Burning The Ground: DjPaulT's 80's and 90's Remixes

BURNING THE GROUND EXCLUSIVE 1985

“Born in the U.S.A.” is a 1984 song written and performed by Bruce Springsteen. Taken from the album of the same name, it is one of his best-known singles. Rolling Stone ranked the song 275th on their list of “The 500 Greatest Songs of All Time”. In 2001, the RIAA’s Songs of the Century placed the song 59th (out of 365). Lyrically, the song deals with the effects of the Vietnam War on Americans, although it is often misinterpreted as a patriotic or nationalistic anthem.

“Born in the U.S.A.” peaked at #9 on the Billboard Hot 100 singles charts in late 1984. It was the third of a record-tying seven Top 10 hit singles to be released from the Born in the U.S.A. album. In addition it made the top 10 of Billboard’s Rock Tracks chart, indicating solid play on album-oriented rock stations. The song was also a hit in the UK, reaching #5 on the UK Singles Chart.

On January 10, 1985, Arthur Baker’s 12-inch “Freedom Mix” of “Born in the U.S.A.” was released. It was a fairly radical remixing, even more so than those Baker had done for the album’s previous singles “Dancing in the Dark” and “Cover Me”. The mix removed any (possibly misleading) anthemic elements and pushed the song’s mournfulness to the front. Synthesizer, glockenspiel, and drums were chopped up and isolated against Springsteen vocal fragments saying “Oh my God, no,” and “U.S.A.—U.S.—U.S.—U.S.A.”

This remix was the least commercially successful of Baker’s efforts, however, as unlike the prior two it failed to appear on Billboard’s Hot Dance Music/Club Play chart.

SIDE A:
Born In The U.S.A. (The Freedom Mix) 7:20

SIDE B:
Born In The U.S.A. (Dub) 7:36
Born In The U.S.A. (Radio) 6:10

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

RELEASE INFORMATION:
Label: Columbia – 44-05147
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 10 Jan 1985
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop
Credits: Producer – Chuck Plotkin, Jon Landau, Steve Van Zandt
Remix – Arthur Baker
Edited By – Latin Rascals, The

NOTES:
Original verion on the Lp “Born In The U.S.A.”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

BURNING THE GROUND EXCLUSIVE 1987

“Family Man” is a song by Fleetwood Mac from their 1987 album “Tango In The Night”. It was written by Lindsey Buckingham and Richard Dashut. In the USA, the song was released as the fifth single from the albumTango In The Night. It charted in March 1988, and reached #90 on the Billboard Hot 100 Singles chart.

In the UK, it was released as the fourth single following “Little Lies” and charted at #91 on 19 December 1987, going on to peak at #54 on 19 January 1988.

SIDE A:
Family Man (Extended Vocal Remix) 8:30
Family Man (I’m A Jazz Man Dub) 8:52

SIDE B:
Family Man (Extended Guitar Remix) 6:26
Family Party (Bonus Beats) 4:36
Down Endless Street 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (company)

CHARTS:

RELEASE INFORMATION:
Label: Warner Bros. Records – 0-20842
Format: Vinyl, 12″, Maxi-Single, 33 RPM
Country: US
Released: 1987
Genre: Electronic, Rock
Style: House, Pop Rock
Credits: Engineer [Mix] – Bob Rosa (tracks: A1 to B2), Hugo Dwyer (tracks: A1 to B2), Louis Scalise (tracks: A1 to B2)
Mixed By – Arthur Baker (tracks: A1 to B2), Hugo Dwyer (tracks: A1 to B2)
Producer – Lindsey Buckingham, Richard Dashut
Remix, Producer [Additional Production] – Arthur Baker (tracks: A1 to B2)
Written-By – Lindsey Buckingham, Richard Dashut (tracks: A1 to B2)

NOTES:
Also available the album “Tango In The Night”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

BURNING THE GROUND EXCLUSIVE 1987

Re-Rip Remastered

I originally posted this 12″ in March of 2010 on the old Blogger site. Since originally ripping the single I have purchased newer equipment and improved some of my ripping technique. I decided that since I am doing a Fleetwood Mac series that I would revisit this 12″ and update the rip. This 12″ is also being offered in 24bit lossless for the first time. Enjoy!

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“Big Love” is a song by Fleetwood Mac, that appeared on their 1987 album Tango in the Night. The song was the first single to be released from the album, reaching number five on the U.S. charts, and number nine in the UK. The single was also a hit on the American dance charts, where the song peaked at number seven.

A 12-inch version featured an extended dance mix, with added vocals by Stevie Nicks. While the 12-inch version included “You & I, Part II” from the Tango in the Night album, the 7-inch version included an non-album track, “You & I, Part I”. A limited edition 12-inch picture disc was released in the UK, as well as a double 7-inch pack, which contained the “Big Love” single, and an exclusive 7-inch featuring “The Chain” as an A-side.

“Big Love” was written by Lindsey Buckingham, and was originally going to be part of his third solo album which he began working on in 1985, but the project became a Fleetwood Mac album instead. The song epitomised the stylised production techniques used on the album, with its provocative “oh – ahh” male/female vocal exchange. Though many assumed the female “ahh” to be Stevie Nicks, it was actually Lindsey Buckingham performing both, created by way of his voice being sampled and altered in the studio to mimic that of a woman. The sample was aired several times on Late Night with David Letterman, where Letterman told viewers they were hearing the sounds of CPR.

Since Buckingham left Fleetwood Mac in 1987 (shortly after Tango in the Night was released), the band never performed “Big Love” live until his return in 1997. It was in 1993, on his first solo tour, that Buckingham performed a stripped down guitar-only version of the song. In 1997, he performed it in the same style on Fleetwood Mac’s live album and video The Dance, as well as also appearing on the second volume of Cameron Crowe’s Elizabethtown film soundtrack. Buckingham continues to perform the song on Fleetwood Mac and solo tours.

Special note about this single: First pressings of this 12″ had the label missprinted to show that it portrayed having “You and I (Part 1)I”, as the B-side. This is incorrect, the single actually contains the album track “You and I (Part 2)”. Later editions had this corrected on the label. This problem also exists of the Canadian edition of the single. *As a bonus track I have included “Big Love (Remix Edit)” taken from the US 12″ promo Warner Bros. PRO-A-2723.

SIDE A:
Big Love (Extended Remix) 6:42
Edited By [Edits] - Gail King*
Engineer [Remix] - Bob Rosa
Keyboards [Keyboard Overdubs] - David Cole, Gary Rottger
Producer [Additional Production], Remix - Arthur Baker

Big Love (House On The Hill Dub) 3:03
Edited By [Edits] - Gail King*
Engineer [Remix] - Bob Rosa
Keyboards [Keyboard Overdubs] - David Cole, Gary Rottger
Producer [Additional Production], Remix - Arthur Baker

SIDE B:
Big Love (Piano Dub) 6:36
Edited By [Edits] – Gail King*
Engineer [Remix] – Bob Rosa
Keyboards [Keyboard Overdubs] – David Cole , Gary Rottger
Producer [Additional Production], Remix – Arthur Baker

You And I (Part 2) 2:40
Written-By – Christine McVie

Big Love (Remix/Edit) *(Bonus Track) 3:39
Edited By [Edits] - Gail King*
Engineer [Remix] - Bob Rosa
Keyboards [Keyboard Overdubs] - David Cole, Gary Rottger
Producer [Additional Production], Remix - Arthur Baker

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (company)

CHARTS:

RELEASE NFORMATION:
Label: Warner Bros. Records
Catalog#: 0-20683
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1987
Genre: Electronic, Rock, Pop
Style: House, Pop Rock, Synth-pop
Credits: Producer - Lindsey Buckingham, Richard Dashut
Written-By - Lindsey Buckingham

NOTES:
Special versions from the Lp “Tango In The Night”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

BURNING THE GROUND EXCLUSIVE 1984

“Blue Jean” is a song from the album Tonight by David Bowie. One of only two tracks on the album to be written entirely by Bowie, it was released as a single ahead of the album.

Loosely inspired by Eddie Cochran, the song was an uncomplicated composition, recalling earlier Bowie rockers such as “The Jean Genie,” and is generally regarded as one of the better parts of a disappointing album.

Following the huge commercial success of Bowie’s previous album, Let’s Dance, its singles and the Serious Moonlight Tour, “Blue Jean” was launched with massive promotion. Julien Temple was engaged to direct a 21-minute short film to promote the song, Jazzin’ for Blue Jean. The song performance segment from this was also used as a more conventional music video.

“Blue Jean” was a hit in the UK and America, reaching No. 6 and No. 8, respectively.
The song would remain in Bowie’s live repertoire for the rest of his career, being performed on tours in 1987, 1990 and 2004.

Interviewed in 1987 and asked to compare a track like “Time Will Crawl” to “Blue Jean,” Bowie said “‘Blue Jean’ is a piece of sexist rock ‘n roll. [laughs] It’s about picking up birds. It’s not very cerebral, that piece.”

The flip side “Dancing with the Big Boys,” which Bowie also co-wrote with Iggy Pop, was written and recorded in eight hours as Bowie and Pop egged each other on. In what was described as an “exhilarating rush,” Bowie and Pop “went in [to the studio] with a few bottles of beer and would virtually bellow out anything that came into their heads,” said Hugh Padgham. “And I just recorded it all.” The song is about the “little guy” being crushed by “oppressive corporate structures.” The lyrics were taken from a backlog of unused lyrics; the line “this dot marks your location” was a reference to a “lengthy irritating stay” at a New York Hotel (Bowie had been looking at the hotel room’s fire escape map), and “Your family is a football team” was a reference to the immigrant families working in New York; “the whole family [has] to work together for survival.”

The track elicited this from Bowie:

There’s a particular sound I’m after that I haven’t really got yet; I’ll either crack it on the next album or retire from it. I think I got quite close to it on “Dancing with the Big Boys.” … I got very musical over the last couple of years – trying to write musically and develop things the way people used to write in the Fifties. I stayed away from experimentation. Now, I think I should be a bit more adventurous. And in “Big Boys,” Iggy and I broke away from all that for one track, and it came nearer to the sound I was looking for than anything else.

SIDE A:
Blue Jean (Extended Dance Mix) 5:16
Remix – John “Jellybean” BenitezWritten-By – David Bowie

SIDE B:
Dancing With The Boys (Extended Dance Mix) 7:28
Engineer [Remix] – Jay Burnette*Remix, Producer [Additional 12" Production] – Arthur Baker
Written-By – C. Alomar*, D. Bowie*, I. Pop*

Dancing With The Boys (Extended Dub Mix) 7:13
Engineer [Remix] – Jay Burnette*Remix, Producer [Additional 12" Production] – Arthur Baker
Written-By – C. Alomar*, D. Bowie*, I. Pop*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

RELEASE INFORMATION:
Label: EMI America – V-7838-1/2
Format: Vinyl, 12″, 33 RPM, Single
Country: US
Released: 1984
Genre: Electronic, Rock
Style: Pop Rock
Credits: Producer – David Bowie, Derek Bramble, Hugh Padgham

NOTES:
Album versions can be heard on “Tonight” SJ-17138

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

BURNING THE GROUND EXCLUSIVE 1985

Happy Halloween!

“Eight Arms to Hold You”‘ was a song recorded for the soundtrack to the film The Goonies. The song was recorded by a studio group called Goon Squad that was put together by producer Arthur Baker. It was utilized in a scene in the film where the character Data puts a loud tape recorder (blaring the song) into the mouth of an octopus to fend it off. The scene was deleted from the film and the song did not appear in the theatrical release of the film. (The song is still heard, although barely audible, during the scene when Chunk first enters the Walsh residence) The soundtrack producers had anticipated the track would be a big hit and so even though it wasn’t actually in the film, a single was released on both 12″ and 7″ vinyl. It reached number one on the Billboard Hot Dance Club Play chart and peaked at number eighty on the Hot R&B/Hip-Hop singles chart.

The “octopus scene” was replaced for broadcast on the Disney Channel, in order to make up for time removed due to objectionable content. It was also included in a deleted scenes featurette in the 2001 DVD release.

Eight Arms to Hold You later became the title of a Veruca Salt album, which depicted an octopus in its cover artwork. The phrase was the working title for The Beatles’ film Help!.

SIDE A:
Eight Arms To Hold You (Vocal) 6:45
Eight Arms To Hold You (Bonus Beat) 3:00

SIDE B:
Eight Arms To Hold You (Dub) 6:50

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

RELEASE INFORMATION:
Label: Epic – 49 05247
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1985
Genre: Electronic
Style: Electro
Credits: Computer [Emulator] – Gary Rottiger*
Drums, Percussion – Jimmy Bralower
Edited By – Latin Rascals, The
Engineer – Andy Wallace, Chris Lord-Alge
Keyboards – Robbie Kilgore
Producer – Arthur Baker
Sequenced By – Arthur Baker
Vocals – B.J. Nelson, Lotti Golden, Tina B.*, W. Downing*

NOTES:
Special version from the Epic Original Motion Picture Soundtrack “The Goonies”
Recorded at Shakedown Sound
Mixed at Unique Sound

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 16bit 44kHz using Adobe batch processing
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi PNG format, resized to JPEG format for posting.

*Please be sure to leave a comment

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

BURNING THE GROUND EXCLUSIVE 1988

REQUEST

“Uh-Uh Ooh-Ooh Look Out (Here It Comes)” is the Ashford & Simpson-penned, 1989 single by Roberta Flack. The single was the follow-up to her number one R&B hit, “Oasis”. “Uh-Uh Ooh-Ooh Look Out (Here It Comes)” stalled at number thirty-seven on the U.S. R&B singles chart, failing to chart on the Billboard Hot 100. A remix of the single made it to number one on the dance club play chart for one week.

SIDE A:
Uh-Uh Ooh-Ooh Look Out (Here It Comes) (Arthur Baker’s Dance Mix) 8:28
Remix – Arthur Baker

Uh-Uh Ooh-Ooh Look Out (Here It Comes) (Arthur Baker’s Dub) 7:12
Remix – Arthur Baker

SIDE B:
Uh-Uh Ooh-Ooh Look Out (Here It Comes) (Steve Hurley’s House Mix) 5:12
Remix – Steve “Silk” Hurley

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

RELEASE INFORMATION:
Label: Atlantic – 0-86453
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1988
Genre: Electronic
Style: Garage House
Credits: Executive Producer – Quincy Jones
Producer – Jerry Hey

NOTES:
Original version appears on the LP “OASIS”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.