Posted by DjPaulT on January 20th, 2016
BURNING THE GROUND EXCLUSIVE 1984
Originally posted January 20, 8012
“Blue Jean” is a song from the album Tonight by David Bowie. One of only two tracks on the album to be written entirely by Bowie, it was released as a single ahead of the album.
Loosely inspired by Eddie Cochran, the song was an uncomplicated composition, recalling earlier Bowie rockers such as “The Jean Genie,” and is generally regarded as one of the better parts of a disappointing album.
Following the huge commercial success of Bowie’s previous album, Let’s Dance, its singles and the Serious Moonlight Tour, “Blue Jean” was launched with massive promotion. Julien Temple was engaged to direct a 21-minute short film to promote the song, Jazzin’ for Blue Jean. The song performance segment from this was also used as a more conventional music video.
“Blue Jean” was a hit in the UK and America, reaching No. 6 and No. 8, respectively.
The song would remain in Bowie’s live repertoire for the rest of his career, being performed on tours in 1987, 1990 and 2004.
Interviewed in 1987 and asked to compare a track like “Time Will Crawl” to “Blue Jean,” Bowie said “‘Blue Jean’ is a piece of sexist rock ‘n roll. [laughs] It’s about picking up birds. It’s not very cerebral, that piece.”
The flip side “Dancing with the Big Boys,” which Bowie also co-wrote with Iggy Pop, was written and recorded in eight hours as Bowie and Pop egged each other on. In what was described as an “exhilarating rush,” Bowie and Pop “went in [to the studio] with a few bottles of beer and would virtually bellow out anything that came into their heads,” said Hugh Padgham. “And I just recorded it all.” The song is about the “little guy” being crushed by “oppressive corporate structures.” The lyrics were taken from a backlog of unused lyrics; the line “this dot marks your location” was a reference to a “lengthy irritating stay” at a New York Hotel (Bowie had been looking at the hotel room’s fire escape map), and “Your family is a football team” was a reference to the immigrant families working in New York; “the whole family [has] to work together for survival.”
The track elicited this from Bowie:
There’s a particular sound I’m after that I haven’t really got yet; I’ll either crack it on the next album or retire from it. I think I got quite close to it on “Dancing with the Big Boys.” … I got very musical over the last couple of years – trying to write musically and develop things the way people used to write in the Fifties. I stayed away from experimentation. Now, I think I should be a bit more adventurous. And in “Big Boys,” Iggy and I broke away from all that for one track, and it came nearer to the sound I was looking for than anything else.
Vinyl: Near Mint
Sleeve: Near Mint
U.S. CHART HISTORY:
|1984||Blue Jean||U.S. Billboard Hot 100||#8|
|1984||Blue Jean||U.S. Billboard Mainstream Rock Tracks||#2|
|1984||Blue Jean||U.S. Billboard Hot DanceMusic/Club Play||#2|
Label: EMI America – V-7838-1/2
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Genre: Electronic, Rock
Style: Pop Synth-pop
Album versions can be heard on “TONIGHT”
Find the 12″ on DISCOGS
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
Artwork scanned at 600dpi
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