Tag: UK

Technotronic Featuring Ya Kid K – Rockin’ Over The Beat (The Bernard Sumner “Rockin’ Over Manchester” Remixes) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1990

A. Front

“Rockin’ Over the Beat” is a song by Belgian dance act Technotronic. It first appeared on their debut album Pump Up the Jam in 1989 and was released as a single the following year. It is accredited to “Technotronic featuring Ya Kid K”, who co-wrote the track with Jo Bogaert (aka Thomas De Quincey).

The song is an upbeat house tune espousing the pleasures of dancing. It is representative of the positive and melodic feel of the Pump Up the Jam album. “Rockin’ Over the Beat” was a respectable hit for Technotronic; it reached #9 in the UK, #11 in Ireland and breached the Billboard Hot 100 at #95.

Most 12″ releases featured three remixes by Bernard Sumner of New Order: the “Piccadilly”, “Hacienda” and “Instrumental” mixes, all of which were prefixed with “Rockin’ Over Manchester” (where Sumner is from).

SIDE A:
Rockin’ Over The Beat (Rockin’ Over Manchester Hacienda Mix) 7:03

SIDE B:
Rockin’ Over The Beat (Rockin’ Over Manchester Piccadilly Mix) 6:30
Rockin’ Over The Beat (Rockin’ Over Manchester Instrumental Mix) 5:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Rockin’ Over The Beat U.S. Billboard Hot 100 #95

 

RELEASE INFORMATION:
Label: Swanyard Records Ltd ‎– SYRTR14
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1990
Genre: Electronic
Style: Euro House

CREDITS:
Design [Sleeve] – Robert Welch
Engineer, Engineer [Mix], Edited By – Spencer Henderson
Producer – Jo “Thomas De Quincey” Bogaert*
Producer [Additional], Mixed By – Bernard Sumner
Programmed By – Andrew Robinson*
Written-By – J. Bogaert*, M. Kamosi*

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Bronski Beat – Why? (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

I am so saddened by what took place in Orlando over the weekend another senseless massacre at the hands of a gun. We are all Orlando, it could have been any one of us just out enjoying a night of music and dancing. It doesn’t matter what you believe or who you choose to spend your life with Love is Love. I chose to post this record because it is still relevant today. When will we wake up and stop the violence? #orlando

“Why?” is a single by British synthpop trio Bronski Beat and appeared on their 1984 album The Age of Consent.

The song, recorded at RPM Studios, NYC and mixed at Townhouse Studio, London, pursued an energetic musical formula, while the lyrics focused more centrally on anti-gay prejudice. The song opens with a questioning vocal by frontman and vocalist Jimmy Somerville and the shattering of breaking glass. It was the trio’s second Top 10 success in the UK, peaking at No. 6, also reaching the top 10 throughout Europe and in Australia and is today considered a popular gay anthem.

The drawing for the single cover, of a man with his head in his hands, was drawn for the band by Glasgow artist Robert McAulay, who was associated with the band at the time.

SIDE A:
Why? (Extended Mix) 7:45
Engineer [Mixing Engineer] – Julian Mendelsohn

SIDE B:
Cadillac Car (Long Version) 7:34
Engineer [Mixing Engineer] – Harvey Goldberg
Guitar – Steve*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Why? U.S. Billboard Hot Dance Music/Club Play #27
1984 Why? U.S. Billboard Hot Dance Music/Maxi-Singles Sales #20

 

RELEASE INFORMATION:
Label: Forbidden Fruit ‎– BITEX 2
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Design [Sleeve] – Robert McAulay
Engineer [Recording Engineer] – Dominick Maita
Keyboards – Steve*
Keyboards, Programmed By – Laz*
Mastered By – Aaron Chakraverty*
Music By – Bronski Beat
Producer [Produced By] – Mike Thorne
Vocals, Lyrics By – Jimmy*
Written-By – Somerville*, Steinbachek*, Bronski*

NOTES:
Why?: Dedicated To The Memory Of Drew Griffiths

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Spelt Like This – Contract Of The Heart (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

C. Insert

“Contract Of The Heart” is the debut single by UK synth-pop band Spelt Like This. The single was produced by proilfic British pop production and songwriting team Stock, Aitken & Waterman under the Pseudonym W.A.S.P. the only time the organisation used this alias.

“Contract Of The Heart” reached #91 on the UK singles chart in 1985. The band had recorded a full album according to guitarist Alan Rawlings but it was shelved.

The b-side “12 Inch Extensive Massacre” is an instrumental track filled with samples from ganster movies.

SIDE A:
Contract Of The Heart (S Mix) 6:00

SIDE B:
12 Inch Extensive Massacre 4:59
Written-By – Rawlings*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI ‎– 12SLT 1
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – W.A.S.P.*
Written-By – Richards*, McKenzie*

NOTES:
Housed in picture sleeve with insert

Find the 12″ on DISCOGS

D. Insert

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Bow Wow Wow – I Want Candy (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

A. Front

“I Want Candy” is a song written and originally recorded by the Strangeloves in 1965 that went to number 11 in the United States. It is a famous example of a song that uses the Bo Diddley beat.

English new wave group Bow Wow Wow released their version as the first and only single from their EP The Last of the Mohicans. For many in America, “I Want Candy” was their first introduction to young lead singer Annabella Lwin and the band. The song barely scraped the Top 50, but became an enduring new wave classic. The song gave its name to the band’s 1982 release, I Want Candy, which was mainly a compilation, but included a couple of new cuts produced by Kenny Laguna (Joan Jett & the Blackhearts).

The popularity of Bow Wow Wow’s recording, highly associated with 1980s pop music, is partly due to the memorable video that got heavy play in the early days of MTV.

The Bow Wow Wow recording appeared on two VH1 countdowns:

  • No. 86 on VH1’s “100 Greatest Songs of the ’80s”
    No. 8 on VH1’s “100 Greatest One Hit Wonders of the ’80s”

The 12″ single release contains the longer “Remix” version.

SIDE A:
I Want Candy (Remix) 3:33
Written-By – Berns*, Feldman*, Goldstein*, Gottehrer*

SIDE B:
Cowboy 3:32
Written-By – Barbarossa*, Gorman*, Ashman*, Grillet*, Pietri*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 I Want Candy U.S. Billboard Hot 100 #62
1982 I Want Candy U.S. Billboard Mainstream Rock Tracks #22
1982 I Want Candy U.S. Billboard Hot Dance Music/Club Play #36

 

RELEASE INFORMATION:
Label: RCA ‎– RCAT 238
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Electronic
Style: New Wave

CREDITS:
Producer – Kenny Laguna

NOTES:
Side A is a Remix but not listed as such on sleeve or label

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi