Tag: 1983

Rita Coolidge – All Time High (The Theme Song From Octopussy) (Italy 7″)

BURNING THE GROUND EXCLUSIVE 1983

A. Front

Happy Valentine’s Day!

“All Time High” is a 1983 single release by Rita Coolidge introduced as the theme song for the James Bond film Octopussy.

“All Time High” marked the return of regular James Bond theme composer John Barry after his absence from the For Your Eyes Only soundtrack. The lyrics were written by Tim Rice and recording and mixing of the track is credited to Stephen Short.

Prior to Rita Coolidge being assigned the Octopussy theme a contender was Mari Wilson, a British singer whose retro-image evoked the mid-’60s when the Bond series originated, but Wilson’s lack of a US-profile led to a negative decision.

The producers of Octopussy were known to have been in negotiations with Laura Branigan, then a top-ranking hitmaker in the US and Europe.

The ultimate choice of Coolidge – whose career peak had occurred some six years previously – was a surprising one. Coolidge recalls that Barbara Broccoli, the assistant director of Octopussy, was a fan of Coolidge and made a point of playing Coolidge records around her father, Cubby Broccoli, producer of the films, until “one day [he said], “Who is that? That’s the voice I want for the movie.’…in the studio [Tim Rice] was still finishing the song. We were waiting for the lyrics as the track had already been done.”

Rice made no effort to incorporate the film’s title but the lyric: “We’re two of a kind” is a line spoken by the title character (played by Maud Adams) to James Bond (Roger Moore). The song’s title “All Time High” parallels Coolidge’s #2 hit “(Your Love Has Lifted Me) Higher and Higher” whose lyric “When you wrap your loving arms around me I can stand up and face the world again” is echoed by the “All Time High” lyric “We’ll take on the world and win”.

The music video shows Coolidge in soft focus in what purports to be an Indian palace (it is in fact the Royal Pavilion at Brighton, England).

In the US “All Time High” reached #36 on the Billboard Hot 100 in August 1983. Adult contemporary radio was much more receptive, with that genre allowing “All Time High” four weeks at #1 as ranked by Billboard magazine. Coolidge had previously topped the Adult Contemporary chart in 1977 with “We’re All Alone”.

In the UK, “All Time High” rose no higher than #75 and remains the lowest charting James Bond theme. However the track became a major hit in several European countries: Austria – #14; Finland – #11; Germany – #13; the Netherlands – #8; Sweden – #8; and Switzerland – #7: Coolidge had previously only charted in one of these six countries, that being the Netherlands (with “We’re All Alone” – #15/1977) which was also the only one of the six countries where she’d chart again. “Stand in Wonder”, #56/1999). Additionally “All Time High” afforded Coolidge a chart record in Australia – #80; Canada – #38, New Zealand – #26, and South Africa – #8; also the track was ranked at #48 in the annual hit parade tally for 1983 in Brazil.

SIDE A:
All Time High (The Theme Song From Octopussy) 3:02

SIDE B:
All Time High (The Theme Song From Octopussy) (Extended Instrumental Version) 3:50

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 All Time High U.S. Billboard Hot 100 #36
1983 All Time High U.S. Billboard Hot Adult Contemporary Tracks #1

 

RELE INFORMATION:
Label: A&M Records ‎– AMS 9286, A&M Records ‎– AM 007
Format: Vinyl, 7″, Single, 45 RPM
Country: Italy
Released: 1983
Genre: Pop
Style: Pop/Rock, Vocal
Credits: Arranged By, Conductor, Producer – John Barry
Lyrics By – Tim Rice
Written-By – J. Barry*, T. Rice*

NOTES:
From the motion picture soundtrack “OCTOPUSSY”

Find The 7″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Icehouse – Hey Little Girl (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1983

A. Front

Re-Rip Newly Remastered!

Originally I posted this one on April 21, 2011. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

“Hey Little Girl” is a single released by Australian band, Icehouse, the second single from the band’s 1982 album, Primitive Man. It was released in October, 1982, on Regular Records in 7″ Vinyl Single and 12″ Vinyl Single formats. UK and Europe releases by Chrysalis Records were also on 7″ and 12″ formats, but with different track listings. The single was then released in the US in 1983 on same formats. “Hey Little Girl” features Iva Davies using the Linn drum machine – the first for an Australian recording. It peaked at number seven on the Australian singles chart and #2 in Switzerland, #5 in Germany, Top 20 in UK Sweden and Netherlands, and #31 on the Billboard Mainstream Rock chart.

SIDE A:
Hey Little Girl (Extended Remix Version) 6:11

SIDE B:
Hey Little Girl (Dub Version) 6:14

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Hey Little Girl U.S. Billboard Mainstream Rock Tracks #31
1983 Hey Little Girl U.S. Billboard Hot Dance Club Play #55

 

RELEASE INFORMATION:
Label: Chrysalis – 4V9 42731
Format: Vinyl, 12″ Promo, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop
Credits: Mixed By – Nick Martinelli & David Todd
Written-By – I.Davies*

NOTES:
Taken from the Chrsalis LP “PRIMITIVE MAN”
For Promotional Use Only

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Bee Gees – The Woman In You/Saturday Night Mix (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

A. Front

DISCO FRIDAY
Re-Rip Newly Remastered!

Originally I posted this one on April 14, 2010. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

“The Woman in You” is one of five songs the Bee Gees contributed to the film, Staying Alive, the sequel to Saturday Night Fever. Director Sylvester Stallone used the Bee Gees songs in the movie more as background music rather than the prominent way Saturday Night Fever had featured them. The single received more airplay than the Bee Gees previous two singles, though not enough to reach a Top 10 position.

The video, directed by Brian Grant and conceptualised by Keith Williams, which did air in rotation on MTV, featured each brother in a working class job where they all come in contact with the same woman who lures them away.

In interviews following the release of the film, the brothers expressed their displeasure at the way their songs were edited and revealed that their hearts were not in the music. By 1983, the Bee Gees were focusing their talents on solo projects and productions of other artists, so it is not surprising that they were not all enthusiastic about the Staying Alive movie.

The Woman In You peaked at #24 in the US and #81 in the Uk. The 12″ single featued the extended version of the song and a nine minute megamix called Saturday Night Mix, whichcontained songs from Saturady Night Fever.

SIDE A:
The Woman In You (Extended Version) 5:44

SIDE B:
Saturday Night Mix 9:00
(a) More Than A Woman
(b) Stayin’ Alive
(c) Night Fever
(d) Jive Talkin’
(e) You Should Be Dancing

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Blue Jean U.S. Billboard Hot 100 #24
1984 Blue Jean U.S. Billboard Hot Adult Contemporary Tracks #31
1984 Blue Jean U.S. Billboard Hot Black Singles #77

 

RELEASE INFORMATION:
Label: RSO. – RSOX 94
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1983
Genre: Electronic, Rock
Style: Pop Rock, Disco
Crdits: Written-By – Barry, Robin And Maurice Gibb*

NOTES:
Taken from the forthcoming RSO Soundtrack “STAYING ALIVE”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Eurythmics – Who’s That Girl? (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

A. Front

“Who’s That Girl?” is a 1983 song recorded by the British pop duo Eurythmics. It was written by bandmembers Annie Lennox and David A. Stewart and produced by Stewart. “Who’s That Girl?” was the first single released in the UK from Eurythmics’ third album Touch.

The track is a heavily-synthesized ballad in which Lennox takes the role of a suspicious woman demanding to know with whom her lover has been seen associating. The song became Eurythmics’ third Top 10 single in the UK singles chart, peaking at number three. In the United States, “Who’s That Girl?” was released as the second single from the album, following the Top 10 hit “Here Comes the Rain Again”. It climbed to number twenty-one on the Billboard Hot 100.

SIDE A:
Who’s That Girl? (Remix) 6:53
Engineer – Jon Bavin
Producer – D. A. Stewart*

SIDE B:
Aqua 4:36
Engineer – Jon Bavin
Producer – D. A. Stewart*

Jennifer 5:04
Producer – D. A. Stewart*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Who’s That Girl? U.S. Billboard Hot 100 #21

 

RELEASE INFORMATION:
Label: RCA ‎– PW 13801
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Electronic, Pop
Style: Synth-pop

NOTES:
From the album
“TOUCH”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi