Tag: 1981

Show-Stoppers ’81 – The (Disco) Sound Of Music (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

Custom Sleeve

Side A

DISCO FRIDAY

Re-Rip Newly Remastered!

Originally I posted this one on March 29, 2011. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

Take the songs of Rodgers and Hammerstein and the musical The Sound Of Music, mix it all together give it a disco beat and you’ve got “The (Disco) Sound Of Music by Show-Stoppers ’81.

It’s been a mystery as to who actually sings the lead vocals on this track is it it Julie Andrews? All clues lead to Sarah Brightman being the singer. Clue #1 the track was produced by Jeff Calvert who also produced Brightman’s 1979 single “I Lost My Heart To A Starship Trooper”. Clue #2 according to the 1989 UK TV series “This Is Your Life” it was revealed that Sarah Brightman did actually record the vocals for “The (Disco) Sound Of Music”. Mystery solved.

Just for fun I also put together a custom picture sleeve. Enjoy!

SIDE A:
The (Disco) Sound Of Music 7:42

SIDE B:
The Sound Of Rapping 2:56

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint (generic)

RELEASE INFORMATION:
Label: Whisper – 12 WSP 105
Format: Vinyl, 12″
Country: UK
Released: 1981
Genre: Funk / Soul
Style: Disco
Arranged By [Conductor] – Richard Niles (tracks: A)
Producer – Jeff Calvert , Richard Niles
Written-By – Jeff Calvert (tracks: B) , Hammerstein* (tracks: A) , Richard Niles (tracks: B) , Rodgers* (tracks: A)

NOTES:
Made In England

Find the 12″ on DISCOGS

Side B

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Berlin – The Metro (US 7″)

BURNING THE GROUND EXCLUSIVE 1981

A. Front

“The Metro” is a new wave song written by John Crawford for his band, Berlin. The song first appeared on Berlin’s breakthrough album Pleasure Victim, released on the independent label Enigma in 1982 and re-released on Geffen in 1983. “The Metro” became the third single from the album, and the second to appear on the Geffen label. It was produced and engineered (as was most of the album) by the band’s then-drummer and drum programmer, Daniel Van Patten.

The song is known as epitomizing the new wave genre, for showing the genre for what it essentially was: a blending of punk rock and pop, with heavy use of the Sequential Circuits Prophet-5 synthesizer. Terri Nunn said the song, which was a breakthrough hit for Berlin, “defined us and defined that period of music.”

The single surpassed the Hot 100 peak of their previous cult hit, “Sex (I’m A…)”, going to #58, and it remains their third-highest charting single in the U.S.

Special note about this single: 

This 7″ is the original 1981 US release on the now obsolete M.A.O. Records label.  The single contains the original mixes that were re-recorded for the Pleasure Victim EP. Not available elsewhere. The single also has alternate artwork and the labels list the sides as “E” and “W”.

 

SIDE E:
The Metro 4:12

SIDE W:
Tell Me Why 4:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 The Metro U.S. Billboard Hot 100 #58

 

RELEASE INFORMATION:
Label: M.A.O. Records ‎– MAO-S4
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1981
Genre: Electronic
Style: New Wave, Synth-pop
Credits: Producer – Daniel R. Van Patten
Written-By – Crawford*

NOTES:
Original mixes that were re-recorded for the Pleasure Victim EP. Not available elsewhere.

Find The 7″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Specials – Ghost Town (US 12″)

BURNING THE GROUND EXCLUSIVE 1981

A. Front

“Ghost Town” is a 1981 song by the British ska band The Specials. The song spent three weeks at number one and 10 weeks in the top 40 of the UK Singles Chart. Addressing themes of urban decay, deindustrialisation, unemployment and violence in inner cities, the song is remembered for being a hit at the same time as riots were occurring in British cities. As such, it is remembered as a major piece of popular social commentary.

SIDE A:
Ghost Town (Extended Version) 5:57
Written-By – Dammers*

SIDE B:
Why? 3:54
Written-By – Golding*

Friday Night Saturday Morning 3:33
Written-By – Hall*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Chrysalis ‎– CDS 2525
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1981
Genre: Reggae
Style: Ska, Rocksteady
Credits: Engineer – John Rivers
Producer – John Collins

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Olivia Newton-John – Physical (France 12″)

BURNING THE GROUND EXCLUSIVE 1981

A. Front

Happy Birthday Olivia!

Re-Rip Newly Remastered + Bonus Track!

Originally I posted this one on May 4, 2010. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

 

 physical“Physical” is a song by Australian recording artist Olivia Newton-John for her twelfth studio album Physical. It was released in September 1981, by MCA Records as the lead single from the project. The song was written by Steve Kipner and Terry Shaddick, who originally intended to offer it to British singer-songwriter Rod Stewart, while production was handled by John Farrar.

The song was an immediate success, shipping 2 million copies in the United States, being certified Platinum, and spending 10 weeks at number one on the Billboard Hot 100, ultimately becoming Newton-John’s biggest American hit. The song reached number 7 on the UK chart in November. The song was nominated for the Grammy Award for Best Female Pop Vocal Performance and won the Billboard Award for Top Pop Single. “Physical” went on to become the biggest-selling single of the entire decade in the US.

Recorded in early 1981, it first rose to number one on the Billboard Hot 100 in America in November 1981 and stayed there for 10 weeks, until near the end of January 1982. In terms of chart placement, it was the most popular single of her career in the U.S., as well as her final number-one (to date). Billboard ranked it as the number one pop single of 1982 (since the chart year for 1982 actually began in November 1981), and it was also the most successful song on the Hot 100 during the entire decade of the 1980s. The famous guitar solo is performed by Toto’s guitarist Steve Lukather.

“Physical” was both preceded and followed in the #1 chart position by recordings of the duo Hall & Oates. “Private Eyes” yielded its top spot to “Physical” in November 1981, and “Physical” yielded to “I Can’t Go for That (No Can Do)” the following January. “Physical” held “Waiting for a Girl Like You” by Foreigner at #2, off the top of the Hot 100 for nine weeks, and “I Can’t Go For That” held Foreigner’s hit at #2 for the tenth and final week.

The single, slightly edgier than she had been known for in the past (such as her songs from Grease and her country-pop ballad “I Honestly Love You”), proved to be immensely popular both in America and in the United Kingdom, despite the fact that the song was censored and even banned by some radio stations; due to its sexual content, for example the line: “There’s nothing left to talk about unless it’s horizontally”, in spite of Newton-John’s status as the reigning queen of soft-rock music at the time, “Physical” peaked at only number twenty-nine on the AC chart (its follow-up, the slightly softer-edged “Make a Move on Me,” found more acceptance at AC radio and went to number six AC as well as number five pop.) The song was a big dance hit, crossed over to the Billboard R&B chart peaking at #28 there, and spawned a music video.

The music video was directed by Brian Grant.

The video featured a lusty Olivia, dressed in a tight leotard, as a gym teacher trying to make several overweight men healthy. She repeatedly tries to make the men lose weight, but her plans fail and she leaves the room to take a shower. Suddenly, the men work out on their own, and they transform into muscular attractive men. In one part, one muscular man glances at his overweight self. Olivia is shocked when she sees this, and starts to flirt with them. At the end, two of the men secretly go out, holding hands, implying they are gay. Olivia is surprised to see this, and so she and one of the overweight men play tennis. The gym setting may have been partly an attempt to divert attention from the overt sexual connotations of the term “physical”. This was further emphasized by the twist comedy ending of the video, when the transformed men who are now oblivious to Newton-John’s advances are ultimately revealed to be gay (this was also a source of controversy; MTV frequently cut the ending when it aired the video, and the sometimes sensuous nature of the video also led to it being banned outright by some broadcasters in Canada and the United Kingdom).

The Olivia Physical video (where “Physical” music video was included) won a Grammy Award for Video of the Year in 1983. The video was featured on Pop-Up Video on VH1 and was the first video to air on Beavis and Butt-Head, on which they changed the channel to “I Wanna Be Sedated” by The Ramones.

A Newton-John duet with Jane Lynch aired on the “Bad Reputation” episode of the television series Glee on May 4th, 2010 on the FOX television network in the US. Newton-John and Lynch recreated the songs music video for the episode. This version charted at #89 in 2010.

ABOUT THE 12″:
Released only in France and Mexico this 12″ contains the only official “Long Version” of “Physical”. As a bonus I included the “Extended Live Version” of “Physical” which was released as the b-side of the “I Honestly Love You” UK 12″ re-issued in 1983 to promote the album “Olivia’s Greatest Hits Vol. 2”. “Physical” was recorded live during Olivia’s 1982 Let’s Get Physical World Tour.

SIDE A:
Physical (Special Disco Mix) 7:04
Written By – Steve Kipner , Terry Shaddick

SIDE B:
The Promise (The Dolphin Song) 4:30
Written By- Olivia Newton-John

Physical (Extended Live Version) (Bonus Track) 7:33
Written By- Steve Kipner , Terry Shaddick
Recorded Live In Concert 1982

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

CHART HISTORY:

Year Single Chart Position
1981 Physical U.S. Billboard Hot 100 #1 (10 Weeks)
1981 Physical U.S. Billboard Hot Black Singles #28
1981 Physical U.S. Billboard Adult Contemporary #29
1981 Physical U.S. Billboard Hot Dance Club Play #22
Year Single Chart Position
1982 Physical U.S. Billboard Hot 100 Year End #1
1980-89 Physical U.S. Billboard Hot 100 End Of decade #1

 

RELEASE INFORMATION:
Label:Pathé Marconi EMI, EMI – 2C 052 52904 Z
Format: Vinyl, 12″, 45 RPM
Country: France
Released: 1981
Genre: Electronic
Style: Pop Rock, Synthpop
Credits: Producer – John Farrar
Mixed By – David J. Holman
Photography – Herb Ritts

NOTES:
Original version appears on the MCA album:
“PHYSICAL”

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi