Burning The Ground: DjPaulT's 80's and 90's Remixes

80's and 90's 12 Inch Mixes

Leisure Process – Cashflow (Million Dollar Mix) (UK 12″)

Posted by DjPaulT on 1st August 2017

BURNING THE GROUND EXCLUSIVE 1983

“Cashflow” was the third single released by British new wave duo Leisure Process. Once again this single was produced by legendary producer/remixer Martin Rushent.

SIDE A:
Cashflow (Million Dollar Mix) 7:05
Backing Vocals – G-spots
Bass – Steve Barnacle
Drums – Pete Barnacle
Engineer – Dave Allen*
Producer –Martin Rushent
Vocals – Ross Middleton

SIDE B:
The Emigré 2 7:08
Bass – Ross Middleton
Drums [Linn], Flute – Gary Barnacle
Producer – Leisure Process International*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic ‎– EPCA 13.3131
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Guitar – Ross Middleton
Keyboards – Gary Barnacle, Ross Middleton
Photography By [Rear Cover] – Peter Ashworth
Saxophone – Peter Ashworth
Sleeve – Assorted iMaGes
Written-By – Barnacle*, Middleton*

NOTES:
Made In England

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in Leisure Process | 11 Comments »

Olivia Newton-John – Twist Of Fate (Japan 12″)

Posted by DjPaulT on 29th June 2017

BURNING THE GROUND EXCLUSIVE 1983

“Aussie Aussie Aussie, Oi Oi Oi”

“Twist of Fate” is a 1983 hit by Australian singer/actress Olivia Newton-John that headed the soundtrack for the film, Two of a Kind, starring Newton-John and John Travolta. It was written by Peter Beckett & Stephen Kipner and produced by David Foster for the film. “Twist Of Fate” debuted on the Billboard Hot 100 on November 5, 1983 peaking at #5 on January 7, 1984. It reached #4 in Australia and Canada and #57 in the UK. Billboard ranked the song at number 42 on its listing of the top 100 singles of 1984.

“Twist Of Fate” was Olivia’s second single to chart on the Billboard Dance Chart peaking at #51.

The b-sdie “Silvery Rain” is an environmentalism themed song taken from Olivia’s 1981 album “Physical”. The song was written by The Shadows member Hank Marvin and originally released as single in 1971 by Cliff Richard.

The “Extended Version” of “Twist Of Fate” has never appeared on CD.

SIDE A:
Twist Of Fate (Extended Version) 5:33
Producer – David Foster
Written-By – Peter Beckett, Steve Kipner
Engineer, Mixed By – Humberto Gatica

SIDE B:
Twist Of Fate (Single Version) 3:40
Producer – David Foster
Written-By – Peter Beckett, Steve Kipner
Engineer, Mixed By – Humberto Gatica

Silvery Rain 3:38
Producer – John Farrar
Written-By – Hank Marvin

VINYL GREADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
Insert: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Twist Of Fate U.S. Billboard Hot 100 #5
1984 Twist Of Fate U.S. Billboard Hot Dance Music/Club Play #2
1984 Twist Of Fate U.S. Billboard Year End 1984 #42

 

RELEASE INFORMATION:
Label: EMI – EMS-27013
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: 1983
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Credits: Art Direction – George Osaki
Design – Norman Moore

NOTES:
“Twist Of Fate” From the motion picture soundtrack “TWO OF A KIND“
“Silvery Rain” from the Olivia Newton-John LP “PHYSICAL”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in Olivia Newton-John | 17 Comments »

Shannon – Let The Music Play (Special Remix) (Germany 12″)

Posted by DjPaulT on 20th June 2017

BURNING THE GROUND EXCLUSIVE 1983

“Let The Music Play” is a song by American singer Shannon. The song was the first of Shannon’s four #1s on the US Dance chart, reaching the top spot in October 1983. The song also became a huge crossover hit, peaking at #2 on the soul chart and #8 on the US Singles Chart in February 1984. Some mark this as the beginning of the dance-pop era. “Let the Music Play” was Shannon’s only US Top 40 hit. It was ranked 43rd on the 2009 VH1 Special 100 Greatest One-Hit Wonders of the 1980s.

The original version of the record was produced by Mark Liggett and Chris Barbosa. By the early 1980s, the backlash against disco had driven dance music off mainstream radio stations in the US. The rhythmic ingenuity of “Let the Music Play” was largely due to Chris Barbosa, who wrote and arranged the original demo track. Rob Kilgore played all the instruments on this seminal track. It featured a series of keyboard chords and drum patterns produced by gating a Roland TR-808 drum machine. Specifically, a reverb was placed across the kick and snare and hard gated to change the sounds. Further, it was one of the first tracks to sync together a TR-808 and a Roland TB-303 bassline, notorious in later years for the instrument responsible for creating acid house. The TB-303 plays the bassline for the entire song; however, in this case, the filter is not adjusted, which was typical for acid house music. This technical achievement made the production even more groundbreaking, and it also resulted in a unique sound, called “The Shannon Sound,” which in time came to be known as freestyle. The Prophet-5 is used for the hookline and sound effects. The vocal on the chorus is sung by session guitarist/vocalist, Jimi Tunnell, who was uncredited. Shannon sings the answering line but it is Tunnell who sings the “Let the music play” hook.

Slant Magazine ranked the song #54 in its 100 Greatest Dance Songs-list in 2006, adding:

“Alongside Madonna’s “Holiday,” D.C.-born Jazz vocalist Brenda Shannon Greene’s “Let the Music Play” helped redefine dance music in the anti-disco early-’80s, setting the stage for the troubled genre for the next decade. Producers Mark Liggett and Chris Barbosa, considered one of the founding fathers of Latin freestyle, merged the then-hip electro-funk sound with Latin rhythms, unwittingly creating the world’s first freestyle song.”

SIDE A:
Let The Music Play (Special Remix) 5:47

SIDE B:
Let The Music Play (Dub-Version) 6:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Let The Music Play U.S. Billboard Hot 100 #8
1984 Let The Music Play U.S. Billboard Hot Black Singles #2
1984 Let The Music Play U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: Emergency Records ‎– 120·07·067, Bellaphon ‎– 120·07·067
Format: Vinyl, 12″, 45 RPM, Single
Country: Germany
Released: Oct 1983
Genre: Electronic
Style: Electro, Freestyle

CREDITS:
Lacquer Cut By – SST (8)
Producer – Chris Barbosa, Mark Liggett, Rod Hui
Written-By –Chris Barbosa, Ed Chisolm

NOTES:
Super Sound Single
Made in Germany by Bellaphon-Records
10/83

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in Shannon | 25 Comments »

SPK – Metal Dance (UK 12″)

Posted by DjPaulT on 7th June 2017

BURNING THE GROUND EXCLUSIVE 1983

“Metal Dance” is a synth-pop/industrial single by Australian music group formed in 1978 SPK. The single was released in March 1983 from the bands third album Machine Age Voodoo. This was the bands first single to feature Sinan Leong as the lead singer.

SIDE A:
Metal Dance (12″ Version) 7:27

SIDE B:
Will To Power 4:43

RELEASE INFORMATION:
Label: Desire Records ‎– WANTX 1
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1983
Genre: Electronic
Style: Industrial, Synth-pop

CREDITS:
Cover – Graven Images
Engineer – Mike Johnson*
Keyboards, Trumpet – Derek Thompson
Percussion [Metal] – Derek Thompson, Graeme Revell
Photography By – Peter Ashworth
Producer – Mike Johnson*, SPK
Synthesizer, Electronics –Graeme Revell
Vocals – Sinan*
Written-By – Thompson*, Revell*, Leong*

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in SPK | 17 Comments »

Sparks – All You Ever Think About Is Sex (US 12″)

Posted by DjPaulT on 13th April 2017

BURNING THE GROUND EXCLUSIVE 1983

“All You Ever Think About Is Sex” was the second single released from the album In Outer Space by American rock band Sparks. The single was remixed for it’s single release but failed to chart. The b-side is a remixed version of the album track; “Dance Godammit”.

SIDE A:
All You Ever Think About Is Sex (12″ Club Version) 5:06

SIDE B:
Dance Godammit (12″ Club Version) 4:05

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86990
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Art Direction – Larry Vigon
Engineer – Dan Lacksman
Management [Personal] – Joseph Fleury
Photography By – Jim Shea
Producer, Written-By – Ron Mael, Russell Mael
Remix – Brian Reeves

NOTES:
Produced for Giorgio Moroder Enterprises Ltd.
Mastered at Sterling Sound, New York.
Printed in U.S.A.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: , , , , , ,
Posted in Sparks | 13 Comments »

Ēbn-Ōzn – AEIOU Sometimes Y (US 12″)

Posted by DjPaulT on 12th April 2017

BURNING THE GROUND EXCLUSIVE 1983

“AEIOU Sometimes Y” is the debut single by New York based synth pop duo Ēbn-Ōzn. “AEIOU” became an international MTV and dance club hit, reaching # 20 on the Billboard Club Chart. The single also received significant black radio play and remains a modern rock radio and 1980s music staple. AllMusic writes that the song “combines intelligence, melody, and weirdness in just the right doses. Accompanied by a video that featured a stream-of-consciousness rap about ‘this incredible Swedish girl,’ and with a more serious subtext about communication, it became a bizarre but deserved hit.”

Recorded in 1981, “AEIOU” has the distinction of being the first commercial single ever recorded entirely on a computer (a Fairlight CMI) in the United States and the subsequent album, Feeling Cavalier, the first such album. Ēbn-Ōzn’s use of the Fairlight CMI’s “sampling” functions makes them true pioneers of sampling, a music recording process, which was then revolutionary and is now common practice in 21st century sound music recording.

SIDE A:
AEIOU Sometimes Y (Long Version – Vocal) 7:38

SIDE B:
AEIOU Sometimes Y (Dub Version – Instrumental) 7:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 AEIOU Sometimes Y U.S. Billboard Hot Dance Music/Club Play #20

 

RELEASE INFORMATION:
Label: Elektra ‎– 0-67915
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1983
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Art Direction, Cover [Concept By] – Lynn Dreese Breslin
Backing Vocals [The Techettes] – Jimmy Lowell, Joe Berger, Ēbn-Ōzn
Computer [Fairlight Cmi], Synthesizer [Various], Guitar, Vocals [Occasional] – Ēbn*
Cover [Concept By] – Ēbn-Ōzn
Cover [Concept By], Photography By – Virginia Liberatore
Engineer [Assistant] – Bruce Buchalter, Gregory J. Moss
Engineer [Remix] – Dave Wittman
Lead Vocals, Vocals [Characterizations], Synthesizer [Occasional] – Ōzn*
Management [Direction] –Steven E. Machat*
Mastered By – Greg Calbi
Other [Hair] – Romeo
Other [Make-up] – Yuseff Rodney
Other [Nuts And Bolts] – Kenn Fink
Other [Styling] – Kim Hastreiter
Producer [Associate] –Robert Rosen
Producer, Recorded By, Programmed By – Ned Liben
Remix – John Luongo, Ēbn-Ōzn
Written-By – Ēbn-Ōzn

NOTES:
Recorded and programmed at M.S.P. Music, NYC.
Mastered at Sterling Sound.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: , , , , , ,
Posted in Ēbn-Ōzn | 8 Comments »