Posted by DjPaulT on February 3rd, 2017
BURNING THE GROUND EXCLUSIVE 1984
“Mothers Talk” is a 1984 song by the British band Tears for Fears. Written by Roland Orzabal and Ian Stanley and sung by Orzabal, it was the band’s seventh single release (the first to be taken from their second album Songs from the Big Chair (1985) and fifth UK Top 40 chart hit. The song was released six months in advance of the album and showcased the band’s edgier sound, as compared to their debut LP The Hurting (1983). It was also a moderate success internationally.
“Mothers Talk” was written in 1983 and was first publicly performed during the band’s late 1983 tour. In early 1984, the band went into the studio to record the song as their next single, though the recording sessions with their new producer Jeremy Green did not work out as planned and the recording was scrapped. The band’s previous producer, Chris Hughes, was then brought back into the fold and the song was re-recorded and finally released as a single in August 1984. Hughes stayed on with the band to record their second album, Songs from the Big Chair.
Along with its B-side, “Empire Building”, “Mothers Talk” was one of the first Tears for Fears songs to demonstrate a creative use of sampling. The strings at the beginning of the song were culled from a Barry Manilow record, while the drum sample around which “Empire Building” is built was lifted from the Simple Minds song “Today I Died Again”. This was the second Tears for Fears single for which Phonogram Records would use the picture disc and coloured vinyl gimmicks as a promotional tool, as well as the first one to feature multiple 12″ releases offering different remixes of the track. Limited quantities of the 7″ single also came with a free Tears For Fears window sticker of the band’s new logo.
Vinyl: Near Mint
Sleeve: Near Mint
Track B was not produced
Find the 12″ on DISCOGS
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
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