Ace Frehley 1951 – 2025

 

🚀 Tribute to Ace Frehley: The Spaceman Who Brought the Universe to Rock ‘n’ Roll

Few guitarists have managed to merge style, swagger, and outer-space mystique quite like Ace Frehley. As the original “Spaceman” of KISS, Ace didn’t just play the guitar — he made it talk, scream, and launch into orbit. With his smoking Les Paul and cosmic persona, Frehley became the embodiment of every kid’s rock-and-roll daydream: loud, flashy, mysterious, and free.

Born Paul Daniel Frehley in the Bronx, New York, Ace’s journey from street-smart city kid to interstellar guitar hero is one of rock’s great ascensions. When KISS blasted onto the scene in the early 1970s, their painted faces and explosive stage shows grabbed headlines — but it was Ace’s electrifying solos that gave the band its rocket fuel. His playing on classics like “Shock Me,” “Cold Gin,” “Love Gun,” and “Detroit Rock City” defined the KISS sound: raw, melodic, and instantly memorable.

Ace wasn’t just a performer — he was an innovator. His 1978 solo album, Ace Frehley, remains the standout of the four individual KISS records released that year. From the anthemic “Rip It Out” to the surprise Top 20 hit “New York Groove,” Ace proved that he could shine brightly on his own. That record cemented his reputation as not just a great guitarist, but a true rock songwriter.

Through the years — from his fiery 1970s heyday with KISS to his solo projects like Frehley’s Comet and beyond — Ace has continued to inspire generations of musicians. His influence can be heard in countless guitarists who picked up a Les Paul after seeing him light up arenas with his smoking guitar and sly grin.

Ace Frehley’s music reminds us that rock ’n’ roll is supposed to be fun, dangerous, and larger than life. He took us to the stars and back again, leaving a trail of cosmic riffs and unforgettable songs along the way. Whether onstage in full Spaceman regalia or playing the club circuit with his solo band, Ace remains one of rock’s true originals — a legend whose sound is written across the night sky in neon and thunder.

Here’s to Ace — the man who taught us that the sky isn’t the limit when your guitar can fly.

-DjPaulT

Robey – I Surrender (US 12″) (1986)

Burning The Ground Exclusive

French-Canadian actress, songwriter, and singer Louise Robey, known professionally as Robey, released “I Surrender” as her fourth single in 1986. The song was issued exclusively as a 12″ single in the United States and Canada, making it a standout in her discography and a sought-after collectible among fans of 1980s dance music.

Unlike her earlier singles, “I Surrender” did not appear on her self-titled debut album from 1985, which featured her breakout hit cover of “One Night in Bangkok.” Instead, this track was a non-album single that further showcased Robey’s dramatic vocal delivery and her flair for cinematic, synth-driven production.

Built around a steady club beat, lush synth textures, and Robey’s signature sultry vocals, “I Surrender” embodies the Hi-NRG and electro-pop sound that defined the mid-80s dancefloor. The single reached #47 on the Billboard Dance Chart in October 1986, becoming Robey’s final charting single in the U.S.

Although it didn’t achieve mainstream success, “I Surrender” remains a fascinating slice of mid-80s club culture — a shimmering, emotional track that captures the moment when pop, dance, and performance art all collided under the strobe lights.

Outside of her music career, Robey is perhaps best remembered for her role as Micki Foster on the cult TV series Friday the 13th: The Series. Her unique blend of glamour, mystery, and charisma made her a defining figure of 1980s pop culture — and “I Surrender” stands as a perfect example of her musical style and artistic spirit.

SIDE A:
I Surrender 6:06
Executive Producer – Joel Diamond
Producer – Mark Berry
Written By – D. Batteau, D. Freeman, J. Ingram

SIDE B:
I Surrender (Dub Mix) 4:53
Executive Producer – Joel Diamond
Producer – Mark Berry
Written By – D. Batteau, D. Freeman, J. Ingram

Paris, Paree 5:45
Executive Producer – Joel Diamond
Producer – Marcus Barone
Written By – Louise Robey, M. Barone

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Robey: I Surrender (1986)
Chart Peak Position Date
US Billboard Dance Club Songs #47 1986

RELEASE INFORMATION:
Label: Chrysalis – 4V9 43018
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Photography – Guy W. Cearley

NOTES:
Recorded at Broccoli Rabe Studios 1986

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Bobby “Boris” Pickett Featuring Bobby Paine – Monster Rap (US 12″) (1984)

Burning The Ground Exclusive

In 1984, the man behind one of the most famous novelty records of all time — Bobby “Boris” Pickett, of “Monster Mash” fame — decided to bring his graveyard smash into the MTV era. Teaming up with songwriter and producer Bobby Paine, Pickett returned with “Monster Rap,” a ghoulishly fun update that fused his original horror humor with the then-new sound of hip-hop.

Released on Easy Street Records, “Monster Rap” finds Pickett reprising his mad scientist narrator, once again trying to teach his monster a few new tricks — this time, how to rap. Instead of the classic surf-rock beat, the track features a funky electro rhythm, complete with drum machines, synth bass, and a vocoder. It’s an oddball mix of Vincent Price meets Sugarhill Gang, and it totally works in that campy, early-’80s way.

Lyrically, the song keeps the tongue-in-cheek charm of the original, with Pickett delivering lines in his signature “Boris Karloff” voice, while the monster grunts and stumbles through his attempts at rhyming. Bobby Paine adds a contemporary touch to the production, layering in those unmistakable 808s and synth flourishes that make it sound right at home among other novelty rap records of the mid-’80s.

Though it didn’t achieve the same massive success as “Monster Mash”, “Monster Rap” became a cult favorite and remains a seasonal curiosity among collectors and Halloween DJs. Over the years, it’s been rediscovered by fans of early hip-hop, horror kitsch, and everything delightfully weird about the 1980s.

Nearly two decades after his graveyard hit first topped the charts, Bobby “Boris” Pickett proved he could still raise the dead — this time on the dance floor.

SIDE A:
Monster Rap (Club Mix) 5:11
Mixed By [Special Mix] – Hammer Head, Nicky “Pork Dicky” King*

SIDE B:
Monster Rap (Dub Instrumental) 5:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Easy Street Records – EZS-7513
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Hip Hop
Style: Electro, Pop Rap, Novelty, Horror Rock

CREDITS:

NOTES:
Special 12 Inch Horror Mix
Recorded & mixed at Blank Tapes, Inc.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Will To Power – Fading Away (US 12″ Promo) (1988)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: June 10, 2013

I have given “Fading Away” a brand-new 2025 transfer, ensuring that every synth, beat, and vocal nuance hits with pristine clarity. It’s the ultimate way to experience this late-80s dance gem, whether on the club floor or through your own speakers at home.

When Will To Power released their self-titled debut album in 1988, most listeners immediately noticed the massive medley Baby, I Love Your Way/Freebird Medley. But another track from that era, Fading Away, deserves just as much attention for its emotive vocals, lush synths, and undeniable dance floor energy.

Produced by Bob Rosenberg, Fading Away blends heartfelt emotion with polished late-80s dance-pop production. The lyrics deal with the pain of a fading love, and the arrangement—soft atmospheric synths building into a driving beat—creates the perfect tension between introspective balladry and club-ready rhythm.

On the charts, Fading Away had modest mainstream success, peaking at #65 on the US Pop chart in February 1989 and reaching #84 in the UK Singles Chart the following month. However, the track found its true audience in the dance world. It climbed to #2 on the Billboard Hot Dance Singles Sales chart and spent two weeks at the top of the Billboard Hot Dance Club Play chart—making it Will To Power’s second chart-topper in clubs, after Say It’s Gonna Rain in 1988.

A big part of its dance success came from the remixes by Shep Pettibone, one of the era’s premier remixers. Pettibone extended the song’s ethereal synths and accentuated its rhythmic pulse, transforming Fading Away into a club-ready anthem that DJs could spin for peak-hour energy.

BONUS DISCONET EDIT

As a special treat for collectors and DJs, there’s also the rare Disconet Remix service edit, remixed by one of New York’s exciting editors, Mervyn “Funkmaster” Jordan. This explosive, non-stop edit turns the song into a floor-packing powerhouse—perfect for DJs looking to blow the roof off the house. Jordan’s edit highlights the track’s infectious energy while adding his own signature punch, making it a standout in any collection.

For fans of 80s synth-pop, freestyle, and dance music, Fading Away remains a standout track. It’s a reminder that Will To Power’s artistry went beyond their big medley hit, and that some of the best moments in dance-pop history lie just beneath the surface, waiting to be rediscovered.

SIDE A:
Fading Away (Power House Mix) 8:42
Fading Away (Power House Dub) 6:43

SIDE B:
Fading Away (Big Beat Mix) 8:35
Fading Away (The Rhythm Dub) 6:14

BONUS TRACK:
Fading Away (Disconet Edit) 7:00
Edited By – Mervin “Funkmaster” Jordan

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Will To Power: Fading Away (1988)
Chart Peak Position Date
US Billboard Dance Music / Club Play #1 1989
US Billboard Hot 100 65 1989
US Billboard Dance Music / Maxi-Singles Sales #2 1989
UK Singles Chart #84 1989
Australia (ARIA) #153 1989

RELEASE INFORMATION:
Label: Epic – 49 08183
Format: Vinyl, 33 ⅓ RPM, Single, Promo
Country: US
Released: 1989
Genre: Electronic
Style: Freestyle, House

CREDITS:

NOTES:
DEMONSTRATION
NOT FOR SALE
Additional Production/Remix for Mastermix Productions
Special Version From The Epic LP: “WILL TO POWER”

DISCONET EDIT taken from Volume 11 Program 2

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.