Tag: Scott Litt

Katrina And The Waves – Walking On Sunshine (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985

Originally posted: October 10, 2011

“Walking on Sunshine” is a song written by Kimberley Rew for Katrina and the Waves 1983 eponymous debut full-length album. The re-recorded version was at first released on the band’s 1985 self-titled album as the album’s second single and reached No. 4 in Australia, No. 9 in the United States, and No. 8 in the United Kingdom. It was the Waves’ first US top 40 hit, and their biggest success in the United Kingdom until “Love Shine a Light” (1997). Originally conceived of as a ballad, Katrina decided to belt the song out as a more upbeat song.

SIDE A:
Walking On Sunshine (Extended Mix) 5:37

SIDE B:
Walking On Sunshine 3:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Walking On Sunshine U.S. Billboard Hot 100 #9
1985 Walking On Sunshine U.S. Billboard Hot Adult Contemporary Tracks #21
1985 Walking On Sunshine U.S. Billboard Hot Dance Music/Club Play #19
1985 Walking On Sunshine U.S. Billboard Hot Mainstream Rock Tracks #21

 

RELEASE INFORMATION:
Label: Capitol Records ‎– SPRO-9372, Capitol Records ‎– SPRO-9373
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo
Country: US
Released: 1985
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:
Mixed By, Producer [Additional Production] – Scott Litt
Producer – Katrina And The Waves, Pat Collier
Written-By – Kimberley Rew

NOTES:
Recorded in England.
From the LP “Katrina And The Waves”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

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Alison Moyet – Weak in the Presence of Beauty (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Sleeve

Side A

“Weak in the Presence of Beauty” is a song written by Michael Ward and Rob Clarke which was first released by their band, the British soul and jazz-influenced pop group Floy Joy, in 1986. The song was later covered by singer Alison Moyet in 1987 and became a hit for her.

Over the last decade, Moyet has revealed that the song was only recorded as she knew it would be a hit single, and that she is not actually fond of the song at all. To promote her 2004 album Voice, Moyet appeared on This Morning. On the show the introductory clip used was a snippet of the song’s music video. Immediately after Phillip Schofield commented “You just said you hate that song? Why’d you hate that song?” Moyet stated “Oh, because I know how cynical I was being when I recorded it. I recorded it ’cause I knew it was a hit rather than the fact that I loved it, and that will teach me, you know? You have a massive hit with something you’re not particularly fond of, and it’s not a good feeling.” Schofield added “Of course it’s gonna haunt you forever then.” Moyet stated “Oh yeah it does, you know?”

In an interview by Ian Wade for The Quietus in May 2013, Wade had commented “You seem much happier that you have fuller control over everything.” Moyet mentioned the song in her response, where she stated “What I must say is that it’s sometimes very easy to sit there and rescind responsibility, but sometimes I couldn’t be arsed. That’s the truth of it. We can all make the right choices, but sometimes we’re just too lazy to. And sometimes I was just too lazy to do it myself. “Love Letters” and “Weak in the Presence of Beauty” – neither song I enjoy now – they’re both my fault. I found them. That was when I was feeling smart, thinking that I knew what a hit was – I don’t know what’s a fucking hit! But they were hits, and now I’m forever to fucking sing them years later!”

In a June 2013 interview by Chi Ming Lai for The Electricity Club, Moyet spoke of the song and her reason for recording the track. Lai asked “Was that the same circumstances when you released “Love Letters” after the success of “Raindancing”?” Moyet replied “Love Letters” was me shooting myself in the foot! That was me being a show-off! That was me showing I had an A&R thing… “oh, I know what a hit is”! I did that twice, I did it with that and with “Weak in the Presence of Beauty”! Two times that I recorded songs knowing they were hits as opposed to the fact I loved them! I say that honestly, that’s the only time I’ve ever recorded anything cynically!”

“Weak In The Presence Of Beauty” failed to chart in the US but was a top ten hit in the UK peaking at #6. The song also charted in several other countries, Ireland #4, New Zealand #7, Norway #4 and #9 in France.

SIDE A:
Weak In The Presence Of Beauty (Extended Remix) 6:07
Mixed By – Scott Litt

SIDE B:
Weak In The Presence Of Beauty (Single Version) 3:40
Mixed By – Scott Litt

To Work On You 4:16

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Columbia ‎– 44 06940
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Jimmy Iovine
Producer [Associate] – Mike Shipley

NOTES:
Special versions from the LP “RAINDANCING”

Find the 12″ On DISCOGS

Side B

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Speed Control:
Pro-Ject Speed Box S
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

New Order – Run 2 (UK 12″)

BURNING THE GROUND EXCLUSIVE 1989

A. Front

“Run 2” was New Order’s third and final single from their 1989 album Technique. The album version was listed as simply “Run”.

“Run 2” was remixed by Scott Litt from the version on Technique, hence the appendage of “2” to the title. The main difference is that the song has been made more radio-friendly by editing down most of the long instrumental run-out and appending it with a final repeat of the chorus. Litt’s mix strips back much of the echo and layers of synthesizers, and in place centres the mix on Sumner’s vocal and the bass guitar of Peter Hook. Despite the effort taken to produce a radio single, only 20,000 of the Factory 12″ release were ever pressed. 500 7-inch records were also pressed, for promotional use. The single was only released in the UK.

John Denver’s publishing company filed a lawsuit, alleging that the guitar break in “Run” too closely resembled Denver’s “Leaving on a Jet Plane”. The case was settled out of court. The song has since been credited to New Order and John Denver.

“Run 2” is backed with the B-side titled “MTO”. This song recycles the line “You’ve got love technique” from the group’s previous hit single “Fine Time” (this is the only lyric in the track). It is speculated that “MTO” is an acronym for “Mid Tempo One” or “Much Too Old”, though it is also quite possible that the initial-ism’s usual meaning, “Made to Order”, is implied as a self-deprecating joke by the group. An extended mix of “Run 2” with additional beats by Afrika Islam and an alternate ‘minus’ mix of “MTO” by Mike ‘Hitman’ Wilson appear as B-sides on the 12″ version of the single.

Peter Saville, the single’s cover designer, claimed to have been inspired by the design of laundry powder packaging. The tiny print on the back of the sleeve says, “Cover by Peter Saville Associates after Bold.”

SIDE A:
Run 2 3:37
Remix – Scott Litt

Run 2 (Extended Version) 5:22
Drum Programming [Additional Beats] – Afrika Islam
Remix – Scott Litt

SIDE B:
MTO 3:43
Engineer – Chris Andrews
Remix, Producer [Additional Production] – Mike ‘Hitman’ Wilson*

MTO (Minus Mix) 5:24
Engineer – Chris Andrews
Remix, Producer [Additional Production] – Mike ‘Hitman’ Wilson*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Factory ‎– Fac273
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: UK
Released: Aug 1989
Genre: Electronic, Rock
Style: Leftfield, Acid House, Indie Rock
Credits: Cover [After Bold] – Peter Saville Associates
Mastered By – MAX*
Recorded By – Michael Johnson
Written-By, Producer – New Order

NOTES:
Limited edition of 20,000 copies.
MTO Additional Production and Remix for Real House Productions.

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi