Nik Kershaw – Radio Musicola (UK 12″)

BURNING THE GROUND EXCLUSIVE 1986


Side A Label

REQUEST

Radio Musicola was the third single released from Nik Kershaw’s third studio album of the same name. The album deals with subjects of integrity – media skepticism (particularly towards tabloid journalism), privacy, insecurity and mass produced run-of-the-mill pop. The song peaked at #43 on the UK singles chart.

RELEASE INFORMATION:
Label: MCA Records Ltd.
Catalog#: NIKT11, NIKT 11
Format: Vinyl, 12″, Single
Country: UK
Released: 1986
Genre: Electronic
Style: Synth-pop
Credits: Written-By, Producer – Nik Kershaw

SIDE A:
Radio Musicola (Extended Version) 7:15
Remix – Bryan “Chuck” New

SIDE B
L.A.B.A.T.Y.D 4:12
Radio Musicola 4:16

VINYL GRADE:
Near Mint
Sleeve: Near Mint (company)

DISCOGS LINK


Side B Label

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 20
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Nik Kershaw – Don Quixote (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

Front Cover

Don Quixote was the third single taken from Nik Kershaws second studio album “The Riddle”. The song peaked at UK #10, AUS #83, Ireland #9, Germany #39.

The song has some direct ties to the original novel “Don Quixote.” Published in two volumes a decade apart (in 1605 and 1615), Don Quixote is the most influential work of literature to emerge from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature, it regularly appears high on lists of the greatest works of fiction ever published.

Don Quixote was from the region of La Mancha, which is likely were Nik Kershaws music video “Don Quixote” takes place, and also lead to the last line? of the song “We’re all men of La Mancha.” There is also a famous scene in the novel where the Don Quixote character (or the man on the horse in the video) has a sword fight with a windmill and looses. That also lead to the line in the chorus “Are we shouting at windmills like you.

RELEASE INFORMATION:
Label: MCA Records Ltd.
Catalog#: NIKT 8
Format: Vinyl, 12″
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop
Credits:  Written-By – Nik Kershaw

SIDE A:
Don Quixote (Extra Special Long Mix) 8:41
Mixed By – Julian Mendelsohn , Nik Kershaw
Producer – Peter Collins

SIDE B:
Don’t Lie 3:52
Engineer – Julian Mendelsohn
Producer – Nik Kershaw

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

DISCOGS LINK

 

Back Cover

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 20
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Midnight Star – Freak-A-Zoid (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1983

Side A Label

This classic electro track is where the well worn vocoder sample “Please Report to the Dancefloor” originates from. “Freak-A-Zoid,” was the first single taken from Midnight Star’s fourth album, No Parking on the Dance Floor, released in 1983, it took them to the top of the charts peaking at #2 on the Billboard Hot R&B/Hip-Hop Songs chart in 1983.

The reason that this PROMO version is so great is the fact of the B side. Its called Instrumental, but actually its all Vocoder, and missing all the normal vocals. Making this a pure electro vocoder claassic.

DISCOGS LINK

RELEASE/PRODUCTION INFORMATION
Label: Solar
Catalog#: ED 4907
Format: Vinyl, 12″, Promo
Country: US
Released: 1983
Genre: Electronic
Style: Electro
Credits:  Producer – Reggie Calloway
From Solar LP “No Parking” LP 60241

SIDE A
(A) Freak-A-Zoid (Vocal) 8:08

SIDE B
(B) Freak-A-Zoid (Instrumental) 6:15

Side B Label

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 20
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Donna Summer – Dinner With Gershwin (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

“Dinner with Gershwin” is song written by Brenda Russell. It was first recorded by Donna Summer in 1987, which Russell co-produced with Richard Perry.

“Dinner With Gershwin” was the first single off Summer’s All Systems Go album which was Summer’s first album of new material released in four years. “Dinner With Gershwin” returned Summer to the Billboard R&B Top Ten – at #10 – for a final time but became the first lead single off a Donna Summer album of new material since 1978 to fall short of the Pop Top 40, peaking at #48.

“Dinner With Gershwin” was better received on the UK charts entering the Top 30 in November 1987, with Summer’s 19 November appearance on Top of the Pops – her first – assisting the track to a #13 peak.

Brenda Russell later recorded her own version of the song for her 1990 album Kiss Me With The Wind.

DISCOGS LINK

RELEASE/PRODUCTION INFORMATION
Label: Geffen Records
Catalog#: 0-20635
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop
Credits: Co-producer, Written-By – Brenda Russell (2)
Design – Janet Levinson
Engineer [Additional] – Steve Peck
Engineer [Second] – Ken Felton , Scott Maddox
Mixed By – Jim Tract
Mixed By, Engineer – Glen Holguin
Photography – Tony Viramontes
Producer – Richard Perry

NOTES
Recorded at Studio 55, Los Angeles

SIDE A
(A) Dinner With Gershwin (Extended Version) 7:43
SIDE B
(B) Dinner With Gershwin (Instrumental Version) 4:52

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 20
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi