Tag: Harold Faltermeyer

E.G. Daily – Love In The Shadows (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Love In the Shadows” is the second single by American singer–songwriter E. G. Daily from her debut album Wild Child. It was first recorded in 1984 for the soundtrack to the movie Thief of Hearts, but it was later re-recorded for the Wild Child album, then released as a single in 1986.

In the United States “Love In The Shadows” peaked at #6 on the Billboard Dance Chart on August 30, 1986 spending ten weeks on the survey. Internationally the song reached #37 on the Dutch singles chart.

SIDE A:
Love In The Shadows (Special Remixed Version) 8:43

SIDE B:
Love In The Shadows (Dub Version) 4:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Love In The Shadows U.S. Billboard Hot Dance Music/Club Play #6
1986 Love In The Shadows U.S. Billboard Hot Dance Music/ Maxi-Singles Sales #14

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12187
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Engineer – Brian Reeves
Engineer [Assistant Engineer] – Jay Healy
Engineer [Remix Engineer] – Michael Hutchinson
Engineer [Second Engineer] – Dave Cooke*
Mixed By [Mix-Down] – Brian Reeves, Harold Faltermeyer
Producer, Arranged By – Harold Faltermeyer
Remix – Bob Miro, Jellybean*
Written-By –E.G. Daily, Harold Faltermeyer

NOTES:
Original version appears on the A&M album “WILD CHILD”

Recorded at Arco Studios, Munich, May/June 1985.
Remixed for Jellybean Productions, Inc.
Remixed at The Hit Factory, NYC.

Printed in the U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Laura Branigan – Self Control (Full Length Version) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

American singer Laura Branigan covered “Self Control” in 1984. It was released as the lead single from her third studio album of the same name, released the same year.

Branigan’s first major hit had also been co-written by Bigazzi: “Gloria” (1982) was an English cover of the 1979 original Italian song recorded by Umberto Tozzi. The following year Branigan recorded another English song written over a Tozzi and Bigazzi song, “Mama”, which was part of the 1983 album Branigan 2. Branigan chose two more Italian songs for her third album: the first one, “Ti Amo” with lyrics by Diane Warren once again based on the original by Tozzi and Bigazzi that had been a 1977 single for Tozzi. The second one, “Self Control” became the title track to the album and her biggest international hit. “Self Control” was the only one of the four Italian songs recorded by Branigan that was originally composed in English, and Branigan chose to record the song as written. Also unlike the other songs, Branigan’s version was contemporaneous with that of its co-writer.

The Branigan recording was arranged by Giorgio Moroder’s protégé Harold Faltermeyer with Robbie Buchanan and produced by Buchanan with Jack White in Germany and Los Angeles. A keyboard hook in Raf’s version was changed to a guitar riff for Branigan’s version and a vocal break was paired with a sharper and repeated percussive element.

Branigan was one of the first artists of the video era to work with an Academy Award-winning film director on a music video when William Friedkin (The French Connection, The Exorcist) directed the clip. Filmed in New Jersey and New York City, the video was produced by Fred Caruso and first aired in April 1984.

The video depicts Branigan, sitting in her bedroom while her lover sleeps. Tempted by the allure of the city at night, she gets dressed up and goes out. Brief encounters with a mysterious man in a full-face white mask lead Branigan from the dance floor of a nightclub to an underground room where the masked man stands in the midst of an orgiastic gathering that he beckons her to join. Branigan allows herself to be led into the group but ultimately flees in fright. Returning home, Branigan finds that the masked man and some of his throng are, somehow, now in her bedroom. The masked man lowers Branigan to her couch and she surrenders herself to him. The masked man, standing over Branigan, now lying unconscious on the floor, turns and walks towards the bedroom window, fading away in the morning light. Branigan, consumed by guilt, gets up and turns out the light. The final scene shows Branigan lying awake in bed when her lover turns to face her, his face hidden behind a familiar white mask.

The video ultimately drew controversy, as it was considered so shockingly sexy that MTV required some edits before it could air. Entertainment Tonight aired a segment on the network’s reaction to the clip, which was being played in late-night slots on other networks. Though Branigan resisted at first, her record company convinced her to allow a minor alteration and the video was aired on MTV, though by this time the single had peaked on the charts. Branigan would go on to be nominated for a 1985 American Music Award for Favorite Pop/Rock Female Video Artist. Branigan’s fellow nominees were Tina Turner and Cyndi Lauper, who won the award.

Branigan’s recording was a worldwide multi-format hit. In the US, the song became Branigan’s fourth consecutive top 10 hit on a Billboard chart in a year and a half, following “Gloria”, “Solitaire” and “How Am I Supposed to Live Without You”. “Self Control” peaked at no. 2 on the Billboard Hot Dance Club Play chart, no. 4 on the Hot 100 and no. 5 on the Adult Contemporary chart. In Canada, the track hit no. 1 on both the pop and AC charts. Both the Raf original and the Branigan version of “Self Control” entered the German Top 20 in May 1984: on June 25, the Branigan single assumed the no. 1 position, where it remained for six weeks, while the Raf version occupied the no. 2 spot. Branigan’s “Self Control” also entered the Italian charts although the dominance of the Raf version in his native Italy predicated a comparatively low peak Italian chart peak of no. 29 for Branigan’s version.

“Self Control” afforded Laura Branigan a no. 1 hit in Austria, Canada, Sweden and South Africa and was also a smash hit for Branigan in Norway (no. 2), Ireland (no. 3), Australia (no. 3) and the UK (no. 5). Branigan’s album Self Control went Silver, Gold or Platinum in several countries and yielded subsequent charting singles, though not of the title track’s magnitude, in “The Lucky One”, “Ti Amo” and “Satisfaction”.

SIDE A:
Self Control (Extended Version) 5:02
Arranged By – Harold Faltermeyer
Lyrics By [English Lyrics] – Steve Piccolo
Music By [Original Music] – Giancarlo Bigazzi, Raffaele Riefoli

SIDE B:
Silent Partners (Extended Version) 4:07
Arranged By – Robbie Buchanan
Written-By – Diane Warren, The Doctor (10)

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Self Control U.S. Billboard Hot 100 #4
1984 Self Control U.S. Billboard Adult Contemporary #2
1984 Self Control U.S. Billboard Hot Dance Music/Club Play #5

 

RELEASE INFORMATION:
Label: Atlantic ‎– A9676T, Atlantic ‎– A 9676 T
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1984
Genre: Electronic, Rock, Pop
Style: Synth-pop

CREDITS:
Executive-Producer – Jack White
Producer –  Jack White, Robbie Buchanan

NOTES:
‘Full Length Version’ on cover, ‘Extended Version’ on label
Original versions appears on the LP “SELF CONTROL”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Al Corley – Cold Dresses (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Cold Dresses” is a 1984 single by American actor, singer, and producer Al Corley. Corley is best known as the first actor to play Steven Carrington on the 1980s soap opera Dynasty.

“Cold Dresses” was the follow up single to Corley’s international hit “Square Rooms” from his debut album of the same name. “Cold Dresses” reached #5 in France. The single was produced by Harold Faltermeyer.

SIDE A:
Cold Dresses (Long Version) 7:29
Remix – Peter Woods*

SIDE B:
Cold Dresses (7″ Version) 4:15
Remix – Peter Woods*

The Answers – The Solutions 3:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury ‎– 880 812-1
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer, Arranged By – Harold Faltermeier*
Written-By – Al Corley

NOTES:
From the LP “SQUARE ROOMS”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Glenn Frey – The Heat Is On (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

Side 1

Glenn Frey Nov. 6, 1948 – Jan. 18, 2016.

Glenn Frey was the founding member of the 70’s rock group The Eagles. Glenn also had a very succesful solo career in the 1980’s including three Billboard top ten singles. Frey passed away at age 67 in New York City on January 18, 2016. Glenn Frey was a music legend he will be missed..

“The Heat Is On” is a song written by Harold Faltermeyer and Keith Forsey, and recorded by Glenn Frey for the American film Beverly Hills Cop (1984). The song was published as a single and as the fourth track of the album Beverly Hills Cop: Music From the Motion Picture Soundtrack (1984).

It was a major hit single in its own right, reaching No. 2 on the Billboard Hot 100 chart in March 1985, behind “Can’t Fight This Feeling” by REO Speedwagon. It was also popular internationally, reaching No. 2 two on the Australian Singles Chart in 1985 and gaining peaks of No. 8 on the Canadian Singles Chart and No. 12 on the UK Singles Chart. In the United States, it is the highest charting solo single by any member of the Eagles.

The mid-to-up-tempo recording featured a steady drumbeat, synthesizer, and guitar, with a repeated saxophone riff framing the lyrical message. The guitar solo is played by Frey himself.

The song was ranked 784th out of 2006 songs by voting featured in the Triple M “Essential 2006 Countdown”.

SIDE A:
The Heat Is On 6:04

SIDE B:
The Heat Is On (Dance Version) 5:40
The Heat Is On (Dub Version) 2:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 The Heat Is On U.S. Billboard Hot 100 #2

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-23540
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Harold Faltermeyer, Keith Forsey
Remix – Brian Reeves

NOTES:
Music From The Motion Picture Soundtrack “BEVERLY HILLS COP”

Find the 12″ on DISCOGS

Side 2

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi