Tag: The Latin Rascals

Tina B – Honey To A Bee (US 12″)

Burning The Ground Exclusive 1986

“Honey To A Bee” is a 1984 freestyle single by American pop singer Tina B. The song was originally released in 1984 on Elektra Records but due to popular demand the song was re-released in 1986 by Vinylmania Records with a new “Eighty-Six Mix” that is smoother sonically and structurally. “Honey To A Bee” peaked at #12 on the US Billboard Dance Chart on September 8, 1984 after spending ten weeks on the survey.

SIDE A:
Honey To A Bee (Vocal / Extended Version) 7:41
Edited By – Albert CabreraThe Latin RascalsTony Moran

SIDE B:
Honey To A Bee (Eighty-Six Mix) 6:10
Engineer [Mix] – Andy Wallace
Mixed By – Albert CabreraThe Latin RascalsTony Moran

Honey To A Bee (Dub Version) 7:20

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Honey To A Bee U.S. Billboard Hot Dance Music/Club Play #12

RELEASE INFORMATION:
Label:Vinylmania – VMR 004
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Freestyle, Electro

CREDITS:
Arranged By, Words By, Music By, Producer –  Arthur Baker
Mixed By –  Arthur Baker (tracks: A, B2), John Robie (tracks: A, B2)
Producer –John Robie
Words By, Music By – Tina B

NOTES:
From the LP “TINA B”

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC only available for seven days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Nina Hagen – Universal radio (US 12″)

Burning The Ground Exclusivev1985

“Universal Radio” is a song by German singer Nina Hagen from her third studio album Nina Hagen in Ekstasy (1985). It was released as the lead single from the album in January 1985 by Columbia Records. Written by Ron Dumas and produced by Adam Kidron, “Universal Radio” became successful in the US charts, peaking at number 39 on the Billboard Hot Dance Club Songs. It was premiered by Rodney Bingenheimer on the radio station KROQ Los Angelas. “Universelles Radio”, the German version of the song was also released.

The music video for the song featured footage of her performance at the Rock in Rio festival from January 13, 1985.

Hagen worked with Ron Dumas, who had previously recorded the song in 1983 with his band Ron Dumas Group. She later described the song as not being musically very interesting and that she originally wanted to do her vocals differently, but was directed by the recording company to make the record more “commercial”.

**Please note the noise at the start of the Album version is supposed to be there.

SIDE A:
Universal Radio (Universal Dance Mix) 7:00
Remix – Lotti GoldenRichard Scher
Edited By – The Latin Rascals

SIDE B:
Universal Radio (Album) 3:36

Universal Radio (Dub) 7:28
Remix – Lotti GoldenRichard Scher
Edited By – The Latin Rascals

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Universal Radio U.S. Billboard Hot Dance Music/Club Songs #39

RELEASE INFORMATION:
Label: Columbia – 44 05211
Format: Vinyl, 12″, 33 ⅓ RPM, Picture Cover
Country: US
Released: 1985
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:
Mastered By – Tom Coyne
Producer – Adam Kidron

NOTES:
Taken from the Columbia LP “In Ekstasy”

Find the 12″ at DISCOGS

VINYL TRANSFER & RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC only available for seven days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

The Cover Girls – Better Late Than Never (US 12″)

Burning The Ground Exclusive 1988

“Better Late Than Never” is a 1988 single by New York City-based freestyle girl group The Cover Girls, the song was recorded for the soundtrack to the Eddie Murphy film “Coming To America”.

The song failed to have any of the success of the group’s previous singles and did not chart.

SIDE A:
Better Late Than Never 5:15

SIDE B:
Better Late Than Never (Dub Version) 4:50

Show Me (The Nest Mix) 7:36
Producer – The Latin Rascals
Written-By – A. CabreraA. TripoliB. KhozouriT. Moran

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Fever Records – SF 826
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle, House, Electro, Synth-pop

CREDITS:
Mastered By – cg ☮*
Photography By –Sal Abbatiello
Producer – Andy “Panda” Tripoli
Written-By – Alan Scott* (tracks: A, B1), Freddie Washington (tracks: A, B1)

NOTES:
From the Motion Picture Soundtrack “Coming To America”

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Duran Duran – Master Mixes (US 12″ EP)

Burning The Ground Exclusive 1987

“Master Mixes” is a 12″ EP by Duran Duran, released in Asia, Hong Kong, and the USA by Capitol Records-EMI-Masterdisk on 20 June 1987 and in Brazil during December 1987.

The 12″ vinyl edition released in Asia, Hong Kong, and the USA is a double one-sided record, housed in a plain white stickered sleeve.

The Brazilian edition was issued in a picture sleeve in December 1987 for promotional purposes, to coincide with the Hollywood Rock Festival shows in Rio de Janeiro and São Paulo in January 1988.

Rumour had it that the band were readying either “American Science” or “Vertigo” as a likely fourth single from the album Notorious, commissioning remixes in anticipation. However, as both “Skin Trade” and “Meet El Presidente” failed to enter the top 20, plans for a fourth single were quietly scrapped.

Masterdisk released this Master Mixes collection, compiling the unused remixes, as well as a further mix of “Skin Trade” and a megamix called “Notoriousaurus Rex” in time for Duran Duran’s USA leg of The Strange Behaviour Tour in June and July 1987.

**As a special bonus, I have included “Skin Trade (S.O.S. Dub)” which was taken from the US “Meet El Presidente” 12″ promo single. This mix has never appeared on an official CD.

DISC 1:
American Science (Chemical Reaction Mix) 7:42
Edited By – Tuta Aquino
Engineer – Daniel Abraham
Remix – Justin StraussMurray Elias

Vertigo (Do The Demolition) (Mantronix Mix) 6:27
Edited By –Jose “Chep” Nunez*
Remix – Curtis/Mantronik*

Skin Trade (Parisian Mix) 8:09
Edited By – Jose “Chep” Nunez*
Remix – Daniel Abraham

DISC 2:
American Science (Meltdown Dub) 7:24
Edited By – Tuta Aquino
Engineer – Daniel Abraham
Remix – Justin StraussMurray Elias

Vertigo (Do The Demolition) (B-Boy Mix) 5:57
Edited By –Jose “Chep” Nunez*
Remix – Curtis/Mantronik*

Master Mix (Notoriousaurus Rex) 7:20
Edited By [With Edits By] – Jose “Chep” NunezOmar SantanaThe Hit Squad (2)The Latin RascalsTuta Aquino
Featuring [Featuring Mixes By] – Daniel AbrahamJustin StraussCurtis/Mantronik
Larry LevanMark S. Berry*Murray EliasNile RodgersThe Latin Rascals
Remix [Collaged By] –  Tuta Aquino

**BONUS CUT:
Skin Trade (S.O.S. Dub) 7:16
Edited By, Tracking By [Dubs] – Jose “Chep” Nunez*
Keyboards [Additional] – Kevin Jones (3)
Remix, Engineer – Daniel Abraham

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Capitol Records – VB-15320-1, Capitol Records – VB-15320-2
Format: 2 x Vinyl, 12″, 33 ⅓ RPM, Single Sided, Limited Edition, SRC Pressing, Gatefold
Country: US
Released: Jun 20, 1987
Genre: Electronic
Style: House, Downtempo, Synth-pop

CREDITS:
Mastered By – HW*
Producer – Duran DuranNile Rodgers

NOTES:

This is a limited edition release of two single-sided records, issued in a stickered white gatefold jacket that is enclosed in a sealed, stickered non-shrink wrapper.
It also includes a letter-size sheet of paper with remix credits printed on it.
The sticker and paper bear both cat#s.
The records, packaging, and remix sheet are all professionally typeset, using a typewriter-style font and accompanied by Masterdisk Corporation logos, all in order to make the release resemble a test pressing.
It is, however, an official, commercial release on Capitol Records.

The last track is listed as “Notoriousaurus Rex (Master Mix)” on the insert, and as “Master Mix (Notoriousaurus Rex)” on the jacket and label.

A1, C1 remixed for Pop Stand Productions. A3 remixed for S.O.S. Productions. A2, A3, C2 edited for S.O.S. Productions.

“MASTERDISK” and “SRC” logos are machine-stamped in the dead wax.
“HW” is inscribed under Masterdisk in the dead wax.

“Original versions can be heard on the album, NOTORIOUS.

Printed in the U.S.A.

Find the 12” at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.