Burning The Ground: DjPaulT's 80's and 90's Remixes

80's and 90's 12 Inch Mixes

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Archive for the 'The Human League' Category

Human League – (Keep Feeling) Fascination (UK 12″)

Posted by DjPaulT on 20th February 2012

BURNING THE GROUND EXCLUSIVE 1983

REQUEST

“(Keep Feeling) Fascination” is a dance song performed by British synthpop group The Human League. It was composed by Jo Callis and Philip Oakey.

The song involves lead singer Philip Oakey bouncing alternate verses between female co-vocalists Susan Ann Sulley and Joanne Catherall, but also in a rare vocal role Jo Callis.

It was released in the UK on 17 April 1983 as a non-album single, where it went to number 2 in the UK singles chart. It was later released as a single in the U.S, where it was also incorporated into the band’s stop gap EP Fascination!. The single reached number 8 on the U.S. Billboard Hot 100, and was their first number 1 single on the U.S. Hot Dance Music/Club Play chart. The EP Fascination! (which is often confused with the single) contained two versions of “(Keep Feeling) Fascination:” the extended mix and an improvisation, both different from the single version.

The single was designated ‘Red’ on the Human League’s short-lived, self-imposed labeling system of ‘Blue’ for pop songs and ‘Red’ for dance tracks.

SIDE A:
(Keep Feeling) Fascination (Extended Version) 5:00
Remix – Chris Thomas

SIDE B:
(Keep Feeling) Fascination (Improvisation) 6:15

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1983 (Keep Feeling) Fascination U.S. Billboard Hot 100 #8
1983 (Keep Feeling) Fascination U.S. Billboard Black Singles #56
1983 (Keep Feeling) Fascination U.S. Billboard Hot Dance Club Play #1
1983 (Keep Feeling) Fascination U.S. Billboard Hot Mainstream Rock Tracks #14

 

RELEASE INFORMATION:
Label: Virgin – VS 569-12
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 11 Apr 1983
Genre: Electronic
Style: Synth-pop
Credits: Producer – Human League, TheMartin Rushent
Written-By – Callis*, Oakey*

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in The Human League | 29 Comments »

The Human League – The Lebanon (UK 12″)

Posted by DjPaulT on 2nd September 2011

BURNING THE GROUND EXCLUSIVE 1984

“The Lebanon” is a song by the British Synthpop group The Human League. Written jointly by lead singer Philip Oakey and keyboard player Jo Callis, it was recorded at Air studios between 1983-1984. Originally an album track on Hysteria, it was released as a single in the UK and the U.S. and was the first single to be released from that album.

“The Lebanon” was released as a UK single in April 1984. It failed to make the impact expected by the band and Virgin Records in the charts after the number two success of “(Keep Feeling) Fascination”, only reaching #11 in the UK Singles chart and #64 on the US Billboard Hot 100 on September 6, 1984.

The song was conceived, written and recorded at a time when the band was under considerable pressure to provide Virgin Records with a follow up album to equal the enormous international success of Dare. The band had taken up residence in the £1000 a day Air Studios; they were there a full year and were agonizing (and arguing) over every note of every track.

“The Lebanon” was a radical departure from what was accepted as the soft synthpop sound of the Human League and could almost be described as rock. The track opens with a heavy bass guitar riff by Ian Burden before launching into some high tempo keyboards. The use of guitars by the band was not lost on music critics, who brought up the “no guitars rule” that the band originally had in 1981.

The lyrics were an attempt to make a political statement on the Lebanese civil war which had been exacerbated by Israeli invasion of southern Lebanon of 1982.

It was suggested that The Human League were too ‘lightweight’ to make heavy political comment and “should stick to pop and love songs”. They were criticized at the time for being banal and “out of their depth”. Later in 2007 the lines “Before he leaves the camp he stops, He scans the world outside, And where there used to be some shops, Is where the snipers sometimes hide” would be described as the ninth-worst lyrics ever in an anti-award called ‘Taxing Lyrical’.

Oakey takes the criticism in very good humour and is actually proud of the worst lyrics award. Human League singer Susan Ann Sulley justifies the song, saying that it was because they “wanted to speak up for the little people, It’s what we do, we speak up for the little people”. She goes on to say that the band just wanted to say something about the situation in Lebanon at the time and was not trying to be political for the sake of it. The band even managed to offend the subjects of the song, as they used the title “The Lebanon” which is considered by the Lebanese to be the Israeli term for the country not the correct “Lebanon”.

The music video for the song was filmed in the Theatre Royal Drury Lane, London, UK in April 1984. The video at first sight appears to be filmed at a Human League concert with the band playing live on stage. The concert was in fact fake, and was filmed in takes as the band mimed to playback. The audience were invited extras and bit part dancers were placed in the front of the stage. This is very noticeable when the camera pans onto the audience where certain extras desperately try to play up for their ‘shot at fame’.

Even though it was a faux concert, the band’s appearance on stage is notable for its layout and behaviour. The three vocalists are in a straight line at the front of the stage, a very energetic, hyperactive Susan Sulley on the left, a serious Philip Oakey in the centre and a cool, laid back, sashaying Joanne Catherall on the right, with the instrumentalists to the rear. This arrangement and personality traits can still be seen today when the band plays live.

SIDE A:
The Lebanon (Extended Version) 5:52

SIDE B:
Thirteen 4:59
The Lebanon (Instrumental) 5:04

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1984 The Lebanon U.S. Billboard Hot 100 #64
1984 the Lebanon U.S. Billboard Dance Club Plays #19

 

RELEASE INFORMATION:
Label: Virgin – VS 672-12
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 23 Apr 1984
Genre: Electronic
Style: Synth-pop
Credits: Mixed By – Hugh Padgham
Producer – Chris Thomas, Hugh Padgham, Human League, The
Written-By – Callis*, Oakey*

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 16bit 44kHz using Adobe batch processing
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi PNG format, resized to JPEG format for posting.

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in The Human League | 11 Comments »

The Human League – Don’t You Want Me (UK 12″)

Posted by DjPaulT on 12th July 2011

BURNING THE GROUND EXCLUSIVE 1981

REQUEST

“Don’t You Want Me” is a single by British synthpop group Human League, released from their album: Dare on 27 November 1981. It is the band’s best known and most commercially successful recording to date, and was the Christmas number one in the UK where it sold over 1,400,000 copies, making it the 25th most successful single in UK Singles Chart history. it later topped the Billboard Hot 100 in the US on July 3, 1982 where it stayed for three weeks.

The title is frequently misprinted by the media and by covering artists; the correct song title is “Don’t You Want Me”; not “Don’t You Want Me Baby”, which is the chorus.

The lyrics were originally inspired after lead singer Philip Oakey read a story in a “trashy US tabloid”. Originally conceived and recorded in the studio as a male solo, Oakey was inspired by the film A Star Is Born and decided to turn the song into a conflicting duet with one of the band’s two teenage female vocalists. Susan Ann Sulley was then asked to take on the role. Up until then, she and the other female vocalist Joanne Catherall had only been assigned backing vocals; Sulley says she was chosen only through “luck of the draw”. Musicians Jo Callis and Philip Adrian Wright created a synthesizer score to accompany the lyrics which was much harsher than the version that was actually released. Initial versions of the song were recorded but Virgin Records-appointed producer Martin Rushent was unhappy with them. He and Callis remixed the track, giving it a softer, and in Oakey’s opinion, “poppy” sound. Oakey hated the new version and thought it the weakest track on Dare, resulting in one of his infamous rows with Rushent. Oakey disliked it so much that it was relegated to the last track on the B side of the (then) vinyl album.

Before the release of Dare, two of its tracks—”The Sound of the Crowd” and “Love Action (I Believe in Love)”—had already been released as successful singles. To promote the new album, Virgin released “Open Your Heart” in October 1981, which hit #6 in the UK Singles Chart. With a hit album and three hit singles in a row, Virgin’s Chief Exectutive Simon Draper decided to release one more single from the album before the end of 1981. His choice, “Don’t You Want Me”, instantly caused a row with Oakey who did not want another single to be released because he was convinced that “the public were now sick of hearing The Human League” and the choice of the “poor quality filler track” would almost certainly be a disaster, wrecking the group’s new found popularity. Virgin were adamant that a fourth single would be released and Oakey finally agreed on the condition that a large colour poster accompany the 7″ single, because he felt fans would “feel ripped off” by the ‘substandard’ single alone.

“Don’t You Want Me” was released in the UK on 27 November 1981. To the amazement of the band (and especially Oakey), it shot to number one on the UK charts. This success was repeated six months later in the U.S., with “Don’t You Want Me” hitting #1 on the Billboard Hot 100 for three weeks. Billboard magazine ranked it as the sixth-biggest hit of 1982. The single was certified Gold by the RIAA the same year for sales of a million copies.

The Human League often added cryptic references to their productions and the record sleeve of “Don’t You Want Me” featured the suffix of “100”. This was a reference to The 100 Club, a restaurant/bar in Sheffield.

Today, the song is widely considered a classic of its era. Oakey still describes it as overrated, but acknowledges his initial dismissal was misguided and claims pride in the track.

An urban myth has grown around the song that it is autobiographical, this is untrue. Susan Ann Sulley is often irritated that she constantly has to refute the mistaken belief that the song is a reference to her and Joanne Catherall joining the band. At only 17 years old when the song was recorded, she was legally too young by UK law to have been a cocktail waitress and was, in fact, still in Secondary School. Oakey is also at pains to point out another misconception, that it is not a love song, but “a nasty song about sexual power politics” .

The song was remixed and re-released in 1995, peaking at #16 on the UK chart.

SIDE A:
Don’t You Want Me 3:56
Seconds 5:01

SIDE B:
Don’t You Want Me (Ext. Dance Mix) 7:31

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1982 Don’t You Want Me U.S. Billboard Hot 100 #1
1982 Don’t You Want Me U.S. Billboard Mainstream Rock Tracks #4
1982 Don’t You Want Me U.S. Billboard Hot Dance Club Play #3

 

RELEASE INFORMATION:
Label: Virgin
Catalog#: VS 466-12
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 23 Nov 1981
Genre: Electronic
Style: Synth-pop
Credits: Producer – Human League, The, Martin Rushent
Written-By – Callis*, Wright*, Oakey*

NOTES:
Thank you Gangsters restaurant, Sheffield.
Side A: Taken from the album “Dare” (V2192)

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super 20
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 16bit 44kHz using Adobe batch processing
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi PNG format, resized to JPEG format for posting.

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: ,
Posted in The Human League | 16 Comments »

The Human League – Heart Like A Wheel (UK 12″)

Posted by DjPaulT on 25th May 2011

BURNING THE GROUND EXCLUSIVE 1990

“Heart Like a Wheel” is a song by the British synthpop group The Human League. It is taken from the Romantic? album of 1990.

“Heart Like a Wheel” was the first single to be taken from the Human League’s Romantic? album of 1990. It was written by former band member Jo Callis with Eugene Reynolds (of The Rezillos) and features vocals by Philip Oakey, Joanne Catherall and Susan Ann Sulley; with the synthesizer skills of Neil Sutton. It was recorded at Genetic Sound Studios during 1990 and produced by Martin Rushent who was reconciled with the band after an eight-year gap.

The song is a return to the overtly political lyrics that the Human League sometimes do, but dressed up to a poppy hook that makes it palatable to the public. Whereas “The Lebanon” of 1984 was the Human League’s view of the Israeli Invasion of Southern Lebanon and subsequent civil war, “Heart Like a Wheel” is a commentary on U.S. military imperialism. Callis’s lyrics are suitably vague using references such as “sell your soul to a holy war”. At a time when Jihad was all but unheard of in the West, it went of over the heads of most of the song’s listeners. Ironically 11 years events later ’9/11, then Iraq and Afghanistan would make the song seem written for that epoch. Although it is rarely something the band dwell on allowing people to read what they want into the lyrics.

Released in the UK in August 1990, “Heart Like a Wheel” reached number 29 in the UK and number 32 in the US. A decade after the release, the record is still popular, featuring in a number of third party remixes including some by William Orbit. Also the band frequently play the song live, as it is a very live-friendly track and although not one of their greatest hits, it is still very popular with audiences. Oakey also now often explains the political message to the audiences usually describing it “an anti-war song”.

The music video for “Heart Like a Wheel” was commissioned by a now weary Virgin Records who were, in 1990, seriously losing interest in the band. The video directed by Andy Morahan was cheaply shot in a blue-lit studio with graphic spinning wheel and spark effects. Although the band tried hard, the studio set bore no relation to the lyrical content and only succeeded in reinforcing the song as ‘bubblegum’ pop in the minds of the public. Philip Oakey had by now rebelled against the ‘male model look he was ‘forced’ to adopt during Crash and had taken to wearing biker’s leathers. He had also returned to his lopsided hair style of 1981. But now in his mid 30s the look was derided by the media at the time. The girls, Sulley and Catherall however, who were now in their late 20s and in their prime, had shed the awkward schoolgirl look of the 1980s.

SIDE A:
Heart Like A Wheel (Extended Mix) 6:52
Remix – Mark Saunders

SIDE B:
Heart Like A Wheel (LP Version) 4:28
Heart Like A Wheel (7″ Remix) 4:35
Remix – William Orbit

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

CHARTS:

Year Single Chart Position
1990 Heart Like A Wheel U.S. Billboard Hot 100 #32
1990 Heart Like A Wheel U.S. Billboard Hot Alternative Songs #17

 

RELEASE INFORMATION:
Label: A&M Records
Catalog#: 75021 2336 1
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1990
Genre: Electronic
Style: Synth-pop
Credits: Producer, Mixed By – Martin Rushent
Written-By – Eugene Reynolds, Jo Callis

NOTES:
From the album, cassette & compact disc “romantic?”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super 20
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 16bit 44kHz using Adobe batch processing
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi PNG format, resized to JPEG format for posting.

PW: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: , , , ,
Posted in The Human League | 8 Comments »