Tag: Nick Rhodes

Arcadia – So Red the Rose (1985–2025): A 40th Anniversary Retrospective

A 40th Anniversary Tribute

Forty years ago, in November 1985, three members of Duran Duran stepped sideways into a lush, art-driven dreamscape and created one of the most daring projects of the decade. Arcadia’s So Red the Rose wasn’t just a side-project — it was a manifesto. A stylish, romantic, avant-pop statement that embraced everything bold, beautiful, and experimental about the mid-80s.

Where Duran Duran were conquering arenas and MTV, Arcadia — Simon Le Bon, Nick Rhodes, and Roger Taylor — leaned into a darker, more atmospheric world. So Red the Rose shimmered with shadow and elegance, wrapped in high fashion, surrealist imagery, and a sonic palette as rich as its crimson title. If Duran Duran were the soundtrack to neon nightlife, Arcadia was the soundtrack to a midnight art gallery.

The Sound of a Band Breaking Rules

Produced with Alex Sadkin and featuring an extraordinary lineup of guests — Grace Jones, Sting, David Gilmour, Herbie Hancock, and Nile Rodgers — the album felt like a fever dream brought to life. Its textures drifted through ambient pop, art rock, post-punk drama, and gilded synth atmospheres.

“Election Day,” the album’s biggest hit, was a swirling, mysterious epic anchored by Grace Jones’ unforgettable spoken-word performance. “Goodbye Is Forever,” “The Flame,” and the towering “The Promise” showcased the trio’s ambition, pushing the boundaries of what mainstream pop could be in 1985.

And then there was “Lady Ice,” “El Diablo,” and “Missing” — cinematic, moody, gorgeously produced deep cuts that revealed just how committed Arcadia were to crafting a complete world.

Visuals as Bold as the Music

Arcadia didn’t just make an album — they created a universe. Sleek black-and-white photography, painted masks, couture glamour, the long-form Arcadia Video collection… everything was meticulously curated. It was Art with a capital A, as if Duran Duran’s New Romantic roots had blossomed into a baroque bloom.

Even the videos felt like museum pieces — stylish, symbolic, and dreamlike. In 1985, nobody else in pop was doing anything quite like Arcadia.

Four decades later, So Red the Rose stands as one of the essential cult classics of the 80s. It remains a testament to artistic freedom at the height of commercial success — the sound of musicians choosing to explore their imagination rather than repeat themselves.

Many fans consider it the “true” third Duran Duran album in spirit, a spiritual sibling to Rio in its glamour and to Seven and the Ragged Tiger in its mystery. It’s an album that rewards deep listening, late-night headphones, and anyone who loves the lush, dramatic side of the decade.

In 2025, So Red the Rose still feels like a rare gem: elegant, strange, hypnotic, timeless.

Happy 40th Anniversary to Arcadia’s masterpiece — the album that painted the 80s a deeper shade of red.

-DjPaulT (Burning The Ground)

Kajagoogoo – Ooh To Be Ah (The Construction Mix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Ooh to Be Ah” is a song by English band Kajagoogoo, released in 1983 as the second single from their debut album White Feathers, and was produced by Duran Duran keyboardist Nick Rhodes and producer Colin Thurston. It was the band’s second-biggest hit, peaking for two weeks at number 7 on the UK Singles Chart. It was the follow-up single to “Too Shy” and describes the fact that the clothes you wear do not make you famous.

SIDE A:
Ooh To Be Ah (The Construction Mix) 6:38
Lyrics By – Limahl

SIDE B:
Ooh To Be Ah 3:36
Lyrics By – Limahl

Interview Rooms 3:23
Lyrics By – Nick Beggs

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI ‎– 12 EMI 5383, EMI ‎– 12EMI 5383
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1983
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Design [Cover] – Nick BeggsShoot That Tiger!
Engineer –  Colin Thurston
Lacquer Cut By –Jeff*
Music By, Arranged By, Written-By – Kajagoogoo
Producer – Colin ThurstonNick Rhodes

NOTES:
A side dead wax says “Concrete Mix”.
B side dead wax says “Kaja Mix”.
Tritec Music Ltd.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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