it through self-expression, movement, and the refusal to apologize.

For anyone passionate about queer history, dancefloor evolution, or the intersections of activism and art, Deep in Vogue remains essential listening. It’s more than a house track—it’s a mirrorball manifesto.

The song’s music video features none other than Willie Ninja, the legendary godfather of voguing, whose style, grace, and competitive fire helped define an era. His presence in this video is not just fierce—it’s foundational. Willie helped bring ballroom to the world stage, and his legacy continues to inspire dancers, artists, and activists today.

Tragically, like so many icons from this period, Willie Ninja was lost to AIDS-related complications in 2006. His story, and that of countless other queer talents of color, is a heartbreaking reminder of how the HIV/AIDS epidemic devastated an entire generation of artists, thinkers, and performers. Deep in Vogue doesn’t just celebrate a culture—it preserves it, and the people who made it unforgettable.

💿✨ Celebrate Pride. Celebrate expression. Celebrate the ballroom.

SIDE A:
Deep In Vogue (Banjie Realness) 9:04
Producer – David Lebolt, Malcolm McLaren, Phil Ramone
Producer [Additional Production], Remix – Mark Moore, William Orbit

SIDE B:
All Night Long 4:55
Producer – Malcolm McLaren

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – WALTZ T6
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1990
Genre: Electronic
Style: House, Synth-pop

CREDITS:

Producer – Malcolm McLaren (tracks: A)
Remix – Mark Moore (tracks: A), William Orbit (tracks: A)

NOTES:
Made in the U.K.
From the LP “WALTZ DARLING”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

June 20, 2025

Dolly Parton – Heartbreaker (UK 12″) (1978)

Burning The Ground Exclusive

Today’s Pride Month post features an unexpected but absolutely iconic disco delight—none other than Dolly Parton, serving rhinestone-studded realness on this UK-exclusive 4-track 12″ EP. Long before Beyoncé took country pop crossover to the masses, Dolly was out here doing it in glitter heels, big hair, and bigger heart.

This 12″ release includes four of her most beloved late-’70s pop crossovers:

💔 Heartbreaker – The title track is all drama, heartbreak, and soaring vocals. Pure pop perfection wrapped in a countrypolitan bow.

🔥 Baby I’m Burnin’ (Disco Mix) – This is where things get camp and dancefloor-ready. Originally a double A-side with “I Really Got the Feeling,” this track got the extended disco treatment that transformed it into a club favorite. Funky, fast-paced, and utterly fabulous—it’s Dolly going full Studio 54, and it’s everything.

🎹 Here You Come Again – Dolly’s 1977 crossover smash. With its soft pop sheen and tender lyrics, this was a game-changer—bringing her into the mainstream while keeping her unmistakable spirit intact.

🚪 Two Doors Down – Upbeat, cheeky, and catchy as hell. A song about missing the party next door, until deciding to crash it after all? Now that’s a Pride mood.

💖 Why This Matters for Pride
Dolly Parton has long been considered a beloved LGBTQ+ ally—an icon of self-love, self-expression, and resilience. She once said, “It’s not up to me to judge. I just love everybody.” And we’ve loved her right back for decades.

From her flamboyant fashion to her fearless independence, Dolly has always embodied the spirit of being true to yourself, no matter what anyone else thinks. And while this 12″ isn’t typically seen on Pride playlists, it should be—because it’s joyful, bold, and utterly unapologetic.

And let’s face it: “Baby I’m Burnin’” is a drag performance waiting to happen. 💃

It’s Disco Friday So turn it up, sing along, and let Dolly be your disco queen for the day!

Stay sparkly.

SIDE A:
Heartbreaker 3:31
Baby I’m Burnin’ (Disco Mix) 4:30

SIDE B:
Here You Come Again 2:56
Two Doors Down 3:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: RCA – PC 9401
Format: Vinyl, 12″, 45 RPM, EP
Country: UK
Released: 1978
Genre: Country, Pop
Style: Disco

CREDITS:
Executive-Producer – Charles Koppelman
Producer – Gary Klein

NOTES:
Super Value 4-track E.P.

Track number 2, “Baby I’m Burnin'” is the Disco Mix.

Printed in England

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.