Kylie Minogue – Locomotion (Australia 12″)

BURNING THE GROUND EXCLUSIVE 1987

“The Loco-Motion” is a 1962 pop song written by American songwriters Gerry Goffin and Carole King. The song is notable for appearing in the American Top 5 three times – each time in a different decade: for Little Eva in 1962 (U.S. #1); for Grand Funk Railroad in 1974 (U.S. #1); and for Kylie Minogue in 1988 (U.S. #3).

“The Loco-Motion” was the debut single by Australian popular music singer Kylie Minogue.

After an impromptu performance of the song at an Australian rules football charity event with the cast of the Australian soap opera Neighbours, Minogue was signed a record deal by Mushroom Records to release the song as a single. The single was released on July 28, 1987 in Australia, Sweden and Italy under the title “Locomotion”. The song was a success in Australia, reaching number one and remaining there for seven weeks. The success of the song in her home country resulted in her signing a record deal with PWL Records in London and to working with the successful team Stock Aitken & Waterman.

In 1988, a re-recorded version produced by Stock Aitken & Waterman was released worldwide with the title “The Loco-Motion”. This release again was a major success, reaching the top five in the United Kingdom, the United States, and Canada. Minogue’s version of the track appeared in the 1988 film Arthur 2: On the Rocks, starring Dudley Moore and Liza Minnelli.

The Minogue version of “The Loco-Motion” substitutes the Australian term railway for the American usage of railroad in the song’s lyrics.

The music video for “Locomotion” was filmed at Essendon Airport and the ABC studios in Melbourne, Australia. The video for “The Loco-Motion” was created out of footage from the Australian music video.

Near the end of 1988, the song was nominated for Best International Single at the Canadian Music Industry Awards.

SIDE A:
Locomotion (Chugga-Motion Mix) 7:37

SIDE B:
Locomotion (Girl Meets Boy Mix) 3:15
Glad To Be Alive 3:40

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mushroom Records – X14499
Format: Vinyl, 12″, 45 RPM, Limited Edition, Maxi-Single
Country: Australia
Released: 1987
Genre: Electronic
Style: Synth-pop
Credits: Producer – Craig Harnath (tracks: B2), Duffy (5)

NOTES:
Recorded at Platinum Studios, Melbourne Australia. Limited Edition 12 inch

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

David London – Samantha/Sound of The City (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1980

Born Dennis Hardy (“Fergie”) Frederiksen on May 15th, 1951 in Grand Rapids, Michigan. Fergie started out as a musician and by 1964 was already performing with musicians much older than himself in nearby clubs. His singing came as a natural progression of performing with local bands. By the time Fergie had graduated high school he realized that he wanted to pursue a career as a singer, not as a musician.

Old friend and guitarist Tommy Shaw recommended Fergie as his replacement in the Chicago based group MS Funk, when Shaw was leaving to join another Chicago outfit, Styx, so Fergie moved across the lake to the windy city in 1975. His stint with MS Funk was as brief as the groups career. In less than two years the group was gone. While with the band he met pianist Patrick Leonard, (also from Michigan), the two formed a friendship that turned into the formation of Trillion. Fergie recorded the groups debut album with Leonard in 1978 (Epic Records)
before leaving to pursue a solo career. Leonard continued for a second album with Trillion before later scoring hits for Madonna, Jody Watley and Elton John, among others.

To further his solo career Fergie moved to Los Angeles in 1980 and began session work. This session work would lead to his meeting producer Jacques Morali and becoming “David London.” In his role as David London he first appeared in 1980 on the soundtrack of “Can’t Stop The Music.” His contribution to the soundtrack were two tracks, both of which appeared on a promotional-only Casablanca 12″ single. “Samantha” a tribute to the Valerie Perrine character in the movie, and the opening-credits track. “Sound Of The City” was the best thing on the album. It’s rousing big band, horn blaring, cymbal crashing feel good atmosphere made it one of the year’s club favorites.

The songs were written and produced by Morali and Henri Belolo. Given the climate of music, particularly the death of disco, and the fact that Neil Bogart (head of Casablanca Records) was trying to distance himself and the company from it’s “disco” image are probably two of the main reasons there was not another David London 12″ single. He did release a 1981 “David London” album, but it failed to chart. Hiassociation with Morali & Belolo spilled over into his contributing vocals to the Village People’s 1981 release “Renaissance.” He can also be heard on the additional soundtracks of “Best Little Whorehouse In Texas,” “All American Traffic Jam” and “Executioner’s Song.”

SIDE A:
Samantha (Extended Version) 5:07

SIDE B:
The Sound Of The City 4:31

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (company sleeve)

RELEASE INFORMATION:
Label: Casablanca Records – NBD 20215 DJ
Format: Vinyl, 12″, Promo, 33 RPM
Country: US
Released: 1980
Genre: Funk / Soul
Style: Disco
Credits:Arranged By – Horace Ott
Executive Producer – Henri Belolo
Producer – Jacques Morali

NOTES:
From the Casablanca Soundtrack album
“Can’t Stop The Music”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Joe Jackson – Steppin’ Out (Europe 12″)

BURNING THE GROUND EXCLUSIVE 1982

“Steppin’ Out” is a song written by Joe Jackson, originally included on his 1982 album, Night and Day.

The song is about the anticipation and excitement of a night out on the town. Released as a single in August 1982, it became Jackson’s biggest Billboard Hot 100 hit in the U.S., peaking at number six. It was his second biggest hit on the UK Singles Chart, also reaching number six. Only “It’s Different for Girls”, which reached number five in the UK in 1980 did better. The music video for the song, directed by Steve Barron, featured a housekeeper pretending she was a Cinderella figure. It was filmed over one night in the St. Regis Hotel in New York during the summer of 1982.

“Steppin’ Out” eventually earned Grammy nominations for Record of the Year and Best Pop Vocal Performance, Male.

The song was produced and mixed by David Kershenbaum who also produced and mixed some Duran Duran’s early work.

SIDE A:
Steppin’ Out 4:17
Written-By – Joe Jackson

SIDE B:
T.V. Age (Long Disco Mix) 5:56
Written-By –Joe JacksonSteve Tatler

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1982 Steppin’ Out U.S. Billboard Hot 100 #6
1982 Steppin’ Out U.S. Billboard Adult Contemporary Tracks #4
1982 Steppin’ Out U.S. Billboard Hot Dance Club Play #45

 

RELEASE INFORMATION:
Label: A&M Records – AMS 12-9257
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Europe
Released: 1982
Genre: Electronic, Jazz
Style: Leftfield, Jazz-Funk, Synth-pop, Disco
Credits: Mixed By, Producer – David KershenbaumJoe Jackson

NOTES:
Taken from the A&M LP “Night And Day”
Made in Holland

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Boston – We’re Ready (German 12″)

BURNING THE GROUND EXCLUSIVE 1986

R E Q U E S T

Boston is an American rock band from Boston, Massachusetts that achieved its most notable successes during the 1970s and 1980s. Centered on guitarist, keyboardist, songwriter, and producer Tom Scholz, the band is a staple of classic rock radio playlists. One of Boston’s best-known works include the “Amanda” from 1986 which was the bands only Billboard #1. “We’re Ready” was the follow up single to “Amanda” and the second single from the bands third album “Third Stage”. On December 27, 1986 “We’re Ready” debuted on the Billboard top 40 peaking at #9 after spending 10 weeks on the chart.

On March 9, 2007, lead singer Brad Delp committed suicide at his home in Atkinson, New Hampshire. Delp was 55 years old.

SIDE A:
We’re Ready 4:14

SIDE B:
The Launch 2:50
B.1 Countdown
B.2 Ignition
B.3 Third Stage Separation

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1986 We’re Ready U.S. Billboard Hot 100 #9
1986 We’re Ready U.S. Billboard Mainstream Rock Tracks #2

 

RELEASE INFORMATION:
Label: MCA Records – 258 462-0
Format: Vinyl, 12″, 45 RPM
Country: Germany
Released: 1986
Genre: Rock
Style: Hard Rock, Classic Rock
Credits:Producer, Written-By – Tom Scholz

NOTES:
From the mCA LP “THIRD STAGE”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi