Tag: 1982

The Associates – 18 Carat Love Affair/Love Hangover (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

A. Front

“18 Carat Love Affair/Love Hangover” was a 1982 double A side single by Scottish post punk/new wave band The Associates released on July 23, 1985. The single was backed with a cover of the Diana Ross hit “Love Hangover”. “18 Carat Love Affair/Love Hangover” debuted on the UK singles chart on August 7, 1982 peaking at #21.

Described by Billy Mackenzie in Smash Hits as a “quasi-Neil Sedaka song”, ’18 Carat Love Affair’ was ASSOCIATES’ most commercial offering and a fine example of their supreme avant pop. Martha Ladly’s girlie shrill went hand-in-hand with the incessant synth riff in this tale about a gay affair that Mackenzie was trying to hide.

“18 Carat Love Affair” and “Love Hangover” were not included on the original UK issue of the album “Sulk” but were included on the US version of the original LP.

SIDE A:
18 Carat Love Affair 3:51
Producer – Associates*, Hedges*

Voluntary Wishes, Swap It Production 3:22
Producer – Associates*, Hedges*

SIDE AA:
Love Hangover 5:55
Producer, Arranged By – Associates*, Mark Arthurworrey
Remix – Mark Arthurworrey
Written-By – Marilyn McLeod, Pam Sawyer

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Associates ‎– ASC3T
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 23 Jul 1982
Genre: Electronic, Rock, Pop
Style: New Wave, Synth-pop

CREDITS:
Design [Sleeve] – Macdonald*, Walsh*, Mackenzie*
Photography By – Alan Macdonald
Written-By – Rankine* (tracks: A1, A2), MacKenzie* (tracks: A1, A2)

NOTES:
Track A2 is written “Swap It” on the label and written as one word “Swapit” on the back cover.

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Modern Romance Featuring John Du Prez – Cherry Pink And Apple Blossom White (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

A. Front

New 2015 Re-Rip!
Meticulously Remastered!
First time in 24bit Flac!

Originally posted June 27, 2011

“Cherry Pink and Apple Blossom White” or “Cerezo Rosa” or “Ciliegi Rosa” or “Gummy Mambo”, is the English version of “Cerisiers Roses et Pommiers Blancs”, a popular song with music by Louiguy written in 1950. French lyrics to the song by Jacques Larue and English lyrics by Mack David both exist, and recordings of both have been quite popular. However, Perez Prado’s recording of the song as an instrumental with his orchestra featuring trumpeter Billy Regis, whose trumpet sound would slide down and up before the melody would resume, was the most popular version in 1955, reaching number one for 10 weeks on the Billboard chart. Perez had first covered this title for the movie Underwater! (1955), where Jane Russell can be seen dancing to the song.[1] Billboard ranked this version as the No. 1 song of 1955. The most popular vocal version in the U.S. was by Alan Dale, reaching No. 14 on the chart in 1955

In 1982, the British pop group Modern Romance (featuring John Du Prez) had a UK Top 20 hit with the vocal version of the song. This single was also the last involvement of band member Geoff Deane who left the band to start a solo career.

SIDE A:
Cherry Pink And Apple Blossom White (Extended Remix) 5:16
Producer – Tony Visconti

SIDE B:
Who Is John Du Prez? 2:25
Composed By – David Jaymes, Geoffrey Deane
Composed By, Producer – John Du Prez

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: WEA ‎– K19245T
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1982
Genre: Electronic
Style: Latin, Synth-pop

NOTES:
Special Remix
Manufactured in the UK.

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Was (Not Was) – Tell Me That I’m Dreaming (US 12″)

BURNING THE GROUND EXCLUSIVE 1982

A. Front

“Tell Me That I’m Dreaming” was the third single taken from the self titled debut album by American eclectic pop group Was (Not Was). “Tell Me That I’m Dreaming” debuted on the US Billboard Dance Chart on January 9, 1982 spending ten weekes on the survey peaking at #3. The single also reached #68 on the US Hot R&B Hip-Hop Singles Chart.

“Tell Me That I’m Dreaming” include an exerpt of the “State Of The Union Message on Economic Recovery, February 18, 1981” by former US President Ronald Reagan.

SIDE A:
Tell Me That I’m Dreaming (Traditional Remixed Version) 6:31

SIDE B:
Tell Me That I’m Dreaming (Souped-Up Version) 6:21

Out Come The Freaks (Dub Version) 6:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Tell Me That I’m Dreaming U.S. Billboard Hot Dance Music/Club Play #3
1982 Tell Me That I’m Dreaming U.S. Billboard Hot R&B/Hip-Hop Singles #68

 

RELEASE INFORMATION:
Label: Island Records ‎– DISD 50011
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1982
Genre: Electronic
Style: Disco, Funk, Synth-pop

CREDITS:
Art Direction – Andrew Fuhrmann
Executive-Producer – Michael Zilkha
Mastered By – Greg Calbi
Photography By [Back Cover Photo] – Dirk Bakker (2)
Producer – Jack Tann, Don Was, David Was*
Remix – Don Was, Ken Collier
Voice – Ronald Reagan
Written-By – D. Was / D. Was*

NOTES:
Produced for John Lewis Productions
Recorded at the Sound Suite, Detroit
From the Island Album “Was (Not Was)”

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Tracey Ullman – Breakaway (UK 10″)

BURNING THE GROUND EXCLUSIVE 1982

A. Front

New 2015 Re-Rip!
Meticulously Remastered!
First time in 24bit Flac!

Originally posted April 25, 2011

“Breakaway” (spelled “Break-a-Way” on the original 45 RPM label, and spelled “Breakaway” on most subsequent releases and compilations) is a song written by Jackie DeShannon and Sharon Sheeley. It was originally recorded by Irma Thomas in 1964 and released as the B-Side of her biggest hit, the US #17 hit single “Wish Someone Would Care”.

The original version of “Breakaway” was never a hit — it did not make the Billboard Hot 100, nor the Bubbling Under charts, and the extensive chart archive at ARSA does not record a single instance of any radio station anywhere in North America placing the track on its playlist. Nevertheless, “Breakaway” is today generally considered a better-remembered song than the A-Side of Thomas’ record , a situation that may be partly due to Tracey Ullman’s hit 1980s cover. It has become a staple in Thomas’ live performances and appears on several recent Irma Thomas and “New Orleans music” compilations.

“Breakaway” was Tracey Ullman’s 1983 debut single in the UK, and reached #4 in the UK charts. The track then appeared on Ullman’s album You Broke My Heart In 17 Places, which was released in 1984.

In North America, “Breakaway” was actually Ullman’s second single, being released after her hit “They Don’t Know”. It charted at a modest #70 in the US in 1984, although the video for Ullman’s version received significant play on the then-fledgling MTV and Canada’s MuchMusic. The “Well Extended And Remixed Version” was remixed by Phil Harding an English audio engineer, producer and remixer, best known for his extended collaboration with keyboardist and programmer Ian Curnow. The highlight of the duo’s career is their 1980s work for the highly successful record label PWL, and its creative core at the time: Stock Aitken Waterman productions.

SIDE A:
Breakaway (Well Extended And Remixed Version) 5:04
Remix – Phil Harding
Written-By – Jackie De Shannon*, Sharon Sheeley*

SIDE B:
Dancing In The Dark 2:53
Written-By – Collins*, Chapman*

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Breakaway U.S. Billboard Hot 100 #70

 

RELEASE INFORMATION:
Label: Stiff Records – SBUY 168
Format: Vinyl, 10″, 45 RPM
Country: UK
Released: 1982
Genre: Electronic
Style: Synth-pop

CREDITS:
Mastered By – Arun*
Producer – Peter Collins

NOTES:
Extended Remixed 10″ Record
Produced for Loose End Productions
Made In England

Original version appears on the LP “YOU BROKE MY HEART IN 17 PLACES”

Find the 10″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi