Burning The Ground Exclusive
NEW 2025 Transfer
NEW Meticulous Audio Restoration
Original post date: September 10, 2013
Before she became an international Grammy-winning pop icon, Jody Watley briefly took a detour into the UK club scene with a short-lived—but fascinating—solo launch. “Where The Boys Are” was her first solo single following her departure from Shalamar in the early 1980s, and it’s a gem that has flown under the radar for far too long.
Released exclusively in Europe and Australia on Mercury Records in 1984, “Where The Boys Are” marked a bold attempt at rebranding Watley as a club-ready solo act. Issued under just her first name—Jody—the track was part of an early effort to craft a full-length solo album while she was living in the UK. Unfortunately, neither this single nor the follow-up “Girls Night Out” generated significant traction, and the proposed album was ultimately shelved.
But that doesn’t mean the music lacked fire. On the contrary, “Where The Boys Are” pulses with classic mid-80s dancefloor energy—full of bouncing synths, moody grooves, and Jody’s unmistakable charisma. It’s sleek, stylish, and sassy—laying the early groundwork for the confident pop/fashion hybrid image she would perfect by the end of the decade.
The B-side of both singles was “My House (4-Free),” a track that would find unexpected life years later. In 1990, it was reworked into a club hit for Paul Lekakis, best known for his Hi-NRG anthem “Boom Boom (Let’s Go Back To My Room).”
None of the versions on this rare 12″ have ever been released on CD or digital platforms, making this a prized find for vinyl collectors and Watley completists.
Of course, the story doesn’t end here—Jody returned stronger than ever in 1987 with her U.S. debut self-titled album, which spun off multiple hits and earned her a Grammy for Best New Artist. But this 1984 single is where it all began—an early taste of her future solo stardom, waiting to be rediscovered.
SIDE A:
Where The Boys Are (The Long Way Home Mix!) 6:10
Producer, Engineer – Gary Langan
SIDE B:
Where The Boys Are (7″ Version) 3:16
Producer, Engineer – Gary Langan
My House (4-Free) 4:52
Engineer – Simon Sullivan
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
RELEASE INFORMATION:
Label: Mercury – JODY 112
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1984
Genre: Electronic
Style: Synth-pop
CREDITS:
- Design – Neville Brody
- Other [Assistant] – Ben Murphy
- Photography By – Tim O’Sullivan
- Producer – Bruce Woolley
- Written-By – Bruce Woolley, Jody Watley
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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Man, I love when you post these ultra-rare remixes that are simply not available anywhere else! THANK YOU!!!
can you re up jody watley still a thrill tomorrow us 12″ and uk
remixed by louil silas jr and taavi monte and chopped up edits by greg mixmaster gee royal please
I will post it again at some point. I already have plans for the next post.
Thank you!!! I don’t know how I missed it when it first was posted! Or maybe it’s one of those that when I went to unzip it it failed and I was no longer up?!?! Either way I’ve been obsessed with Jody (once again) since her new remix album was released, so I finally have this missing piece of her discography! You rock! Thanks Paul
Hey ING! So glad this one finally made its way to you! It’s wild how some of these rarities slip through the cracks—or get lost to a bad unzip (we’ve all been there 🙂 ). I’ve been deep in Jody mode too since the remix album dropped, so it makes me happy to know this filled a gap in your collection. She really is the gift that keeps on giving. Thanks again for the kind words—appreciate you!
– Paul
Thanks for these two “Art Of Noise Feat. Jody Watley” twelve-inches! I’ve wanted them in DJPaulT quality for ever, and suddenly you deliver a re-rip. Fantastic!
May I ask you if you mean “Let’s Dance Vol.1: Hit Them Beats” when you talk about a new remix album?
This is really quite catchy with a great beat! This should have been a hit where it was released… and might have generated more traction if it was released in the US. With this release she was riding high from her time with Shalamar. I always enjoyed seeing her in the Band Aid video. Thank you Paul for bringing this one back in the spotlight it so deserves!
Thanks so much, Retro Hound! I totally agree—this one had serious hit potential, especially if it had gotten a proper U.S. release. Jody was definitely riding the momentum post-Shalamar, and it’s wild to think how different things might have played out with a little more label push. And yes! I love spotting her in the Band Aid video—such a cool moment in pop history. I’m so glad I could help shine a light on this forgotten gem!
– Paul
Holy smokes, Gary Langan and Bruce Woolley were involved with this? I didn’t know Jody had an Art of Noise-adjacent past. Cool!
Right?! Wild connection, isn’t it? When I first saw Gary Langan and Bruce Woolley in the credits, I had to do a double take. Totally gives the track that left-of-center edge—definitely some Art of Noise DNA in there. Love uncovering these unexpected overlaps in her early solo journey. So cool!
– Paul
I love your discoveries of music never released in the United States.
Thanx
Thanks so much, William! I really enjoy digging up these international-only releases—so many gems that never got the spotlight they deserved here in the U.S. Glad you’re enjoying the journey with me!
– Paul
Hi Paul! Thanks for revisiting this classic record! What I first noticed by looking at the credits here is that it was produced by Gary Langan. He’s one of the founding members of the Art Of Noise!! This is so cool! I also want to thank you for bringing back a true favorite of mine. Jody Watley means a lot to me, so, thank you, Paul!!
Jeff
Hi Jeff! I’m so glad this one resonated with you. I had the same reaction when I saw Gary Langan’s name—such a cool and unexpected connection to Art of Noise! That experimental touch definitely adds something special to the track. It means a lot to hear that Jody holds a special place for you—she truly is one of a kind. Thanks so much for your kind words and for always bringing such great energy to the comments!
– Paul
OMG thank you so much for this I hope this means we are getting Girls Night Out soon as well. I absolutely love Jody, she is truly one of the most underrated acts from the 80’s and 90’s. I have been wanting these for so long I missed the original posts of them back in 2013, so I am so happy to see this.
Hey David! I’m so glad this made your day! 🙂 Jody really is one of the most underrated artists of the ’80s and ’90s—such a trailblazer with style, sound, and presence. And yes… you’re absolutely right to be hopeful—Girls Night Out is on the horizon! I’m thrilled to help bring these long-lost tracks back into the spotlight, especially for those who missed them the first time around. Stay tuned!
– Paul