Tag: 1982

October 25, 2016

Dead Or Alive – It’s Been Hours Now (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

This record has my tears on it but I do believe that Pete would want us to celebrate his life and music. Rest in peace Pete.

“It’s Been Hours Now” is the first 12″ EP released by Dead Or Alive on Ian Broudies Black Eyes label in 1982. The tracks on this EP were recorded well before the band signed with a major label. According to front man Pete Burns they recorded the tracks to help finance the purchase of a sequencer so that he could turn his songs into disco records. In 1984 they would release their debut album “Sophisticated Boom Boom” on Epic Records.

SIDE A:
It’s Been Hours Now 4:17

SIDE B:
Whirlpool 4:20
Nowhere To Nowhere 2:39
It’s Been Hours Now *² 4:20

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Black Eyes Records ‎– BE
Format: Vinyl, 12″, EP, 45 RPM
Country: UK
Released: 1982
Genre: Rock
Style: New Wave, Goth Rock, Indie Rock

CREDITS:
Artwork – Steve Hardstaff
Bass – Mike Percy
Drums – Joe Musker
Guitar – Wayne Hussey
Keyboards – Martin Healy
Mastered By – Porky (5)
Performer [Dead Or Alive Are:] – Joe Musker, Martin Healy, Mike Percy, Pete Burns, Wayne Hussey
Photography By [Photos] – Francesco Mellina
Vocals – Pete BurnsPete Burns
Written-By, Producer – Dead Or Alive

NOTES:
Thanks to John Brierly

Contact:
F. Mellina
11 Lancaster Avenue
Liverpool 11.
051.734.4581

Manufactured and Distributed
By Rough Trade,
137, Blenheim Crescent, London W11.
01.221.1100

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

September 22, 2016

Culture Club – Do You Really Want To Hurt Me (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

“Do You Really Want to Hurt Me” is a song written and recorded by the British new wave band Culture Club. Released as a single in September 1982 from the group’s platinum-selling debut album Kissing to Be Clever, it was the band’s first UK #1 hit. In the United States, the single was released in November 1982 and also became a huge hit, reaching #2 for three weeks.

“Do You Really Want to Hurt Me” was the third single released in Europe by Culture Club and their debut release in the United States and Canada. The song was picked up by BBC Radio 2 and became a UK #1 single for three weeks in October 1982. The song entered the American Pop chart the week ending December 4, 1982. It hit #1 in Cash Box magazine and held at #2 for three weeks on the Billboard Hot 100 chart in March and April 1983 (kept from the #1 spot by Michael Jackson’s “Billie Jean”). The single achieved sales of 900,000 US copies and also hit #1 in Canada. It was also number one in Australia.

This was Culture Club’s first success, after their first two releases, “White Boy” and “I’m Afraid of Me” charted in the UK at #114 and #100 respectively. According to Boy George, it was their last chance to get an album deal.

The song rose rapidly in the UK charts after the group’s first appearance on Top of the Pops, which resulted in George’s androgynous style of dress and sexual ambiguity making newspaper headlines. The group were only asked to appear on Top of the Pops the night before the show, after Shakin’ Stevens pulled out.

In a retrospective review, Allmusic journalist Jose F. Promis described “Do You Really Want to Hurt Me” as “a simple masterpiece, resonating with an ache that harked back to the classic torch songs of yesteryear.”

In 2007, Boy George said that the song was “not just about Culture Club’s drummer Jon Moss, my boyfriend at the time. It was about all the guys I dated at that time in my life.”

The B-side was a dub version featuring Pappa Weasel in many countries and “You Know I’m Not Crazy” on the US release. On the 12″ version of the record, the track “Love Is Cold (You Were Never No Good)” was also included.

SIDE A:
Do You Really Want To Hurt Me 4:22
Do You Really Want To Hurt Me (Dub Version) 3:39

SIDE B:
Love Is Cold (You Were Never No Good) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1983	Do You Really Want To Hurt Me	U.S. Billboard Hot 100	#2
1983	Do You Really Want To Hurt Me	U.S. Billboard Hot Black Singles	#39
1983	Do You Really Want To Hurt Me	U.S. Billboard Hot Adult Contemporary	#8
1983	Do You Really Want To Hurt Me	U.S. Billboard Mainstream Rock Tracks	#21

RELEASE INFORMATION:
Label: Virgin ‎– VS 518-12
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Sep 1982
Genre: Reggae, Pop
Style: Reggae-Pop, Dub

CREDITS:
Bass – Michael Craig
Design [Cover] – Jik Graham
Drums, Percussion –Jon Moss
Engineer [Assistant Engineer] – Gordon Milne (tracks: A1, A2), Richard Lengyel (tracks: B1)
Featuring, Vocals [Additional Vocals] – Papa Weasel* (tracks: A2)
Guitar, Keyboards, Piano – Roy Hay
Mastered By – JA*
Mixed By – Jon Moss (tracks: A1, A2)
Photography By – Mark LeBon
Producer, Engineer, Mixed By – Steve Levine
Vocals – Boy George
Vocals [Additional Vocals] – Helen Terry
Written-By, Performer – Culture Club

NOTES:
The debut album “KISSING TO BE CLEVER”

Find the 12″ on DISCOGS

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

September 21, 2016

Men Without Hats – The Safety Dance (Extended Club Mix) (Europe 12″)

BURNING THE GROUND EXCLUSIVE 1982

“The Safety Dance” is a song by Canadian new wave band Men Without Hats, released in Canada in 1983 as the second single from Rhythm of Youth. The song was written by lead singer Ivan Doroschuk after he had been kicked out of a club for pogoing.

The song entered the Canadian top 50 in February 1983, peaking at no. 11 on 14 May. In the meantime, “The Safety Dance” was released in the US on March 16, but did not enter the US charts for a few months. When it finally did, the record became a bigger hit than it had been in Canada, peaking at no. 3 in September 1983. It also reached no. 1 on Cash Box, as well as no. 1 on the Billboard Dance Chart. “The Safety Dance” similarly found success in other parts of the world, entering the UK charts in August and peaking at no. 6 in early November, and entering the New Zealand charts in November, eventually peaking at no. 2 in early 1984.

The writer/lead singer, Ivan Doroschuk, has explained that “The Safety Dance” is a protest against bouncers stopping dancers pogoing to 1980s new wave music in clubs when disco was dying and new wave was up and coming. New wave dancing, especially pogoing, was different from disco dancing, because it was done individually instead of with partners and involved holding the torso rigid and thrashing about. To uninformed bystanders this could look dangerous, especially if pogoers accidentally bounced into one another (the more deliberately violent evolution of pogoing is slamdancing). The bouncers did not like pogoing so they would tell pogoers to stop or be kicked out of the club. Thus, the song is a protest and a call for freedom of expression.

Doroschuk responded to two common interpretations of the song. Firstly, he notes it is not a call for safe sex. Doroschuk says that is reading too much into the lyrics. Secondly, he explained that it is not an anti-nuclear protest song per se despite the nuclear imagery at the end of the video. Doroschuk stated that “it wasn’t a question of just being anti-nuclear, it was a question of being anti-establishment.”

SIDE A:
The Safety Dance (Extended Club Mix) 4:34

SIDE B:
I Got The Message 4:45
Antarctica 3:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1982	The Safety Dance	U.S. Billboard Hot 100	#3
1982	The Safety Dance	U.S. Billboard Mainstream Rock Tracks	#21
1982	The Safety Dance	U.S. Billboard Hot Dance Music/Club Play	#1

RELEASE INFORMATION:
Label: Statik Records ‎– 600 881, Virgin ‎– 600 881
Format: Vinyl, 12″, 45 RPM
Country: Europe
Released: 1982
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Design [Graphics] – B.Wear (at A.S.)*
Producer – Marc Durand
Written-By – Ivan*

NOTES:
Get the superb debut album “RHYTHM OF YOUTH” out now.

Find the 12″ on DISCOGS

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

September 9, 2016

A Flock Of Seagulls – I Ran (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

“I Ran (So Far Away)”, also released as “I Ran”, is a song by English new wave band A Flock of Seagulls. It was released in 1982 as the second single from their self-titled debut album. Since then, it has been their most successful single, topped the chart in Australia, and reached #7 in New Zealand #9 United States respectively.

The version featured on this 12″ is the video mix which omits most of the introductory section and begins with a cymbal crash but retains the full ending of the long version. This version was featured on some vinyl pressings of A Flock of Seagulls.

SIDE A:
I Ran (Edit Video Mix) 3:58

SIDE B:
Messages 2:50
Pick Me Up 3:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1982	I Ran	U.S. Billboard Hot 100	#9
1982	I Ran	U.S. Billboard Mainstream Rock Tracks	#8
1982	I Ran	U.S. Billboard Hot Dance Music/Club Play	#3

RELEASE INFORMATION:
Label: Jive ‎– JIVE T 14
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Mar 1982
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Artwork – Pete Watson (2)
Engineer – Mike Shipley
Management – Checkmount Ltd.
Producer – Mike Howlett
Written-By – A. Score*, F. Maudsley*, M. Score*, P. Reynolds*

NOTES:
Recorded at Battery Studios, London.

Find the 12″ on DISCOGS

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi