Tag: UK

Culture Club – Do You Really Want To Hurt Me (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

“Do You Really Want to Hurt Me” is a song written and recorded by the British new wave band Culture Club. Released as a single in September 1982 from the group’s platinum-selling debut album Kissing to Be Clever, it was the band’s first UK #1 hit. In the United States, the single was released in November 1982 and also became a huge hit, reaching #2 for three weeks.

“Do You Really Want to Hurt Me” was the third single released in Europe by Culture Club and their debut release in the United States and Canada. The song was picked up by BBC Radio 2 and became a UK #1 single for three weeks in October 1982. The song entered the American Pop chart the week ending December 4, 1982. It hit #1 in Cash Box magazine and held at #2 for three weeks on the Billboard Hot 100 chart in March and April 1983 (kept from the #1 spot by Michael Jackson’s “Billie Jean”). The single achieved sales of 900,000 US copies and also hit #1 in Canada. It was also number one in Australia.

This was Culture Club’s first success, after their first two releases, “White Boy” and “I’m Afraid of Me” charted in the UK at #114 and #100 respectively. According to Boy George, it was their last chance to get an album deal.

The song rose rapidly in the UK charts after the group’s first appearance on Top of the Pops, which resulted in George’s androgynous style of dress and sexual ambiguity making newspaper headlines. The group were only asked to appear on Top of the Pops the night before the show, after Shakin’ Stevens pulled out.

In a retrospective review, Allmusic journalist Jose F. Promis described “Do You Really Want to Hurt Me” as “a simple masterpiece, resonating with an ache that harked back to the classic torch songs of yesteryear.”

In 2007, Boy George said that the song was “not just about Culture Club’s drummer Jon Moss, my boyfriend at the time. It was about all the guys I dated at that time in my life.”

The B-side was a dub version featuring Pappa Weasel in many countries and “You Know I’m Not Crazy” on the US release. On the 12″ version of the record, the track “Love Is Cold (You Were Never No Good)” was also included.

SIDE A:
Do You Really Want To Hurt Me 4:22
Do You Really Want To Hurt Me (Dub Version) 3:39

SIDE B:
Love Is Cold (You Were Never No Good) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Do You Really Want To Hurt Me U.S. Billboard Hot 100 #2
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Black Singles #39
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Adult Contemporary #8
1983 Do You Really Want To Hurt Me U.S. Billboard Mainstream Rock Tracks #21

 

RELEASE INFORMATION:
Label: Virgin ‎– VS 518-12
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Sep 1982
Genre: Reggae, Pop
Style: Reggae-Pop, Dub

CREDITS:
Bass – Michael Craig
Design [Cover] – Jik Graham
Drums, Percussion –Jon Moss
Engineer [Assistant Engineer] – Gordon Milne (tracks: A1, A2), Richard Lengyel (tracks: B1)
Featuring, Vocals [Additional Vocals] – Papa Weasel* (tracks: A2)
Guitar, Keyboards, Piano – Roy Hay
Mastered By – JA*
Mixed By – Jon Moss (tracks: A1, A2)
Photography By – Mark LeBon
Producer, Engineer, Mixed By – Steve Levine
Vocals – Boy George
Vocals [Additional Vocals] – Helen Terry
Written-By, Performer – Culture Club

NOTES:
The debut album “KISSING TO BE CLEVER”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Associates – A (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

a-front

“A” was the eighth single released by Scottish new wave band The Associates. The track features backing vocals by Robert Smith of The Cure. Both “A” and “Would I… Bounce Back” were remixed for the 1982 re-issue of the bands debut album The Affectionate Punch.

SIDE A:
A (Remix) 3:50
Backing Vocals – Robert Smith

SIDE B:
Would I… Bounce Back (Remix) 3:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Fiction Records ‎– FICSX 13
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Oct 1981
Genre: Electronic, Rock, Pop
Style: New Wave, Post-Punk, Synth-pop

CREDITS:
Producer – The Associates, Mike Hedges
Written-By – Rankine*, MacKenzie*

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Marc Almond – The Boy Who Came Back (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

a-front

“The Boy Who Came Back” is the début solo single by the British singer/songwriter Marc Almond. “The Boy Who Came Back” is another winner from Marc Almond’s Vermin in Ermine album, with a more overtly rock & roll touch thanks to Richard Riley’s chugging guitar. Produced by Mike Hedges who also produced The Cure, U2 and The Associates “The Boy Who Came Back” debuted on the UK singles chart on June 2, 1984 peaking at #52.

The versions contained on this 12″ do not appear on the upcoming Marc Almond 10 CD Box set “Trials Of Eyliner”.

SIDE A:
The Boy Who Came Back (Loud Cut) 5:08
Backing Vocals – Nancy Peppers

SIDE B:
Joey Demento (Extended Version) 6:45

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Some Bizzare ‎– BZS 2312, Some Bizzare ‎– 822 240-1
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: May 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Bass [Basses], Vocals – Billy McGee
Cello, Vocals – Martin McCarrick
Design, Artwork By [Hand Colouring] – Huw Feather
Engineer – Tom Thiel
Featuring – The Sinners*
Guitar, Vocals – Richard Riley
Photography By [Back Cover] – Marc Almond
Photography By [Front Cover] – Peter Ashworth
Piano, Organ, Vocals – Annie Hogan
Producer –Mike Hedges
Saxophone – Gary Barnacle
Trumpet, Flugelhorn – Enrico Tomasso
Written-By – Almond*

NOTES:
Recorded at Hartman Digital, Bavaria

1) “Dedicated to some young vagabond.”
2) “Dedicated to three young brats in Marrakesh.”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

A Flock Of Seagulls – I Ran (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

“I Ran (So Far Away)”, also released as “I Ran”, is a song by English new wave band A Flock of Seagulls. It was released in 1982 as the second single from their self-titled debut album. Since then, it has been their most successful single, topped the chart in Australia, and reached #7 in New Zealand #9 United States respectively.

The version featured on this 12″ is the video mix which omits most of the introductory section and begins with a cymbal crash but retains the full ending of the long version. This version was featured on some vinyl pressings of A Flock of Seagulls.

SIDE A:
I Ran (Edit Video Mix) 3:58

SIDE B:
Messages 2:50
Pick Me Up 3:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 I Ran U.S. Billboard Hot 100 #9
1982 I Ran U.S. Billboard Mainstream Rock Tracks #8
1982 I Ran U.S. Billboard Hot Dance Music/Club Play #3

 

RELEASE INFORMATION:
Label: Jive ‎– JIVE T 14
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Mar 1982
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Artwork – Pete Watson (2)
Engineer – Mike Shipley
Management – Checkmount Ltd.
Producer – Mike Howlett
Written-By – A. Score*, F. Maudsley*, M. Score*, P. Reynolds*

NOTES:
Recorded at Battery Studios, London.

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi