Tag: William Orbit

Erasure – You Surround Me (Remix) (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1989

“You Surround Me” is a song by Erasure that was issued in 1989 by Mute Records as the second single from the band’s fourth studio album Wild!. Written by Erasure members Vince Clarke and Andy Bell, it is a heavily-synthesized ballad with a dramatic chorus featuring Bell’s falsetto. Clarke has stated that this song was his attempt at writing a James Bond film theme. Upon release, “You Surround Me” became Erasure’s tenth consecutive Top 20 hit on the UK singles chart, peaking at #15. It reached #10 on the Irish singles chart and became a Top 40 hit in Germany, where it reached #38. The song was not released as a single in the United States.

This release has become more notable for the B-sides that were included with “You Surround Me”. First was a cover version of Cerrone’s environmental anthem “Supernature”. The song, also previously recorded by Lene Lovich, led to a collaboration between Erasure and Lovich for the song “Rage”, which later appeared on a PETA benefit album. Erasure’s recording was remixed by William Orbit and became a popular hit in dance clubs. Also included on the single as a B-side is “91 Steps”, an instrumental with complex synthesizer programming and unusual time signature. The track utilizes repeating cycles in which the first seven bars use a 7/4 time signature, followed by one bar in 3/4 time.

SIDE A:
You Surround Me (Remix) 7:32
Mixed By – Mark Saunders
Written-By – Clarke/Bell

SIDE B:
Supernature (William Orbit Remix) 7:14
Engineer – Victor Van Vugt, Wendy (4)
Mixed By –  William Orbit
Written-By –  Alain Wisniak, Marc Cerrone*, Lene Lovich

91 Steps (6 Pianos Mix) 5:25
Engineer –Wendy (4)
Mixed By –  Gareth Jones
Written-By –  Clarke/Bell

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mute ‎– INT 126.921, Mute ‎– L 12 Mute 99
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1989
Genre: Electronic
Style: Synth-pop

CREDITS:
Cover –  Me Company
Producer – Erasure, Gareth Jones, Mark Saunders

NOTES:
Track A: Recorded at Swing & Church Studios. Mixed at Maison Rouge Studios.
Track B1: Recorded at Worldwide & Swing Studios. Mixed at Guerilla Studios.
Track B2: Recorded st Swing Studios. Mixed at Tritonus Studios, Berlin.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Madonna – Justify My Love (William Orbit Remix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1990

Celebrating 30 years of “Justify My Love”

“Justify My Love” is a song by American singer Madonna from her first greatest hits compilation album The Immaculate Collection (1990). It was released on November 6, 1990, by Sire Records as the lead single from The Immaculate Collection. The song was written by Lenny Kravitz and Ingrid Chavez, with additional lyrics by Madonna. Chavez was not credited on the song, which led to a lawsuit against Kravitz. Chavez settled out-of-court, the terms of which included a songwriting credit. Madonna’s vocals are primarily spoken and whispered, but almost never sung, a style that she later employed on her following studio album Erotica (1992).

Musically, “Justify My Love” is a trip-hop song, with mid-tempo settings and instrumentation. The lyrics of the song are primarily about sex and romance. “Justify My Love” received mixed reviews from older critics, but was critically appreciated by many contemporary critics, noting it as one of Madonna’s best songs to date. The song became Madonna’s ninth number-one single on the Billboard Hot 100, peaking at number two in the United Kingdom, while reaching the Top 10 in several countries including Australia, Canada, Finland, New Zealand, Italy, and Switzerland.

The accompanying music video portrayed Madonna as a woman walking in a hotel hallway, looking distressed and tired from work, until being seduced into having sex with a mysterious man and woman. It caused controversy worldwide, due to its explicit sexual images, and was subsequently banned from MTV and other TV networks. The video, which contained imagery of sadomasochism, voyeurism, and bisexuality, made its US television debut December 3, 1990, on ABC during its late-night news program Nightline. The song was part of the setlist of three of her concert tours, the most recent being The MDNA Tour in 2012. In 2003, Q Magazine ranked “Justify My Love” at number 842 in their list of the “1001 Best Songs Ever”.

SIDE A:
Justify My Love (William Orbit Remix) 7:15
Remix, Producer [Additional Production] – William Orbit

SIDE B:
Justify My Love 4:58
Mixed By – Goh Hotoda, Shep Pettibone

Express Yourself (Shep’s ‘Spressin’ Himself Re-Remix) 4:02
Mixed By – Goh Hotoda
Producer [Additional Production], Mixed By – Shep Pettibone
Producer, Written-By – Madonna, Stephen Bray

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Justify My Love U.S. Billboard Hot 100 #1
1990 Justify My Love U.S. Billboard Hot Dance Music/Club Play #1
1990 Justify My Love U.S. Billboard Hot Dance Music/Maxi-Singles Sales #1
1990 Justify My Love U.S. Billboard Hot R&B/Hip-Hop Singles #42

 

RELEASE INFORMATION:
Label: Sire ‎– W9000T, Sire ‎– W 9000 (T), Warner Bros. Records ‎– 7599 21825-0
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 26 Nov 1990
Genre: Electronic
Style: House, Trip Hop

CREDITS:
Design – Jeri Heiden
Lacquer Cut By – Miles*
Lyrics By [Additional] – Madonna (tracks: A, B1)
Photography By – Patrick Demarchelier
Producer [Associate] – André Betts*
Producer, Written-By – Lenny Kravitz (tracks: A, B1)

NOTES:
Made in UK.
Original version available on the album “Immaculate Collection”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Prince – Batdance (The Batmix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Batdance” is the ninth and final track on Prince’s eleventh album Batman (the motion picture soundtrack to the Tim Burton film Batman), and, two weeks prior to the album’s release, Batdance was released as the album’s first single, becoming Prince’s fourth number-one hit, and his first to achieve the feat of topping all 3 American charts since “Kiss” in 1986.

The B-side is “200 Balloons”, which was recorded for the film and serves as the musical blueprint for the main portion of “Batdance”. The song was rejected for the film by Tim Burton and replaced with “Trust”. The lyrics of “200 Balloons” reference the scene which it was created for to a greater degree than the replacement track, which is only connected to the scene by the Joker asking “Who do you trust?” after the song ends. Prince did little more than replace the lyrics of “200 Balloons” in its transition into “Batdance”. Only musical portions survived the transition, but full lyrics showed up in “The Batmix” (turn your head to the east, I be coming from the west). “200 Balloons” also contains samples of “House in Order” and “Rave Unto the Joy Fantastic”; the latter was another song submitted for inclusion in the movie, but rejected (it was replaced by “Partyman”).

SIDE A:
Batdance (The Batmix) 7:16
Producer [Additional Production], Remix – Mark Moore, William Orbit

SIDE B:
Batdance (Vicki Vale™ Mix Mix) 5:55
Producer [Additional Production], Remix – Mark Moore, William Orbit

200 Balloons 5:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Batdance U.S. Billboard Hot 100 #1
1989 Batdance U.S. Billboard Hot R&B/Hip-Hop Songs #1
1989 Batdance U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: Warner Bros. Records ‎– 9 21257-0, Warner Bros. Records ‎– 0-21257
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1989
Genre: Electronic, Rock, Funk / Soul
Style: House, Pop Rock, Synth-pop

CREDITS:
Producer, Arranged By, Composed By, Performer – Prince

NOTES:
Original version of “Batdance” available on the Warner Bros. Motion Picture Soundtrack album BATMAN,™ a Warner Bros. Film.

Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Sting – If You Love Somebody Set Them Free (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

“If You Love Somebody Set Them Free” is the first single released from Sting’s solo debut album The Dream of the Blue Turtles. It is also the opening track of the album and is featured on Fields of Gold: The Best of Sting 1984–1994 as well as The Very Best of Sting & The Police.

Like much of the album, the song has heavy jazz influences, and was a major hit, peaking at number one on the US Album Rock Tracks chart for three weeks. On the US pop chart, it peaked at number three on the US Billboard Hot 100, number 17 on the US R&B chart, number 26 on the UK Singles Chart, and number 18 on the Australian Kent Music Report singles chart.

A portion of the song was later used for Sting’s 1987 hit “We’ll Be Together” from …Nothing Like the Sun.

The single launched a long string of singles(stretching over three albums) where Sting collaborated with New Orleans saxophonist and one-time Tonight Show bandleader Branford Marsalis.

The song was also performed at The Brits in February 1995 with M People. He duetted on the song with the band’s lead singer, Heather Small and this track was given the dance treatment by the band who was also backed by a 100-strong Gospel Choir at the Earls Court Arena during the annual music awards show.

Sting said that he wrote the song as an “antidote” to the Police’s 1983 song, “Every Breath You Take”, which he also wrote. The song was also lampooned by The Dead Milkmen in the song “If You Love Somebody, Set Them on Fire,” from their 1990 album Metaphysical Graffiti.

The single B-side consists of a studio recording of the song “Another Day” which would appear the following year in a live version on Sting’s live album Bring On the Night.

SIDE A:
If You Love Somebody Set Them Free (“Jellybean” Dance Mix) 8:00
Percussion – Paulinho da Costa
Engineer [Remix] – Michael Hutchinson
Producer – Pete Smith
Remix – John “Jellybean” Benitez

If You Love Somebody Set Them Free (Album Version) 4:13
Producer – Pete Smith

SIDE B
If You Love Somebody Set Them Free (Torch Song Mix) 4:52
Producer – William Orbit
Remix – Rico Conning

Another Day 3:58
Producer – Pete Smith

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 If You Love Somebody Set Them Free U.S. Billboard Hot 100 #3
1985 If You Love Somebody Set Them Free U.S. Billboard Mainstream Rock Tracks #1
1985 If You Love Somebody Set Them Free U.S. Billboard Hot R&B/Hip-Hop Singles #17

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12132
Format: Vinyl, 12″, 45 RPM, B
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Backing Vocals – Dolette McDonald, Janice Pendarvis
Bass – Darryl Jones
Drums – Omar Hakim
Keyboards – Kenny Kirkland
Photography By – Max Vadukul
Producer – Pete Smith (tracks: A1, A2, B2), Sting (tracks: A1, A2, B2)
Saxophone, Percussion [Miscellaneous] – Branford Marsalis
Written-By, Vocals, Guitar – Sting

NOTES:
“If You Love Somebody Set Them Free” from the LP “The Dream of the Blue Turtles”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7 TubeGold Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi