Burning The Ground: DjPaulT's 80's and 90's Remixes

80's and 90's 12 Inch Mixes

Archive for the 'Boy George' Category

Band Aid – Band Aid Special (Japan LP)

Posted by DjPaulT on 20th December 2017

BURNING THE GROUND EXCLUSIVE 1985

Probably my biggest undertaking to date since I usually do not transfer full albums. I have been working on this off and on over the last rew days and I think it turned out nicely. The Japan pressings always sound very good. I realize this album was released on CD however I prefer vinyl and for those of you who share that love I really hope you enjoy this collection.

Happy, Merry Christmas! -DjPaulT

“Band Aid Special” is a 1985 album compiled by Mercury Records in Japan, released on March 31, 1985 a few months after the release of the single “Do They Know It’s Christmas?”. This compilation contains all three mixes of “Do They Know It’s Christmas?”that were originally released on 12” single. The rest of the album was filled artists that were involved with the recording of “Do They Know It’s Christmas?”, along with other artists to fill out the album.

The album was re-issued in December 1985 under the title “Rock ‘Now” 12 Hits!”.

Band Aid is a charity supergroup featuring mainly British and Irish musicians and recording artists.was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in Ethiopia by releasing the song “Do They Know It’s Christmas?” for the Christmas market that year. On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released in the UK four days later. The single surpassed the hopes of the producers to become the Christmas number one on that release. The 12″ version was mixed by Trevor Horn.

SIDE A:
Band AidDo They Know It’s Christmas? (12″ Mix) 6:13
Engineer – Trevor Horn
Producer – Midge Ure, Trevor Horn
Remix – Trevor Horn
Written-By – Geldof*, Ure*

Big CountryIn A Big Country 3:52
Producer – Steve Lillywhite
Written-By – Big Country

Marilyn Calling Your Name 4:04
Producer – Clive Langer & Alan Winstanley
Written-By – Marilyn, Caplin*

Status QuoMarguerita Time 3:27
Producer – Quo*
Written-By – Frost*, Rossi*

The Boomtown Rats Tonight 3:53
Producer – The Boomtown Rats
Written-By – Bob Geldof

GenesisThat’s All  4:23
Producer – Genesis, Hugh Padgham
Written-By – Genesis

SIDE B:
Band AidDo They Know It’s Christmas? 3:53
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

BBon JoviRunaway 3:51
Producer – Lance Quinn, Tony Bongiovi
Written-By – G. Karak*, J. Bon Jovi*

Elton JohnSad Songs (Say So Much) 4:48
Producer – Chris Thomas
Written-By – Elton John & Bernie Taupin

ABCThe Look Of Love 3:29
Producer – Trevor Horn
Written-By – ABC

Tears For FearsMothers Talk 3:54
Backing Vocals – Stevie Lange
Producer – Chris Hughes
Written-By – Ian Stanley

Band AidFeed The World 4:16
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: Mercury – 25PP-161
Format: Vinyl, LP, Compilation
Country: Japan
Released: 1985
Genre: Electronic, Rock, Pop
Style: Alternative Rock, New Wave, Pop Rock, Synth-pop

NOTES:
Among super hits of prominent names included on this special compilation album are songs by The Boomtown Rats, Big Country, Genesis, Status Quo, and Marilyn who participated in the Band Aid project.

℗ 1985 Phonogram International, B.V.
Manufactured and Distributed by Nippon Phonogram Co., Ltd.
Made in Japan

Find the LP on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in ABC, Band Aid, Big Country, Bob Geldof, Bon Jovi, Boy George, Culture Club, David Bowie, Duran Duran, Elton John, Frankie Goes To Hollywood, Genesis, George Michael, Heaven 17, Holly Johnson, John Taylor, Marilyn, Midge Ure, Paul McCartney, Phil Collins, Spandau Ballet, Status Quo, Sting, Tears For Fears, The Boomtown Rats, U2, Ultravox, Various Artists | 32 Comments »

Ferry Aid – Let It Be (US 12″)

Posted by DjPaulT on 23rd May 2017

BURNING THE GROUND EXCLUSIVE 1987

Although this single was recorded to help victims of a 1987 tragedy. Today we pray for those affected in Manchester, England.

Ferry Aid were a British-American ensemble group, brought together to record the song “Let It Be” in 1987. The single was released following the Zeebrugge Disaster, which had occurred on 6 March 1987 involving the capsizing of the MS Herald of Free Enterprise ferry, which killed 193 passengers and crew. All proceeds from sales of the single were donated to the charity set up in the aftermath of the disaster. The recording was organised by The Sun newspaper, after it had sold cheap tickets for the ferry on that day. “Let It Be” was written by Lennon–McCartney and originally recorded by The Beatles in 1969.

Garry Bushell, then with The Sun newspaper, organised the recording of the song by recruiting record producers Stock, Aitken and Waterman. They then put an invitation out to the music industry for artists to contribute their vocals to the song. Although many stars were initially reluctant to join forces with the newspaper, eventually artists such as Boy George, Kate Bush, Gary Moore and Mark Knopfler agreed to take part. Original writer, Paul McCartney also contributed to the song, although his performance (and section in the accompanying video) were recorded independently in his own studios. In fact, it was later revealed that McCartney used his voice of the original recording of the 1970 Beatles track and added it to the Ferry Aid recording. The song was recorded over three days between 14 and 16 March 1987 and the single was released on Monday 23 March 1987. The first artist to record his part was Mark King (who also played bass guitar on the song) on the Saturday morning, while the last was Paul King on Monday evening.

In the original Beatles recording George Harrison did the guitar solo but for the purposes of this song – as shown in the video – the solo was divided with Gary Moore first, then Mark Knopfler, then back to Gary Moore with Moore’s parts being more ‘rock’ and Knopfler’s being more laid-back.

“Let It Be” reached #1 in the UK Singles Chart in its first week on 4 April 1987, and remained at that position for three weeks. It was the 13th best selling single of the year in the UK; it was certified gold for shipping over 500,000 copies. The single was also a number one hit in Norway and Switzerland, and reached the top 10 in several European countries.

Artists to have contributed and performed solo spots on the song are as follows:

Paul McCartney
Boy George
Keren Woodward and Nick Kamen
Paul King
Mark King
Jaki Graham
Taffy
Mark Knopfler (guitar solo)
Andy Bell
Pepsi & Shirlie
Mel and Kim
Gary Moore (guitar solo)
Kim Wilde and Nik Kershaw
Edwin Starr
Ben Volpeliere-Pierrot
Ruby Turner
Kate Bush

The closing choruses of the song feature an ensemble choir featuring many of the above performers as well other recording artists. The back-up chorus consisted of:

The Alarm, John Altman, Debee Ashby, Al Ashton, Rick Astley, Bananarama, Simon Bates, Alison Bettles, Jenny Blythe, Errol Brown, Miquel Brown, Bucks Fizz, Jay Carly, The Christians, Nick Conway, Linda Davidson, Hazell Dean, Anne Diamond, Difford and Tilbrook, Doctor and the Medics, The Drifters, Drum Theatre, Frankie Goes to Hollywood, Roy Gayle, Go West, Carol Hitchcock, Felix Howard, Gloria Hunniford, Imagination, Jenny Jay, Ellie Laine, Annabel Lamb, Stephanie Lawrence, Loose Ends, Linda Lusardi, Ruth Madoc, Bobby McVey, Suzanne Mizzi, The New Seekers, Sadie Nine, The Nolans, Hazel O’Connor, Mike Osman, Su Pollard, Tim Polley, Pamela Power, Maxi Priest, Princess, Jimmy Pursey, Suzi Quatro, Mike Read, Sally Sagoe, Nejdet Salih, Ray Shell, Mandy Smith, Neville Stapleton, Alvin Stardust, Steve Strange, Sylvia Tella, Terraplane, Bonnie Tyler, Maria Whittaker, Working Week.

SIDE A:
Let It Be 6:30
Engineer – Mark McGuire
Mixed By – Burni Adams, Jamie Bromfield

SIDE B:
Let It Be (Mega Message Mix) 6:11
Mixed By – Jamie Bromfield

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7147
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Pop/Rock

CREDITS:
Bass – Mark King
Drums – A. Lynn
Guitar – Gary Moore, Mark Knopfler
Keyboards – Matt Aitken, Mike Stock
Producer – Stock/Aitken/Waterman*
Written-By – Lennon/McCartney*

NOTES:
Recorded at PWL Studios.
Special thanks to: Michael Jackson and Paul McCartney

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

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Posted in Boy George, David Bowie, Erasure, Ferry Aid, Kate Bush, Kim Wilde, King, Mel & Kim, Nick Kamen, Nik Kershaw, Paul McCartney, Pepsi & Shirlie, Taffy | 16 Comments »

Culture Club – Do You Really Want To Hurt Me (UK 12″)

Posted by DjPaulT on 22nd September 2016

BURNING THE GROUND EXCLUSIVE 1982

a-front

“Do You Really Want to Hurt Me” is a song written and recorded by the British new wave band Culture Club. Released as a single in September 1982 from the group’s platinum-selling debut album Kissing to Be Clever, it was the band’s first UK #1 hit. In the United States, the single was released in November 1982 and also became a huge hit, reaching #2 for three weeks.

“Do You Really Want to Hurt Me” was the third single released in Europe by Culture Club and their debut release in the United States and Canada. The song was picked up by BBC Radio 2 and became a UK #1 single for three weeks in October 1982. The song entered the American Pop chart the week ending December 4, 1982. It hit #1 in Cash Box magazine and held at #2 for three weeks on the Billboard Hot 100 chart in March and April 1983 (kept from the #1 spot by Michael Jackson’s “Billie Jean”). The single achieved sales of 900,000 US copies and also hit #1 in Canada. It was also number one in Australia.

This was Culture Club’s first success, after their first two releases, “White Boy” and “I’m Afraid of Me” charted in the UK at #114 and #100 respectively. According to Boy George, it was their last chance to get an album deal.

The song rose rapidly in the UK charts after the group’s first appearance on Top of the Pops, which resulted in George’s androgynous style of dress and sexual ambiguity making newspaper headlines. The group were only asked to appear on Top of the Pops the night before the show, after Shakin’ Stevens pulled out.

In a retrospective review, Allmusic journalist Jose F. Promis described “Do You Really Want to Hurt Me” as “a simple masterpiece, resonating with an ache that harked back to the classic torch songs of yesteryear.”

In 2007, Boy George said that the song was “not just about Culture Club’s drummer Jon Moss, my boyfriend at the time. It was about all the guys I dated at that time in my life.”

The B-side was a dub version featuring Pappa Weasel in many countries and “You Know I’m Not Crazy” on the US release. On the 12″ version of the record, the track “Love Is Cold (You Were Never No Good)” was also included.

SIDE A:
Do You Really Want To Hurt Me 4:22
Do You Really Want To Hurt Me (Dub Version) 3:39

SIDE B:
Love Is Cold (You Were Never No Good) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Do You Really Want To Hurt Me U.S. Billboard Hot 100 #2
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Black Singles #39
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Adult Contemporary #8
1983 Do You Really Want To Hurt Me U.S. Billboard Mainstream Rock Tracks #21

 

RELEASE INFORMATION:
Label: Virgin ‎– VS 518-12
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Sep 1982
Genre: Reggae, Pop
Style: Reggae-Pop, Dub

CREDITS:
Bass – Michael Craig
Design [Cover] – Jik Graham
Drums, Percussion –Jon Moss
Engineer [Assistant Engineer] – Gordon Milne (tracks: A1, A2), Richard Lengyel (tracks: B1)
Featuring, Vocals [Additional Vocals] – Papa Weasel* (tracks: A2)
Guitar, Keyboards, Piano – Roy Hay
Mastered By – JA*
Mixed By – Jon Moss (tracks: A1, A2)
Photography By – Mark LeBon
Producer, Engineer, Mixed By – Steve Levine
Vocals – Boy George
Vocals [Additional Vocals] – Helen Terry
Written-By, Performer – Culture Club

NOTES:
The debut album “KISSING TO BE CLEVER”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: , , , , , , , , ,
Posted in Boy George, Culture Club | 16 Comments »

Culture Club – Mystery Boy (Japan 7″)

Posted by DjPaulT on 28th July 2016

BURNING THE GROUND EXCLUSIVE 1982

A. Front

I am going to see Culture Club live tonight at The Joint located at the Hard Rock Hotel/Casino here in Tulsa. It’s the original band line up with Boy George, Jon Moss, Michael Craig and Roy Hay. Their current tour has been getting great reviews so I am excited to see them live for the first time.

“Mystery Boy” was a single only released in Japan in 1982. The mix on this single, and the Japanese album “Kissing To Be Clever” is an alternate version than what appeared in the US and UK where the song was a b-side. This alternate mix includes a piano break which was removed from the US and UK releases. The song was also used in a Japanese TV ad for Suntori brand whiskey with “Hot Whiskey” lyrics.

SIDE A:
Mystery Boy 3:35

SIDE B:
Murder Rap Trap 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label:Virgin ‎– VIPX-1667
Format:Vinyl, 7″, 45 RPM, Single
Country:Japan
Released:1982
Genre:Rock
Style:New Wave

CREDITS:
Producer – Steve Levine
Vocals – Captain Crucial (tracks: B)
Written-By – Culture Club

NOTES:
Japanese only release in plain paper sleeve with full color lyric insert.
This version of “Mystery Boy” is an alternate version to the mix released in Europe and North America.

Find the 7″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: , , , , , ,
Posted in Boy George, Culture Club | 12 Comments »

Culture Club – Gusto Blusto (US 12″)

Posted by DjPaulT on 18th July 2016

BURNING THE GROUND EXCLUSIVE 1986

Side A Label

pinkhype

Originally posted April 3, 2010

“Gusto Blusto” was the second single released only in the US and Canada from Culture Clubs 1986 album “From Luxury To Heartache”. The song failed to chart and a music video was never filmed for the single.

SIDE A:
Gusto Blusto (Extended Dance Mix) 6:38

SIDE B:
Gusto Blusto (Rock Mix) 4:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic ‎– 49 05916, Virgin ‎– 49 05916
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1986
Genre: Electronic, Rock, Pop
Style: Synth-pop, New Wave

CREDITS:
Producer, Mixed By, Edited By [Special Edits] – Arif Mardin
Producer, Mixed By, Recorded By – Lew Hahn
Written-By – Culture Club, Pickett*

NOTES:
Special versions from the LP “FROM LUXURY TO HEARTACHE”

Find the 12″ on DISCOGS

Side B Label

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: , , , , , ,
Posted in Boy George, Culture Club | 7 Comments »

Boy George – Don’t Cry (UK 12″)

Posted by DjPaulT on 25th April 2016

BURNING THE GROUND EXCLUSIVE 1988

A. Front

“Don’t Cry” was the first single taken from the album High Hat by English singer and Culture Club front man Boy George. The single debuted on the U.K. singles chart on August 10, 1988 peaking at #60.

SIDE A:
Don’t Cry (In Full) 7:01

SIDE B:
Don’t Cry (Edit) 4″09

Leave In Love 5:03
Vocals [Vocal Solo] – Carroll Thompson

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– BOY 107 12
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork By [Sleeve Design] – Mx + Tex
Design [Sleeve Design] – Assorted Images
Mixed By – Mike Pela
Photography By – Brad Branson, Industria (3)
Producer – Bobby Z*
Written-By – Bobby Z*, O’Dowd*, Maidman* (tracks: A, B1)

NOTES:
Mixed (for Powerplant London)
Thanks To: Fritz Kok & Debbie Bunn

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Tags: , , , , , , , ,
Posted in Boy George, Culture Club | 20 Comments »